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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9F700 it is the complementary color #4608FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9F700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9F700 shade: #BEF700, #CFFF0E, #E0FF21, #F1FF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9F700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9F700 shade: #B9F700, #A8E500, #97D300, #86C100 and #75AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9F700 shade: #B7F500, #F5F000, #F5AE00, #F56C00 and #F52A00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9F700 shade: #B7F500, #75F500, #33F500, #00F50F and #00F551

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9F700 shade matches the following richer shades: #B7F500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9F700 shade: #B7F500, #ADE114, #A4CD28, #9AB93B and #90A64F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9F700 shade: #F5AF00, #F5F100, #B8F500, #76F500 and #35F500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9F700 shade: #7AA200, #98CC00, #B7F500, #C7FF1F and #D1FF48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9F700 shade: #B9F700, #00F56E and #D000F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9F700 shade: #B9F700, #00B8F5 and #F500B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9F700 shade: #B9F700, #00F56E, #3D00F5 and #F50087

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9F700 shade: #B9F700, #00F5B8, #3D00F5 and #F5003D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 100 / 3

HEX #B9F700

RGB 185 247 0

HSL 75.06, 1%, 0.48%

LAB 90.25, -45.72, 87.23

 

Complementary color

CMYK 73 / 97 / 0 / 0

HEX #4608FF

RGB 70 8 255

HSL 255.06, 1%, 0.52%

LAB 35.39, 79.13, -102.64

 

CMYK 23 / 0 / 100 / 3

HEX #BEF700

RGB 190 247 0

HSL 73.85, 1%, 0.48%

LAB 90.54, -43.83, 87.58

 

CMYK 19 / 0 / 95 / 0

HEX #CFFF0E

RGB 207 255 14

HSL 71.95, 1%, 0.53%

LAB 93.8, -40.66, 89.49

 

CMYK 12 / 0 / 87 / 0

HEX #E0FF21

RGB 224 255 33

HSL 68.38, 1%, 0.56%

LAB 94.94, -33.7, 88.43

 

CMYK 5 / 0 / 80 / 0

HEX #F1FF34

RGB 241 255 52

HSL 64.14, 1%, 0.6%

LAB 96.19, -26.41, 85.99

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 25 / 0 / 100 / 3

HEX #B9F700

RGB 185 247 0

HSL 75.06, 1%, 0.48%

LAB 90.25, -45.72, 87.23

 

CMYK 27 / 0 / 100 / 10

HEX #A8E500

RGB 168 229 0

HSL 75.98, 1%, 0.45%

LAB 84.15, -44.42, 82.16

 

CMYK 28 / 0 / 100 / 17

HEX #97D300

RGB 151 211 0

HSL 77.06, 1%, 0.41%

LAB 77.97, -43.11, 77.01

 

CMYK 31 / 0 / 100 / 24

HEX #86C100

RGB 134 193 0

HSL 78.34, 1%, 0.38%

LAB 71.7, -41.77, 71.79

 

CMYK 33 / 0 / 100 / 31

HEX #75AF00

RGB 117 175 0

HSL 79.89, 1%, 0.34%

LAB 65.31, -40.42, 66.47

 

CMYK 25 / 0 / 100 / 4

HEX #B7F500

RGB 183 245 0

HSL 75.18, 1%, 0.48%

LAB 89.57, -45.62, 86.66

 

CMYK 0 / 2 / 100 / 4

HEX #F5F000

RGB 245 240 0

HSL 58.78, 1%, 0.48%

LAB 92.46, -18.51, 90.71

 

CMYK 0 / 29 / 100 / 4

HEX #F5AE00

RGB 245 174 0

HSL 42.61, 1%, 0.48%

LAB 75.88, 14.99, 79.03

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 0 / 83 / 100 / 4

HEX #F52A00

RGB 245 42 0

HSL 10.29, 1%, 0.48%

LAB 53.02, 72.38, 65.9

 

CMYK 25 / 0 / 100 / 4

HEX #B7F500

RGB 183 245 0

HSL 75.18, 1%, 0.48%

LAB 89.57, -45.62, 86.66

 

CMYK 52 / 0 / 100 / 4

HEX #75F500

RGB 117 245 0

HSL 91.35, 1%, 0.48%

LAB 86.55, -67.35, 83.02

 

CMYK 79 / 0 / 100 / 4

HEX #33F500

RGB 51 245 0

HSL 107.51, 1%, 0.48%

LAB 85, -80.35, 81.14

 

CMYK 100 / 0 / 94 / 4

HEX #00F50F

RGB 0 245 15

HSL 123.67, 1%, 0.48%

LAB 84.66, -83.38, 79.46

 

CMYK 100 / 0 / 67 / 4

HEX #00F551

RGB 0 245 81

HSL 139.84, 1%, 0.48%

LAB 84.94, -79.69, 62.86

 

CMYK 25 / 0 / 100 / 4

HEX #B7F500

RGB 183 245 0

HSL 75.18, 1%, 0.48%

LAB 89.57, -45.62, 86.66

 

CMYK 25 / 0 / 100 / 4

HEX #B7F500

RGB 183 245 0

HSL 75.18, 1%, 0.48%

LAB 89.57, -45.62, 86.66

 

CMYK 23 / 0 / 91 / 12

HEX #ADE114

RGB 173 225 20

HSL 75.22, 0.84%, 0.48%

LAB 83.33, -40.52, 79.7

 

