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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9BA37 it is the complementary color #4645C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9BA37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9BA37 shade: #BEBA32, #CFCC45, #E0DE58, #F1F06B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9BA37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9BA37 shade: #B9BA37, #A8A824, #979611, #868400 and #757200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9BA37 shade: #B8B937, #B99737, #B97437, #B95137 and #B93737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9BA37 shade: #B8B937, #95B937, #72B937, #4FB937 and #37B942

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9BA37 shade matches the following richer shades: #B8B937, #CBCC24 and #DEDF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9BA37 shade: #B8B937, #A4A54B, #91925E, #7E7E71 and #6B6B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9BA37 shade: #B97437, #B99637, #B9B937, #96B937 and #74B937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9BA37 shade: #787924, #98992E, #B8B937, #C9CA4F and #D3D46E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9BA37 shade: #B9BA37, #37B951 and #8537B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9BA37 shade: #B9BA37, #37B9B9 and #B937B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9BA37 shade: #B9BA37, #37B951, #3737B9 and #B9379F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9BA37 shade: #B9BA37, #37B978, #3737B9 and #B93778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 70 / 27

HEX #B9BA37

RGB 185 186 55

HSL 60.46, 0.54%, 0.47%

LAB 73.36, -15.99, 62.58

 

Complementary color

CMYK 65 / 66 / 0 / 22

HEX #4645C8

RGB 70 69 200

HSL 240.46, 0.54%, 0.53%

LAB 37.35, 40.72, -68

 

CMYK 0 / 2 / 74 / 25

HEX #BEBA32

RGB 190 186 50

HSL 58.29, 0.58%, 0.47%

LAB 73.74, -14.08, 64.85

 

CMYK 0 / 1 / 67 / 19

HEX #CFCC45

RGB 207 204 69

HSL 58.7, 0.59%, 0.54%

LAB 80.11, -15.01, 64.63

 

CMYK 0 / 1 / 61 / 12

HEX #E0DE58

RGB 224 222 88

HSL 59.12, 0.69%, 0.61%

LAB 86.4, -15.78, 63.97

 

CMYK 0 / 0 / 56 / 5

HEX #F1F06B

RGB 241 240 107

HSL 59.55, 0.83%, 0.68%

LAB 92.61, -16.43, 63.09

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 1 / 0 / 70 / 27

HEX #B9BA37

RGB 185 186 55

HSL 60.46, 0.54%, 0.47%

LAB 73.36, -15.99, 62.58

 

CMYK 0 / 0 / 79 / 34

HEX #A8A824

RGB 168 168 36

HSL 60, 0.65%, 0.4%

LAB 66.87, -14.99, 62.38

 

CMYK 0 / 1 / 89 / 41

HEX #979611

RGB 151 150 17

HSL 59.55, 0.8%, 0.33%

LAB 60.28, -13.77, 61.03

 

CMYK 0 / 1 / 100 / 47

HEX #868400

RGB 134 132 0

HSL 59.1, 1%, 0.26%

LAB 53.57, -12.29, 58.16

 

CMYK 0 / 3 / 100 / 54

HEX #757200

RGB 117 114 0

HSL 58.46, 1%, 0.23%

LAB 46.73, -10.47, 52.48

 

CMYK 1 / 0 / 70 / 27

HEX #B8B937

RGB 184 185 55

HSL 60.46, 0.54%, 0.47%

LAB 73, -15.91, 62.2

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 0 / 37 / 70 / 27

HEX #B97437

RGB 185 116 55

HSL 28.15, 0.54%, 0.47%

LAB 55.16, 21.75, 43.92

 

CMYK 0 / 56 / 70 / 27

HEX #B95137

RGB 185 81 55

HSL 12, 0.54%, 0.47%

LAB 47.59, 40.34, 35.49

 

CMYK 0 / 70 / 70 / 27

HEX #B93737

RGB 185 55 55

HSL 0, 0.54%, 0.47%

LAB 43.25, 51.92, 30.42

 

CMYK 1 / 0 / 70 / 27

HEX #B8B937

RGB 184 185 55

HSL 60.46, 0.54%, 0.47%

LAB 73, -15.91, 62.2

 

CMYK 19 / 0 / 70 / 27

HEX #95B937

RGB 149 185 55

HSL 76.62, 0.54%, 0.47%

LAB 70.43, -30.48, 58.8

 

CMYK 38 / 0 / 70 / 27

HEX #72B937

RGB 114 185 55

HSL 92.77, 0.54%, 0.47%

LAB 68.42, -43.64, 56.12

 

CMYK 57 / 0 / 70 / 27

HEX #4FB937

RGB 79 185 55

HSL 108.92, 0.54%, 0.47%

LAB 67, -54.24, 54.2

 

CMYK 70 / 0 / 64 / 27

HEX #37B942

RGB 55 185 66

HSL 125.08, 0.54%, 0.47%

LAB 66.45, -58.43, 48.9

 

CMYK 1 / 0 / 70 / 27

HEX #B8B937

RGB 184 185 55

HSL 60.46, 0.54%, 0.47%

LAB 73, -15.91, 62.2

 

CMYK 0 / 0 / 82 / 20

HEX #CBCC24

RGB 203 204 36

HSL 60.36, 0.7%, 0.47%

LAB 79.62, -18.06, 74.54

 

CMYK 0 / 0 / 93 / 13

HEX #DEDF10

RGB 222 223 16

HSL 60.29, 0.87%, 0.47%

LAB 86.18, -19.75, 83.88

 

CMYK 1 / 0 / 70 / 27

HEX #B8B937

RGB 184 185 55

HSL 60.46, 0.54%, 0.47%

LAB 73, -15.91, 62.2

 

