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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2FFB it is the complementary color #45D004. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2FFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2FFB shade: #BF2FF6, #D041FF, #E153FF, #F265FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2FFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2FFB shade: #BA2FFB, #A91DE8, #980BD5, #8700C2 and #7600AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2FFB shade: #B92DFB, #F12DFB, #FB2DCD, #FB2D96 and #FB2D5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2FFB shade: #B92DFB, #822DFB, #4A2DFB and #2D2DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2FFB shade matches the following richer shades: #B92DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2FFB shade: #B92DFB, #B33EE9, #AD50D8, #A661C7 and #A072B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2FFB shade: #492DFB, #7F2DFB, #B62DFB, #ED2DFB and #FB2DD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2FFB shade: #9004D1, #AC05F9, #B92DFB, #C756FC and #D47EFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2FFB shade: #BA2FFB, #FB2D49 and #2DFB64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2FFB shade: #BA2FFB, #FBB62D and #2DFBB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2FFB shade: #BA2FFB, #FB2D49, #72FB2D and #2DFBDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2FFB shade: #BA2FFB, #FB4F2D, #72FB2D and #2DD8FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 81 / 0 / 2

HEX #BA2FFB

RGB 186 47 251

HSL 280.88, 0.96%, 0.58%

LAB 51.19, 80.89, -73.89

 

Complementary color

CMYK 67 / 0 / 98 / 18

HEX #45D004

RGB 69 208 4

HSL 100.88, 0.96%, 0.42%

LAB 73.8, -66.55, 71.94

 

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

CMYK 18 / 75 / 0 / 0

HEX #D041FF

RGB 208 65 255

HSL 285.16, 1%, 0.63%

LAB 56.5, 79.94, -67.38

 

CMYK 12 / 67 / 0 / 0

HEX #E153FF

RGB 225 83 255

HSL 289.53, 1%, 0.66%

LAB 61.15, 76.93, -59.79

 

CMYK 5 / 60 / 0 / 0

HEX #F265FF

RGB 242 101 255

HSL 294.94, 1%, 0.7%

LAB 66.06, 73.58, -51.82

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 26 / 81 / 0 / 2

HEX #BA2FFB

RGB 186 47 251

HSL 280.88, 0.96%, 0.58%

LAB 51.19, 80.89, -73.89

 

CMYK 27 / 88 / 0 / 9

HEX #A91DE8

RGB 169 29 232

HSL 281.38, 0.82%, 0.51%

LAB 45.83, 79.04, -72.06

 

CMYK 29 / 95 / 0 / 16

HEX #980BD5

RGB 152 11 213

HSL 281.88, 0.9%, 0.44%

LAB 40.77, 76.02, -69.57

 

CMYK 30 / 100 / 0 / 24

HEX #8700C2

RGB 135 0 194

HSL 281.75, 1%, 0.38%

LAB 36.07, 71.6, -66.29

 

CMYK 33 / 100 / 0 / 31

HEX #7600AF

RGB 118 0 175

HSL 280.46, 1%, 0.34%

LAB 31.69, 65.91, -62.32

 

CMYK 26 / 82 / 0 / 2

HEX #B92DFB

RGB 185 45 251

HSL 280.78, 0.96%, 0.58%

LAB 50.87, 81.27, -74.43

 

CMYK 4 / 82 / 0 / 2

HEX #F12DFB

RGB 241 45 251

HSL 297.09, 0.96%, 0.58%

LAB 59.47, 90.4, -60.11

 

CMYK 0 / 82 / 18 / 2

HEX #FB2DCD

RGB 251 45 205

HSL 313.4, 0.96%, 0.58%

LAB 58.78, 85.92, -35.22

 

CMYK 0 / 82 / 40 / 2

HEX #FB2D96

RGB 251 45 150

HSL 329.42, 0.96%, 0.58%

LAB 56.67, 79.97, -6.51

 

CMYK 0 / 82 / 63 / 2

HEX #FB2D5E

RGB 251 45 94

HSL 345.73, 0.96%, 0.58%

LAB 55.27, 75.86, 24.87

 

CMYK 26 / 82 / 0 / 2

HEX #B92DFB

RGB 185 45 251

HSL 280.78, 0.96%, 0.58%

LAB 50.87, 81.27, -74.43

 

CMYK 48 / 82 / 0 / 2

HEX #822DFB

RGB 130 45 251

HSL 264.76, 0.96%, 0.58%

LAB 43.64, 73.88, -86.56

 

CMYK 71 / 82 / 0 / 2

HEX #4A2DFB

RGB 74 45 251

HSL 248.45, 0.96%, 0.58%

LAB 38.37, 68.75, -95.43

 

CMYK 82 / 82 / 0 / 2

HEX #2D2DFB

RGB 45 45 251

HSL 240, 0.96%, 0.58%

LAB 36.74, 67.22, -98.18

 

CMYK 26 / 82 / 0 / 2

HEX #B92DFB

RGB 185 45 251

HSL 280.78, 0.96%, 0.58%

LAB 50.87, 81.27, -74.43

 

CMYK 26 / 82 / 0 / 2

HEX #B92DFB

RGB 185 45 251

HSL 280.78, 0.96%, 0.58%

LAB 50.87, 81.27, -74.43

 

CMYK 23 / 73 / 0 / 9

HEX #B33EE9

RGB 179 62 233

HSL 281.05, 0.8%, 0.58%

LAB 50.58, 71.45, -64.84

 

