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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA26C4 it is the complementary color #45D93B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA26C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BA26C4: #BF26BF, #D038D2, #E14AE5, #F25CF8 and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA26C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BA26C4: #BA26C4, #A914B1, #98029E, #87008B and #760078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

Complementary color

CMYK 68 / 0 / 73 / 15

HEX #45D93B

RGB 69 217 59

HSL 116.2, 0.68%, 0.54%

LAB 76.8, -67.1, 62.69

 

CMYK 0 / 80 / 0 / 25

HEX #BF26BF

RGB 191 38 191

HSL 300, 0.67%, 0.45%

LAB 47.27, 73.61, -45.99

 

CMYK 1 / 73 / 0 / 18

HEX #D038D2

RGB 208 56 210

HSL 299.22, 0.63%, 0.52%

LAB 52.83, 75.05, -47.94

 

CMYK 2 / 68 / 0 / 10

HEX #E14AE5

RGB 225 74 229

HSL 298.45, 0.75%, 0.59%

LAB 58.57, 75.77, -49.43

 

CMYK 2 / 63 / 0 / 3

HEX #F25CF8

RGB 242 92 248

HSL 297.69, 0.92%, 0.67%

LAB 64.41, 76.01, -50.58

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 5 / 89 / 0 / 31

HEX #A914B1

RGB 169 20 177

HSL 296.94, 0.8%, 0.39%

LAB 41.39, 71.05, -47.37

 

CMYK 4 / 99 / 0 / 38

HEX #98029E

RGB 152 2 158

HSL 297.69, 0.98%, 0.31%

LAB 36.34, 67.47, -44.25

 

CMYK 3 / 100 / 0 / 45

HEX #87008B

RGB 135 0 139

HSL 298.27, 1%, 0.27%

LAB 31.84, 61.88, -40

 

CMYK 2 / 100 / 0 / 53

HEX #760078

RGB 118 0 120

HSL 299, 1%, 0.24%

LAB 27.32, 55.92, -35.49

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 0 / 81 / 8 / 23

HEX #C525B5

RGB 197 37 181

HSL 306, 0.68%, 0.46%

LAB 47.66, 73.53, -39.45

 

CMYK 0 / 81 / 22 / 23

HEX #C5259A

RGB 197 37 154

HSL 316.13, 0.68%, 0.46%

LAB 46.35, 69.87, -25.49

 

CMYK 0 / 81 / 36 / 23

HEX #C5257F

RGB 197 37 127

HSL 326.25, 0.68%, 0.46%

LAB 45.26, 66.74, -10.8

 

CMYK 0 / 81 / 49 / 23

HEX #C52565

RGB 197 37 101

HSL 336, 0.68%, 0.46%

LAB 44.42, 64.28, 4.04

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 5 / 81 / 0 / 3

HEX #EA30F7

RGB 234 48 247

HSL 296.08, 0.93%, 0.58%

LAB 58.34, 87.92, -59.76

 

CMYK 5 / 81 / 0 / 83

HEX #29082B

RGB 41 8 43

HSL 296.57, 0.69%, 0.1%

LAB 7.4, 22.77, -15.48

 

CMYK 5 / 81 / 0 / 63

HEX #59125E

RGB 89 18 94

HSL 296.05, 0.68%, 0.22%

LAB 21.45, 41.54, -28.31

 

CMYK 5 / 81 / 0 / 43

HEX #8A1C91

RGB 138 28 145

HSL 296.41, 0.68%, 0.34%

LAB 34.56, 58.21, -39.32

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 0 / 71 / 81 / 23

HEX #C53A25

RGB 197 58 37

HSL 7.88, 0.68%, 0.46%

LAB 45.68, 53.97, 43.73

 

CMYK 81 / 0 / 38 / 23

HEX #25C57A

RGB 37 197 122

HSL 151.88, 0.68%, 0.46%

LAB 70.69, -56.55, 26.68

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 0 / 6 / 81 / 23

HEX #C5BA25

RGB 197 186 37

HSL 55.88, 0.68%, 0.46%

LAB 74.27, -11.54, 69.53

 

CMYK 81 / 0 / 6 / 23

HEX #25C5BA

RGB 37 197 186

HSL 175.88, 0.68%, 0.46%

LAB 72.14, -41.04, -5.72

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 0 / 71 / 81 / 23

HEX #C53A25

RGB 197 58 37

HSL 7.88, 0.68%, 0.46%

LAB 45.68, 53.97, 43.73

 

CMYK 76 / 0 / 81 / 23

HEX #30C525

RGB 48 197 37

HSL 115.88, 0.68%, 0.46%

LAB 69.96, -65.78, 62.83

 

CMYK 81 / 11 / 0 / 23

HEX #25AFC5

RGB 37 175 197

HSL 188.25, 0.68%, 0.46%

LAB 65.81, -27.36, -21.27

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 0 / 46 / 81 / 23

HEX #C56A25

RGB 197 106 37

HSL 25.88, 0.68%, 0.46%

LAB 54.36, 31.46, 51.88

 

CMYK 76 / 0 / 81 / 23

HEX #30C525

RGB 48 197 37

HSL 115.88, 0.68%, 0.46%

LAB 69.96, -65.78, 62.83

 

CMYK 81 / 36 / 0 / 23

HEX #257FC5

RGB 37 127 197

HSL 206.25, 0.68%, 0.46%

LAB 51.39, -1.05, -43.71

 

Description

Color code: HEX #BA26C4 | qconv.com Color code: HEX #BA26C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 38 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 38 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 81 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 81% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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