CMYK 20 / 0 / 80 / 20

HEX #A4CD28

RGB 164 205 40

HSL 74.91, 0.67%, 0.48%

LAB 77.11, -34.52, 70.26

 

CMYK 17 / 0 / 68 / 27

HEX #9AB93B

RGB 154 185 59

HSL 74.76, 0.52%, 0.48%

LAB 70.79, -28.21, 57.74

 

CMYK 13 / 0 / 52 / 35

HEX #90A64F

RGB 144 166 79

HSL 75.17, 0.36%, 0.48%

LAB 64.78, -21.33, 42.03

 

CMYK 0 / 29 / 100 / 4

HEX #F5AF00

RGB 245 175 0

HSL 42.86, 1%, 0.48%

LAB 76.11, 14.47, 79.19

 

CMYK 0 / 2 / 100 / 4

HEX #F5F100

RGB 245 241 0

HSL 59.02, 1%, 0.48%

LAB 92.72, -18.99, 90.9

 

CMYK 25 / 0 / 100 / 4

HEX #B8F500

RGB 184 245 0

HSL 74.94, 1%, 0.48%

LAB 89.62, -45.24, 86.73

 

CMYK 52 / 0 / 100 / 4

HEX #76F500

RGB 118 245 0

HSL 91.1, 1%, 0.48%

LAB 86.58, -67.08, 83.06

 

CMYK 78 / 0 / 100 / 4

HEX #35F500

RGB 53 245 0

HSL 107.02, 1%, 0.48%

LAB 85.03, -80.11, 81.17

 

CMYK 25 / 0 / 100 / 36

HEX #7AA200

RGB 122 162 0

HSL 74.81, 1%, 0.32%

LAB 61.64, -32.62, 63.78

 

CMYK 25 / 0 / 100 / 20

HEX #98CC00

RGB 152 204 0

HSL 75.29, 1%, 0.4%

LAB 75.98, -39.67, 75.52

 

CMYK 25 / 0 / 100 / 4

HEX #B7F500

RGB 183 245 0

HSL 75.18, 1%, 0.48%

LAB 89.57, -45.62, 86.66

 

CMYK 22 / 0 / 88 / 0

HEX #C7FF1F

RGB 199 255 31

HSL 75, 1%, 0.56%

LAB 93.35, -43.45, 86.81

 

CMYK 18 / 0 / 72 / 0

HEX #D1FF48

RGB 209 255 72

HSL 75.08, 1%, 0.64%

LAB 94.12, -38.17, 77.49

 

CMYK 25 / 0 / 100 / 3

HEX #B9F700

RGB 185 247 0

HSL 75.06, 1%, 0.48%

LAB 90.25, -45.72, 87.23

 

CMYK 100 / 0 / 55 / 4

HEX #00F56E

RGB 0 245 110

HSL 146.94, 1%, 0.48%

LAB 85.22, -76.31, 50.9

 

CMYK 15 / 100 / 0 / 4

HEX #D000F5

RGB 208 0 245

HSL 290.94, 1%, 0.48%

LAB 51.84, 89.91, -69.34

 

CMYK 25 / 0 / 100 / 3

HEX #B9F700

RGB 185 247 0

HSL 75.06, 1%, 0.48%

LAB 90.25, -45.72, 87.23

 

CMYK 100 / 25 / 0 / 4

HEX #00B8F5

RGB 0 184 245

HSL 194.94, 1%, 0.48%

LAB 70.09, -17.45, -41

 

CMYK 0 / 100 / 25 / 4

HEX #F500B8

RGB 245 0 184

HSL 314.94, 1%, 0.48%

LAB 54.94, 87.66, -29.18

 

CMYK 25 / 0 / 100 / 3

HEX #B9F700

RGB 185 247 0

HSL 75.06, 1%, 0.48%

LAB 90.25, -45.72, 87.23

 

CMYK 100 / 0 / 55 / 4

HEX #00F56E

RGB 0 245 110

HSL 146.94, 1%, 0.48%

LAB 85.22, -76.31, 50.9

 

CMYK 75 / 100 / 0 / 4

HEX #3D00F5

RGB 61 0 245

HSL 254.94, 1%, 0.48%

LAB 33.1, 77.63, -100.84

 

CMYK 0 / 100 / 45 / 4

HEX #F50087

RGB 245 0 135

HSL 326.94, 1%, 0.48%

LAB 53.13, 82.97, -2.94

 

CMYK 25 / 0 / 100 / 3

HEX #B9F700

RGB 185 247 0

HSL 75.06, 1%, 0.48%

LAB 90.25, -45.72, 87.23

 

CMYK 100 / 0 / 25 / 4

HEX #00F5B8

RGB 0 245 184

HSL 165.06, 1%, 0.48%

LAB 86.39, -62.6, 15.87

 

CMYK 75 / 100 / 0 / 4

HEX #3D00F5

RGB 61 0 245

HSL 254.94, 1%, 0.48%

LAB 33.1, 77.63, -100.84

 

CMYK 0 / 100 / 75 / 4

HEX #F5003D

RGB 245 0 61

HSL 345.06, 1%, 0.48%

LAB 51.55, 78.77, 39.54

 

Description

Color code: HEX #B9F700 | qconv.com Color code: HEX #B9F700 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 247 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 247 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 100 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 100% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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