CMYK 20 / 63 / 0 / 15

HEX #AD50D8

RGB 173 80 216

HSL 281.03, 0.64%, 0.58%

LAB 51.36, 59.29, -54

 

CMYK 17 / 51 / 0 / 22

HEX #A661C7

RGB 166 97 199

HSL 280.59, 0.48%, 0.58%

LAB 52.71, 45.44, -42.2

 

CMYK 12 / 37 / 0 / 29

HEX #A072B5

RGB 160 114 181

HSL 281.19, 0.31%, 0.58%

LAB 54.91, 30.39, -28.46

 

CMYK 71 / 82 / 0 / 2

HEX #492DFB

RGB 73 45 251

HSL 248.16, 0.96%, 0.58%

LAB 38.3, 68.68, -95.55

 

CMYK 49 / 82 / 0 / 2

HEX #7F2DFB

RGB 127 45 251

HSL 263.88, 0.96%, 0.58%

LAB 43.29, 73.54, -87.13

 

CMYK 27 / 82 / 0 / 2

HEX #B62DFB

RGB 182 45 251

HSL 279.9, 0.96%, 0.58%

LAB 50.44, 80.82, -75.15

 

CMYK 6 / 82 / 0 / 2

HEX #ED2DFB

RGB 237 45 251

HSL 295.92, 0.96%, 0.58%

LAB 58.83, 89.71, -61.17

 

CMYK 0 / 82 / 16 / 2

HEX #FB2DD2

RGB 251 45 210

HSL 311.94, 0.96%, 0.58%

LAB 59.01, 86.55, -37.71

 

CMYK 31 / 98 / 0 / 18

HEX #9004D1

RGB 144 4 209

HSL 280.98, 0.96%, 0.42%

LAB 38.93, 75.04, -70.3

 

CMYK 31 / 98 / 0 / 2

HEX #AC05F9

RGB 172 5 249

HSL 281.07, 0.96%, 0.5%

LAB 46.6, 85.67, -80.35

 

CMYK 26 / 82 / 0 / 2

HEX #B92DFB

RGB 185 45 251

HSL 280.78, 0.96%, 0.58%

LAB 50.87, 81.27, -74.43

 

CMYK 21 / 66 / 0 / 1

HEX #C756FC

RGB 199 86 252

HSL 280.84, 0.97%, 0.66%

LAB 57.87, 69.7, -63.57

 

CMYK 16 / 50 / 0 / 1

HEX #D47EFC

RGB 212 126 252

HSL 280.95, 0.95%, 0.74%

LAB 66.48, 53.9, -49.76

 

CMYK 26 / 81 / 0 / 2

HEX #BA2FFB

RGB 186 47 251

HSL 280.88, 0.96%, 0.58%

LAB 51.19, 80.89, -73.89

 

CMYK 0 / 82 / 71 / 2

HEX #FB2D49

RGB 251 45 73

HSL 351.84, 0.96%, 0.58%

LAB 54.94, 74.86, 36.8

 

CMYK 82 / 0 / 60 / 2

HEX #2DFB64

RGB 45 251 100

HSL 136.02, 0.96%, 0.58%

LAB 87.23, -77, 57.74

 

CMYK 26 / 81 / 0 / 2

HEX #BA2FFB

RGB 186 47 251

HSL 280.88, 0.96%, 0.58%

LAB 51.19, 80.89, -73.89

 

CMYK 0 / 27 / 82 / 2

HEX #FBB62D

RGB 251 182 45

HSL 39.9, 0.96%, 0.58%

LAB 78.55, 14.06, 72.99

 

CMYK 82 / 0 / 27 / 2

HEX #2DFBB6

RGB 45 251 182

HSL 159.9, 0.96%, 0.58%

LAB 88.41, -63.2, 19.77

 

CMYK 26 / 81 / 0 / 2

HEX #BA2FFB

RGB 186 47 251

HSL 280.88, 0.96%, 0.58%

LAB 51.19, 80.89, -73.89

 

CMYK 0 / 82 / 71 / 2

HEX #FB2D49

RGB 251 45 73

HSL 351.84, 0.96%, 0.58%

LAB 54.94, 74.86, 36.8

 

CMYK 55 / 0 / 82 / 2

HEX #72FB2D

RGB 114 251 45

HSL 99.9, 0.96%, 0.58%

LAB 88.33, -69.15, 78.18

 

CMYK 82 / 0 / 11 / 2

HEX #2DFBDF

RGB 45 251 223

HSL 171.84, 0.96%, 0.58%

LAB 89.34, -53.4, -0.12

 

CMYK 26 / 81 / 0 / 2

HEX #BA2FFB

RGB 186 47 251

HSL 280.88, 0.96%, 0.58%

LAB 51.19, 80.89, -73.89

 

CMYK 0 / 69 / 82 / 2

HEX #FB4F2D

RGB 251 79 45

HSL 9.9, 0.96%, 0.58%

LAB 58.31, 63.69, 55.15

 

CMYK 55 / 0 / 82 / 2

HEX #72FB2D

RGB 114 251 45

HSL 99.9, 0.96%, 0.58%

LAB 88.33, -69.15, 78.18

 

CMYK 82 / 14 / 0 / 2

HEX #2DD8FB

RGB 45 216 251

HSL 190.19, 0.96%, 0.58%

LAB 79.97, -29.69, -28.89

 

Description

Color code: HEX #BA2FFB | qconv.com Color code: HEX #BA2FFB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 47 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 47 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 81 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 81% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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