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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA29C2 it is the complementary color #45D63D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA29C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BA29C2: #BF29BD, #D03BD0, #E14DE3, #F25FF6 and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA29C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BA29C2: #BA29C2, #A917AF, #98059C, #870089 and #760076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

Complementary color

CMYK 68 / 0 / 71 / 16

HEX #45D63D

RGB 69 214 61

HSL 116.86, 0.65%, 0.54%

LAB 75.88, -65.97, 61.04

 

CMYK 0 / 79 / 1 / 25

HEX #BF29BD

RGB 191 41 189

HSL 300.8, 0.65%, 0.45%

LAB 47.41, 72.55, -44.6

 

CMYK 0 / 72 / 0 / 18

HEX #D03BD0

RGB 208 59 208

HSL 300, 0.61%, 0.52%

LAB 53.05, 73.79, -46.44

 

CMYK 1 / 66 / 0 / 11

HEX #E14DE3

RGB 225 77 227

HSL 299.2, 0.73%, 0.6%

LAB 58.85, 74.37, -47.86

 

CMYK 2 / 61 / 0 / 4

HEX #F25FF6

RGB 242 95 246

HSL 298.41, 0.89%, 0.67%

LAB 64.74, 74.49, -48.96

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 3 / 87 / 0 / 31

HEX #A917AF

RGB 169 23 175

HSL 297.63, 0.77%, 0.39%

LAB 41.44, 70.21, -46.1

 

CMYK 3 / 97 / 0 / 39

HEX #98059C

RGB 152 5 156

HSL 298.41, 0.94%, 0.32%

LAB 36.34, 66.78, -43.05

 

CMYK 1 / 100 / 0 / 46

HEX #870089

RGB 135 0 137

HSL 299.12, 1%, 0.27%

LAB 31.71, 61.57, -38.97

 

CMYK 0 / 100 / 0 / 54

HEX #760076

RGB 118 0 118

HSL 300, 1%, 0.23%

LAB 27.18, 55.6, -34.43

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 0 / 79 / 8 / 24

HEX #C129B2

RGB 193 41 178

HSL 305.92, 0.65%, 0.46%

LAB 47.15, 71.29, -38.54

 

CMYK 0 / 79 / 21 / 24

HEX #C12998

RGB 193 41 152

HSL 316.18, 0.65%, 0.46%

LAB 45.89, 67.69, -25.05

 

CMYK 0 / 79 / 34 / 24

HEX #C1297F

RGB 193 41 127

HSL 326.05, 0.65%, 0.46%

LAB 44.88, 64.71, -11.44

 

CMYK 0 / 79 / 47 / 24

HEX #C12966

RGB 193 41 102

HSL 335.92, 0.65%, 0.46%

LAB 44.06, 62.24, 2.8

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 4 / 79 / 0 / 4

HEX #EB34F5

RGB 235 52 245

HSL 296.89, 0.91%, 0.58%

LAB 58.71, 86.85, -58.06

 

CMYK 5 / 78 / 0 / 84

HEX #270929

RGB 39 9 41

HSL 296.25, 0.64%, 0.1%

LAB 7.11, 21.03, -14.46

 

CMYK 4 / 79 / 0 / 64

HEX #58135C

RGB 88 19 92

HSL 296.71, 0.66%, 0.22%

LAB 21.26, 40.57, -27.3

 

CMYK 4 / 79 / 0 / 44

HEX #891E8F

RGB 137 30 143

HSL 296.81, 0.65%, 0.34%

LAB 34.46, 57.08, -38.26

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 0 / 68 / 79 / 24

HEX #C13D29

RGB 193 61 41

HSL 7.89, 0.65%, 0.46%

LAB 45.41, 51.61, 41.13

 

CMYK 79 / 0 / 37 / 24

HEX #29C17A

RGB 41 193 122

HSL 151.97, 0.65%, 0.46%

LAB 69.48, -54.65, 25.08

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 0 / 5 / 79 / 24

HEX #C1B729

RGB 193 183 41

HSL 56.05, 0.65%, 0.46%

LAB 73.13, -11.61, 67.26

 

CMYK 79 / 0 / 5 / 24

HEX #29C1B7

RGB 41 193 183

HSL 176.05, 0.65%, 0.46%

LAB 70.89, -39.75, -5.92

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 0 / 68 / 79 / 24

HEX #C13D29

RGB 193 61 41

HSL 7.89, 0.65%, 0.46%

LAB 45.41, 51.61, 41.13

 

CMYK 74 / 0 / 79 / 24

HEX #33C129

RGB 51 193 41

HSL 116.05, 0.65%, 0.46%

LAB 68.75, -63.84, 60.56

 

CMYK 79 / 10 / 0 / 24

HEX #29ADC1

RGB 41 173 193

HSL 187.89, 0.65%, 0.46%

LAB 65.13, -27.28, -20.09

 

CMYK 4 / 79 / 0 / 24

HEX #BA29C2

RGB 186 41 194

HSL 296.86, 0.65%, 0.46%

LAB 46.87, 72.37, -48.42

 

CMYK 0 / 45 / 79 / 24

HEX #C16B29

RGB 193 107 41

HSL 26.05, 0.65%, 0.46%

LAB 54.04, 29.4, 49.67

 

CMYK 74 / 0 / 79 / 24

HEX #33C129

RGB 51 193 41

HSL 116.05, 0.65%, 0.46%

LAB 68.75, -63.84, 60.56

 

CMYK 79 / 34 / 0 / 24

HEX #297FC1

RGB 41 127 193

HSL 206.05, 0.65%, 0.46%

LAB 51.27, -2.13, -41.61

 

Description

Color code: HEX #BA29C2 | qconv.com Color code: HEX #BA29C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 41 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 41 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 79 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 79% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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