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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9BBE7 it is the complementary color #464418. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9BBE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B9BBE7: #BEBBE2, #CFCDF5, #E0DFFF, #F1F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9BBE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B9BBE7: #B9BBE7, #A8A9D4, #9797C1, #8685AE and #75739B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

Complementary color

CMYK 0 / 3 / 66 / 73

HEX #464418

RGB 70 68 24

HSL 57.39, 0.49%, 0.18%

LAB 28.12, -5.9, 26.32

 

CMYK 16 / 17 / 0 / 11

HEX #BEBBE2

RGB 190 187 226

HSL 244.62, 0.4%, 0.81%

LAB 77.27, 8.83, -19.06

 

CMYK 16 / 16 / 0 / 4

HEX #CFCDF5

RGB 207 205 245

HSL 243, 0.67%, 0.88%

LAB 83.72, 8.54, -19.37

 

CMYK 12 / 13 / 0 / 0

HEX #E0DFFF

RGB 224 223 255

HSL 241.88, 1%, 0.94%

LAB 89.79, 6.43, -15.38

 

CMYK 5 / 5 / 0 / 0

HEX #F1F1FF

RGB 241 241 255

HSL 240, 1%, 0.97%

LAB 95.51, 2.55, -6.73

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 21 / 20 / 0 / 17

HEX #A8A9D4

RGB 168 169 212

HSL 238.64, 0.34%, 0.75%

LAB 70.49, 8.69, -21.88

 

CMYK 22 / 22 / 0 / 24

HEX #9797C1

RGB 151 151 193

HSL 240, 0.25%, 0.67%

LAB 63.81, 9.04, -21.66

 

CMYK 23 / 24 / 0 / 32

HEX #8685AE

RGB 134 133 174

HSL 241.46, 0.2%, 0.6%

LAB 56.98, 9.43, -21.46

 

CMYK 25 / 26 / 0 / 39

HEX #75739B

RGB 117 115 155

HSL 243, 0.17%, 0.53%

LAB 49.99, 9.87, -21.3

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 17 / 19 / 0 / 9

HEX #BFBAE7

RGB 191 186 231

HSL 246.67, 0.48%, 0.82%

LAB 77.26, 10.77, -21.77

 

CMYK 14 / 19 / 0 / 9

HEX #C7BAE7

RGB 199 186 231

HSL 257.33, 0.48%, 0.82%

LAB 77.89, 13.3, -20.75

 

CMYK 11 / 19 / 0 / 9

HEX #CEBAE7

RGB 206 186 231

HSL 266.67, 0.48%, 0.82%

LAB 78.47, 15.53, -19.82

 

CMYK 7 / 19 / 0 / 9

HEX #D6BAE7

RGB 214 186 231

HSL 277.33, 0.48%, 0.82%

LAB 79.15, 18.12, -18.73

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 19 / 19 / 0 / 89

HEX #16161B

RGB 22 22 27

HSL 240, 0.1%, 0.1%

LAB 7.44, 1.35, -3.51

 

CMYK 21 / 19 / 0 / 69

HEX #3E3F4E

RGB 62 63 78

HSL 236.25, 0.11%, 0.27%

LAB 27.1, 3.3, -9.2

 

CMYK 20 / 19 / 0 / 49

HEX #676881

RGB 103 104 129

HSL 237.69, 0.11%, 0.45%

LAB 44.76, 5.32, -13.97

 

CMYK 20 / 19 / 0 / 29

HEX #9092B4

RGB 144 146 180

HSL 236.67, 0.19%, 0.64%

LAB 61.47, 6.6, -17.96

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 0 / 19 / 3 / 9

HEX #E7BAE0

RGB 231 186 224

HSL 309.33, 0.48%, 0.82%

LAB 80.45, 22.42, -12.84

 

CMYK 11 / 0 / 19 / 9

HEX #CEE7BA

RGB 206 231 186

HSL 93.33, 0.48%, 0.82%

LAB 88.84, -16.18, 19.2

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 0 / 19 / 19 / 9

HEX #E7BABC

RGB 231 186 188

HSL 357.33, 0.48%, 0.82%

LAB 79.46, 16.46, 5.12

 

CMYK 19 / 0 / 19 / 9

HEX #BCE7BA

RGB 188 231 186

HSL 117.33, 0.48%, 0.82%

LAB 87.67, -22.34, 17.4

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 0 / 19 / 3 / 9

HEX #E7BAE0

RGB 231 186 224

HSL 309.33, 0.48%, 0.82%

LAB 80.45, 22.42, -12.84

 

CMYK 0 / 1 / 19 / 9

HEX #E7E5BA

RGB 231 229 186

HSL 57.33, 0.48%, 0.82%

LAB 90.12, -6.25, 21.26

 

CMYK 19 / 0 / 16 / 9

HEX #BAE7C1

RGB 186 231 193

HSL 129.33, 0.48%, 0.82%

LAB 87.7, -21.78, 13.77

 

CMYK 20 / 19 / 0 / 9

HEX #B9BBE7

RGB 185 187 231

HSL 237.39, 0.49%, 0.82%

LAB 77.06, 8.36, -22.12

 

CMYK 0 / 19 / 9 / 9

HEX #E7BAD3

RGB 231 186 211

HSL 326.67, 0.48%, 0.82%

LAB 80.07, 20.16, -6.4

 

CMYK 0 / 1 / 19 / 9

HEX #E7E5BA

RGB 231 229 186

HSL 57.33, 0.48%, 0.82%

LAB 90.12, -6.25, 21.26

 

CMYK 19 / 0 / 11 / 9

HEX #BAE7CE

RGB 186 231 206

HSL 146.67, 0.48%, 0.82%

LAB 87.99, -19.4, 7.39

 

Description

Color code: HEX #B9BBE7 | qconv.com Color code: HEX #B9BBE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 187 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 187 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 19 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 19% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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