CMYK 1 / 0 / 55 / 35

HEX #A4A54B

RGB 164 165 75

HSL 60.67, 0.38%, 0.47%

LAB 65.99, -12.84, 45.77

 

CMYK 1 / 0 / 36 / 43

HEX #91925E

RGB 145 146 94

HSL 61.15, 0.22%, 0.47%

LAB 59.33, -8.77, 27.48

 

CMYK 0 / 0 / 10 / 51

HEX #7E7E71

RGB 126 126 113

HSL 60, 0.05%, 0.47%

LAB 52.45, -2.47, 7.08

 

CMYK 20 / 20 / 0 / 48

HEX #6B6B85

RGB 107 107 133

HSL 240, 0.11%, 0.47%

LAB 46.09, 5.87, -14.31

 

CMYK 0 / 37 / 70 / 27

HEX #B97437

RGB 185 116 55

HSL 28.15, 0.54%, 0.47%

LAB 55.16, 21.75, 43.92

 

CMYK 0 / 19 / 70 / 27

HEX #B99637

RGB 185 150 55

HSL 43.85, 0.54%, 0.47%

LAB 63.67, 2.97, 52.9

 

CMYK 0 / 0 / 70 / 27

HEX #B9B937

RGB 185 185 55

HSL 60, 0.54%, 0.47%

LAB 73.08, -15.48, 62.31

 

CMYK 19 / 0 / 70 / 27

HEX #96B937

RGB 150 185 55

HSL 76.15, 0.54%, 0.47%

LAB 70.5, -30.08, 58.89

 

CMYK 37 / 0 / 70 / 27

HEX #74B937

RGB 116 185 55

HSL 91.85, 0.54%, 0.47%

LAB 68.52, -42.94, 56.25

 

CMYK 1 / 0 / 70 / 53

HEX #787924

RGB 120 121 36

HSL 60.71, 0.54%, 0.31%

LAB 49.25, -11.63, 44.29

 

CMYK 1 / 0 / 70 / 40

HEX #98992E

RGB 152 153 46

HSL 60.56, 0.54%, 0.39%

LAB 61.36, -13.78, 53.25

 

CMYK 1 / 0 / 70 / 27

HEX #B8B937

RGB 184 185 55

HSL 60.46, 0.54%, 0.47%

LAB 73, -15.91, 62.2

 

CMYK 0 / 0 / 61 / 21

HEX #C9CA4F

RGB 201 202 79

HSL 60.49, 0.54%, 0.55%

LAB 79.17, -15.9, 59.43

 

CMYK 0 / 0 / 48 / 17

HEX #D3D46E

RGB 211 212 110

HSL 60.59, 0.54%, 0.63%

LAB 82.95, -14.38, 49.91

 

CMYK 1 / 0 / 70 / 27

HEX #B9BA37

RGB 185 186 55

HSL 60.46, 0.54%, 0.47%

LAB 73.36, -15.99, 62.58

 

CMYK 70 / 0 / 56 / 27

HEX #37B951

RGB 55 185 81

HSL 132, 0.54%, 0.47%

LAB 66.6, -56.62, 42.25

 

CMYK 28 / 70 / 0 / 27

HEX #8537B9

RGB 133 55 185

HSL 276, 0.54%, 0.47%

LAB 39.95, 55.21, -54.71

 

CMYK 1 / 0 / 70 / 27

HEX #B9BA37

RGB 185 186 55

HSL 60.46, 0.54%, 0.47%

LAB 73.36, -15.99, 62.58

 

CMYK 70 / 0 / 0 / 27

HEX #37B9B9

RGB 55 185 185

HSL 180, 0.54%, 0.47%

LAB 68.76, -33.92, -10.16

 

CMYK 0 / 70 / 0 / 27

HEX #B937B9

RGB 185 55 185

HSL 300, 0.54%, 0.47%

LAB 47.69, 66.41, -41.88

 

CMYK 1 / 0 / 70 / 27

HEX #B9BA37

RGB 185 186 55

HSL 60.46, 0.54%, 0.47%

LAB 73.36, -15.99, 62.58

 

CMYK 70 / 0 / 56 / 27

HEX #37B951

RGB 55 185 81

HSL 132, 0.54%, 0.47%

LAB 66.6, -56.62, 42.25

 

CMYK 70 / 70 / 0 / 27

HEX #3737B9

RGB 55 55 185

HSL 240, 0.54%, 0.47%

LAB 31.91, 42.19, -68.16

 

CMYK 0 / 70 / 14 / 27

HEX #B9379F

RGB 185 55 159

HSL 312, 0.54%, 0.47%

LAB 46.38, 62.36, -28.6

 

CMYK 1 / 0 / 70 / 27

HEX #B9BA37

RGB 185 186 55

HSL 60.46, 0.54%, 0.47%

LAB 73.36, -15.99, 62.58

 

CMYK 70 / 0 / 35 / 27

HEX #37B978

RGB 55 185 120

HSL 150, 0.54%, 0.47%

LAB 67.18, -50.07, 23.08

 

CMYK 70 / 70 / 0 / 27

HEX #3737B9

RGB 55 55 185

HSL 240, 0.54%, 0.47%

LAB 31.91, 42.19, -68.16

 

CMYK 0 / 70 / 35 / 27

HEX #B93778

RGB 185 55 120

HSL 330, 0.54%, 0.47%

LAB 44.81, 57.26, -7.4

 

Description

Color code: HEX #B9BA37 | qconv.com Color code: HEX #B9BA37 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 186 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 186 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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