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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA363B it is the complementary color #45C9C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA363B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BA363B: #BF3636, #D04849, #E15A5C, #F26C6F and #FF7E82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA363B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BA363B: #BA363B, #A92428, #981215, #870002 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

Complementary color

CMYK 66 / 0 / 2 / 21

HEX #45C9C4

RGB 69 201 196

HSL 177.73, 0.55%, 0.53%

LAB 74.21, -36.32, -8.03

 

CMYK 0 / 72 / 72 / 25

HEX #BF3636

RGB 191 54 54

HSL 0, 0.56%, 0.48%

LAB 44.21, 54.18, 32.42

 

CMYK 0 / 65 / 65 / 18

HEX #D04849

RGB 208 72 73

HSL 359.56, 0.59%, 0.55%

LAB 50.13, 53.62, 29.13

 

CMYK 0 / 60 / 59 / 12

HEX #E15A5C

RGB 225 90 92

HSL 359.11, 0.69%, 0.62%

LAB 56.18, 52.77, 26.36

 

CMYK 0 / 55 / 54 / 5

HEX #F26C6F

RGB 242 108 111

HSL 358.66, 0.84%, 0.69%

LAB 62.3, 51.78, 24

 

CMYK 0 / 51 / 49 / 0

HEX #FF7E82

RGB 255 126 130

HSL 358.14, 1%, 0.75%

LAB 67.87, 49.34, 21.1

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 0 / 79 / 76 / 34

HEX #A92428

RGB 169 36 40

HSL 358.2, 0.65%, 0.4%

LAB 37.57, 52.86, 32.01

 

CMYK 0 / 88 / 86 / 40

HEX #981215

RGB 152 18 21

HSL 358.66, 0.79%, 0.33%

LAB 32.17, 51.94, 36.3

 

CMYK 0 / 100 / 99 / 47

HEX #870002

RGB 135 0 2

HSL 359.11, 1%, 0.26%

LAB 27.17, 49.97, 39.34

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 51 / 71 / 27

HEX #B95B35

RGB 185 91 53

HSL 17.27, 0.55%, 0.47%

LAB 49.56, 35.15, 38.8

 

CMYK 0 / 39 / 71 / 27

HEX #B97135

RGB 185 113 53

HSL 27.27, 0.55%, 0.47%

LAB 54.43, 23.29, 44.12

 

CMYK 0 / 27 / 71 / 27

HEX #B98735

RGB 185 135 53

HSL 37.27, 0.55%, 0.47%

LAB 59.8, 11.1, 49.78

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 0 / 71 / 68 / 7

HEX #ED454B

RGB 237 69 75

HSL 357.86, 0.82%, 0.6%

LAB 54.83, 64.07, 34.9

 

CMYK 0 / 70 / 70 / 87

HEX #210A0A

RGB 33 10 10

HSL 0, 0.53%, 0.08%

LAB 5.08, 10.49, 3.69

 

CMYK 0 / 71 / 68 / 67

HEX #54181B

RGB 84 24 27

HSL 357, 0.56%, 0.21%

LAB 18.44, 28.05, 13.42

 

CMYK 0 / 71 / 68 / 47

HEX #87272B

RGB 135 39 43

HSL 357.5, 0.55%, 0.34%

LAB 31.29, 40.94, 21.09

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 11 / 0 / 71 / 27

HEX #A5B935

RGB 165 185 53

HSL 69.09, 0.55%, 0.47%

LAB 71.52, -24.04, 60.99

 

CMYK 71 / 39 / 0 / 27

HEX #3571B9

RGB 53 113 185

HSL 212.73, 0.55%, 0.47%

LAB 47.07, 4.99, -43.64

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 68 / 0 / 71 / 27

HEX #3CB935

RGB 60 185 53

HSL 116.82, 0.55%, 0.47%

LAB 66.46, -58.74, 54.23

 

CMYK 71 / 68 / 0 / 27

HEX #353CB9

RGB 53 60 185

HSL 236.82, 0.55%, 0.47%

LAB 32.9, 38.94, -66.54

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 11 / 0 / 71 / 27

HEX #A5B935

RGB 165 185 53

HSL 69.09, 0.55%, 0.47%

LAB 71.52, -24.04, 60.99

 

CMYK 71 / 0 / 3 / 27

HEX #35B9B3

RGB 53 185 179

HSL 177.27, 0.55%, 0.47%

LAB 68.54, -35.9, -7.19

 

CMYK 61 / 71 / 0 / 27

HEX #4935B9

RGB 73 53 185

HSL 249.09, 0.55%, 0.47%

LAB 32.84, 45.6, -66.58

 

CMYK 0 / 71 / 68 / 27

HEX #BA363B

RGB 186 54 59

HSL 357.73, 0.55%, 0.47%

LAB 43.35, 52.83, 28.2

 

CMYK 32 / 0 / 71 / 27

HEX #7EB935

RGB 126 185 53

HSL 86.82, 0.55%, 0.47%

LAB 69.03, -39.49, 57.69

 

CMYK 71 / 0 / 3 / 27

HEX #35B9B3

RGB 53 185 179

HSL 177.27, 0.55%, 0.47%

LAB 68.54, -35.9, -7.19

 

CMYK 39 / 71 / 0 / 27

HEX #7135B9

RGB 113 53 185

HSL 267.27, 0.55%, 0.47%

LAB 37.04, 52.2, -59.55

 

Description

Color code: HEX #BA363B | qconv.com Color code: HEX #BA363B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 54 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 54 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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