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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #489BCB it is the complementary color #B76434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #489BCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #489BCB: #4D9BC6, #5EADD9, #6FBFEC, #80D1FF and #91E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #489BCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #489BCB: #489BCB, #3789B8, #2677A5, #156592 and #04537F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

Complementary color

CMYK 0 / 45 / 72 / 28

HEX #B76434

RGB 183 100 52

HSL 21.98, 0.56%, 0.46%

LAB 51.19, 29.5, 41.03

 

CMYK 61 / 22 / 0 / 22

HEX #4D9BC6

RGB 77 155 198

HSL 201.32, 0.51%, 0.54%

LAB 60.87, -11.07, -29.34

 

CMYK 57 / 20 / 0 / 15

HEX #5EADD9

RGB 94 173 217

HSL 201.46, 0.62%, 0.61%

LAB 67.48, -11.71, -29.62

 

CMYK 53 / 19 / 0 / 7

HEX #6FBFEC

RGB 111 191 236

HSL 201.6, 0.77%, 0.68%

LAB 74, -12.2, -29.88

 

CMYK 50 / 18 / 0 / 0

HEX #80D1FF

RGB 128 209 255

HSL 201.73, 1%, 0.75%

LAB 80.41, -12.6, -30.15

 

CMYK 43 / 11 / 0 / 0

HEX #91E3FF

RGB 145 227 255

HSL 195.27, 1%, 0.78%

LAB 86.1, -17.94, -21.41

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 70 / 26 / 0 / 28

HEX #3789B8

RGB 55 137 184

HSL 201.86, 0.54%, 0.47%

LAB 54.2, -9.35, -31.83

 

CMYK 77 / 28 / 0 / 35

HEX #2677A5

RGB 38 119 165

HSL 201.73, 0.63%, 0.4%

LAB 47.39, -8.02, -31.51

 

CMYK 86 / 31 / 0 / 43

HEX #156592

RGB 21 101 146

HSL 201.6, 0.75%, 0.33%

LAB 40.48, -6.22, -31.13

 

CMYK 97 / 35 / 0 / 50

HEX #04537F

RGB 4 83 127

HSL 201.46, 0.94%, 0.26%

LAB 33.45, -3.8, -30.68

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 65 / 33 / 0 / 20

HEX #4887CB

RGB 72 135 203

HSL 211.15, 0.56%, 0.54%

LAB 55.09, 1.11, -41.2

 

CMYK 65 / 44 / 0 / 20

HEX #4871CB

RGB 72 113 203

HSL 221.22, 0.56%, 0.54%

LAB 48.88, 14.5, -51.05

 

CMYK 65 / 55 / 0 / 20

HEX #485BCB

RGB 72 91 203

HSL 231.3, 0.56%, 0.54%

LAB 43.02, 28.38, -60.49

 

CMYK 64 / 65 / 0 / 20

HEX #4A48CB

RGB 74 72 203

HSL 240.92, 0.56%, 0.54%

LAB 38.56, 40.47, -67.76

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 65 / 24 / 0 / 0

HEX #5AC2FE

RGB 90 194 254

HSL 201.95, 0.99%, 0.67%

LAB 74.77, -12.24, -38.44

 

CMYK 64 / 24 / 0 / 80

HEX #122632

RGB 18 38 50

HSL 202.5, 0.47%, 0.13%

LAB 14.09, -3.77, -10.32

 

CMYK 64 / 24 / 0 / 60

HEX #244D65

RGB 36 77 101

HSL 202.15, 0.47%, 0.27%

LAB 30.93, -6.23, -18.29

 

CMYK 64 / 24 / 0 / 40

HEX #367498

RGB 54 116 152

HSL 202.04, 0.48%, 0.4%

LAB 46.37, -8.37, -25.44

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 29 / 65 / 0 / 20

HEX #9048CB

RGB 144 72 203

HSL 272.98, 0.56%, 0.54%

LAB 45.46, 53.71, -56.22

 

CMYK 0 / 3 / 65 / 20

HEX #CBC448

RGB 203 196 72

HSL 56.79, 0.56%, 0.54%

LAB 77.66, -12.48, 60.81

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 0 / 65 / 23 / 20

HEX #CB489D

RGB 203 72 157

HSL 321.07, 0.56%, 0.54%

LAB 51.57, 60.28, -19.15

 

CMYK 23 / 0 / 65 / 20

HEX #9DCB48

RGB 157 203 72

HSL 81.07, 0.56%, 0.54%

LAB 76.28, -34.57, 58.33

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 29 / 65 / 0 / 20

HEX #9048CB

RGB 144 72 203

HSL 272.98, 0.56%, 0.54%

LAB 45.46, 53.71, -56.22

 

CMYK 0 / 42 / 65 / 20

HEX #CB7548

RGB 203 117 72

HSL 20.61, 0.56%, 0.54%

LAB 57.93, 29.75, 38.97

 

CMYK 35 / 0 / 65 / 20

HEX #83CB48

RGB 131 203 72

HSL 92.98, 0.56%, 0.54%

LAB 74.83, -44.08, 56.34

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

CMYK 10 / 65 / 0 / 20

HEX #B748CB

RGB 183 72 203

HSL 290.84, 0.56%, 0.54%

LAB 50.7, 62.57, -47.54

 

CMYK 0 / 42 / 65 / 20

HEX #CB7548

RGB 203 117 72

HSL 20.61, 0.56%, 0.54%

LAB 57.93, 29.75, 38.97

 

CMYK 55 / 0 / 65 / 20

HEX #5BCB48

RGB 91 203 72

HSL 111.3, 0.56%, 0.54%

LAB 73.16, -56.26, 54.04

 

Description

Color code: HEX #489BCB | qconv.com Color code: HEX #489BCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 155 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 155 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 24 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 24% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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