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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 56 / 100 / 4 it is the complementary color CMYK 96 / 42 / 0 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 56 / 100 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 56 / 100 / 4: CMYK 0 / 57 / 100 / 2, CMYK 0 / 51 / 95 / 0, CMYK 0 / 44 / 87 / 0, CMYK 0 / 36 / 80 / 0 and CMYK 0 / 29 / 72 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 56 / 100 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 56 / 100 / 4: CMYK 0 / 56 / 100 / 4, CMYK 0 / 61 / 100 / 11, CMYK 0 / 66 / 100 / 17, CMYK 0 / 72 / 100 / 24 and CMYK 0 / 80 / 100 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

Complementary color

CMYK 96 / 42 / 0 / 0

HEX #0A93FF

RGB 10 147 255

HSL 206.45, 1%, 0.52%

LAB 60.03, 7.39, -62.37

 

CMYK 0 / 57 / 100 / 2

HEX #FA6C00

RGB 250 108 0

HSL 25.92, 1%, 0.49%

LAB 62.55, 50.51, 71.05

 

CMYK 0 / 51 / 95 / 0

HEX #FF7E0E

RGB 255 126 14

HSL 27.88, 1%, 0.53%

LAB 66.68, 43.93, 71.74

 

CMYK 0 / 44 / 87 / 0

HEX #FF9021

RGB 255 144 33

HSL 30, 1%, 0.56%

LAB 70.4, 35.19, 70

 

CMYK 0 / 36 / 80 / 0

HEX #FFA234

RGB 255 162 52

HSL 32.51, 1%, 0.6%

LAB 74.41, 26.39, 67.18

 

CMYK 0 / 29 / 72 / 0

HEX #FFB447

RGB 255 180 71

HSL 35.54, 1%, 0.64%

LAB 78.67, 17.74, 63.84

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 0 / 61 / 100 / 11

HEX #E45A00

RGB 228 90 0

HSL 23.68, 1%, 0.45%

LAB 55.89, 50.71, 65.52

 

CMYK 0 / 66 / 100 / 17

HEX #D34800

RGB 211 72 0

HSL 20.47, 1%, 0.41%

LAB 50.08, 52.49, 60.9

 

CMYK 0 / 72 / 100 / 24

HEX #C23600

RGB 194 54 0

HSL 16.7, 1%, 0.38%

LAB 44.39, 53.83, 56.37

 

CMYK 0 / 80 / 100 / 31

HEX #B12400

RGB 177 36 0

HSL 12.2, 1%, 0.35%

LAB 38.91, 54.43, 51.99

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 0 / 40 / 100 / 4

HEX #F49200

RGB 244 146 0

HSL 35.9, 1%, 0.48%

LAB 69.32, 29.27, 74.67

 

CMYK 0 / 23 / 100 / 4

HEX #F4BB00

RGB 244 187 0

HSL 45.98, 1%, 0.48%

LAB 78.91, 7.76, 81.04

 

CMYK 0 / 7 / 100 / 4

HEX #F4E400

RGB 244 228 0

HSL 56.07, 1%, 0.48%

LAB 89.26, -13.08, 88.35

 

CMYK 10 / 0 / 100 / 4

HEX #DCF400

RGB 220 244 0

HSL 65.9, 1%, 0.48%

LAB 91.65, -30.68, 89.27

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 0 / 56 / 100 / 84

HEX #291200

RGB 41 18 0

HSL 26.34, 1%, 0.08%

LAB 8.16, 9.98, 12.43

 

CMYK 0 / 55 / 100 / 64

HEX #5C2900

RGB 92 41 0

HSL 26.74, 1%, 0.18%

LAB 23.21, 20.9, 33.28

 

CMYK 0 / 56 / 100 / 44

HEX #8F3F00

RGB 143 63 0

HSL 26.43, 1%, 0.28%

LAB 36.73, 31.01, 47.39

 

CMYK 0 / 56 / 100 / 24

HEX #C25600

RGB 194 86 0

HSL 26.6, 1%, 0.38%

LAB 49.65, 39.84, 59.12

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 64 / 0 / 100 / 4

HEX #59F400

RGB 89 244 0

HSL 98.11, 1%, 0.48%

LAB 85.42, -73.8, 81.77

 

CMYK 97 / 100 / 0 / 4

HEX #0800F4

RGB 8 0 244

HSL 241.97, 1%, 0.48%

LAB 30.84, 76.63, -104.11

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 100 / 0 / 57 / 4

HEX #00F46A

RGB 0 244 106

HSL 146.07, 1%, 0.48%

LAB 84.86, -76.54, 52.29

 

CMYK 57 / 100 / 0 / 4

HEX #6A00F4

RGB 106 0 244

HSL 266.07, 1%, 0.48%

LAB 37.11, 79.35, -93.5

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 64 / 0 / 100 / 4

HEX #59F400

RGB 89 244 0

HSL 98.11, 1%, 0.48%

LAB 85.42, -73.8, 81.77

 

CMYK 100 / 43 / 0 / 4

HEX #008AF4

RGB 0 138 244

HSL 206.07, 1%, 0.48%

LAB 56.79, 8.38, -61.51

 

CMYK 36 / 100 / 0 / 4

HEX #9B00F4

RGB 155 0 244

HSL 278.11, 1%, 0.48%

LAB 43.51, 83.35, -82.72

 

CMYK 0 / 56 / 100 / 4

HEX #F56C00

RGB 245 108 0

HSL 26.45, 1%, 0.48%

LAB 61.77, 48.67, 70.2

 

CMYK 93 / 0 / 100 / 4

HEX #10F400

RGB 16 244 0

HSL 116.07, 1%, 0.48%

LAB 84.39, -82.83, 80.52

 

CMYK 100 / 43 / 0 / 4

HEX #008AF4

RGB 0 138 244

HSL 206.07, 1%, 0.48%

LAB 56.79, 8.38, -61.51

 

CMYK 7 / 100 / 0 / 4

HEX #E400F4

RGB 228 0 244

HSL 296.07, 1%, 0.48%

LAB 55.1, 92.61, -63.35

 

Description

Color code: CMYK 0 / 56 / 100 / 4 | qconv.com Color code: CMYK 0 / 56 / 100 / 4 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 108 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 108 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 100 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 100% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

72% - UX Brainstorm - Smar...
Link: http://www.uxbrainstorm.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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