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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99737 it is the complementary color #4668C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99737. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99737 shade: #BE9732, #CFA945, #E0BB58, #F1CD6B and #FFDF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99737. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99737 shade: #B99737, #A88524, #977311, #866100 and #754F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99737 shade: #B99737, #B97437, #B95137 and #B93737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99737 shade: #B99737, #B8B937, #95B937, #72B937 and #4FB937

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99737 shade matches the following richer shades: #B99737, #CCA024 and #DFA910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99737 shade: #B99737, #A58D4B, #92845E, #7E7B71 and #6B7285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99737 shade: #B95137, #B97437, #B99637, #B9B937 and #96B937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99737 shade: #796324, #997D2E, #B99737, #CAAA4F and #D4B96E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99737 shade: #B99737, #40B937 and #6237B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99737 shade: #B99737, #37B996 and #9637B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99737 shade: #B99737, #40B937, #375AB9 and #B037B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99737 shade: #B99737, #37B955, #375AB9 and #B9379A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

Complementary color

CMYK 65 / 48 / 0 / 22

HEX #4668C8

RGB 70 104 200

HSL 224.31, 0.54%, 0.53%

LAB 46.14, 18.76, -53.74

 

CMYK 0 / 21 / 74 / 25

HEX #BE9732

RGB 190 151 50

HSL 43.29, 0.58%, 0.47%

LAB 64.41, 4.38, 55.88

 

CMYK 0 / 18 / 67 / 19

HEX #CFA945

RGB 207 169 69

HSL 43.48, 0.59%, 0.54%

LAB 70.92, 3.12, 55.08

 

CMYK 0 / 17 / 61 / 12

HEX #E0BB58

RGB 224 187 88

HSL 43.68, 0.69%, 0.61%

LAB 77.34, 2.05, 54

 

CMYK 0 / 15 / 56 / 5

HEX #F1CD6B

RGB 241 205 107

HSL 43.88, 0.83%, 0.68%

LAB 83.67, 1.13, 52.81

 

CMYK 0 / 13 / 51 / 0

HEX #FFDF7E

RGB 255 223 126

HSL 45.12, 1%, 0.75%

LAB 89.65, -0.86, 51.21

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 0 / 21 / 79 / 34

HEX #A88524

RGB 168 133 36

HSL 44.09, 0.65%, 0.4%

LAB 57.3, 3.8, 53.68

 

CMYK 0 / 24 / 89 / 41

HEX #977311

RGB 151 115 17

HSL 43.88, 0.8%, 0.33%

LAB 50.55, 5.48, 53.19

 

CMYK 0 / 28 / 100 / 47

HEX #866100

RGB 134 97 0

HSL 43.43, 1%, 0.26%

LAB 43.68, 7.48, 51.16

 

CMYK 0 / 32 / 100 / 54

HEX #754F00

RGB 117 79 0

HSL 40.51, 1%, 0.23%

LAB 36.69, 9.95, 45.43

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 0 / 37 / 70 / 27

HEX #B97437

RGB 185 116 55

HSL 28.15, 0.54%, 0.47%

LAB 55.16, 21.75, 43.92

 

CMYK 0 / 56 / 70 / 27

HEX #B95137

RGB 185 81 55

HSL 12, 0.54%, 0.47%

LAB 47.59, 40.34, 35.49

 

CMYK 0 / 70 / 70 / 27

HEX #B93737

RGB 185 55 55

HSL 0, 0.54%, 0.47%

LAB 43.25, 51.92, 30.42

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 1 / 0 / 70 / 27

HEX #B8B937

RGB 184 185 55

HSL 60.46, 0.54%, 0.47%

LAB 73, -15.91, 62.2

 

CMYK 19 / 0 / 70 / 27

HEX #95B937

RGB 149 185 55

HSL 76.62, 0.54%, 0.47%

LAB 70.43, -30.48, 58.8

 

CMYK 38 / 0 / 70 / 27

HEX #72B937

RGB 114 185 55

HSL 92.77, 0.54%, 0.47%

LAB 68.42, -43.64, 56.12

 

CMYK 57 / 0 / 70 / 27

HEX #4FB937

RGB 79 185 55

HSL 108.92, 0.54%, 0.47%

LAB 67, -54.24, 54.2

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 0 / 22 / 82 / 20

HEX #CCA024

RGB 204 160 36

HSL 44.29, 0.7%, 0.47%

LAB 68.1, 5.17, 64.75

 

CMYK 0 / 24 / 93 / 13

HEX #DFA910

RGB 223 169 16

HSL 44.35, 0.87%, 0.47%

LAB 72.3, 8.28, 73.49

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 0 / 15 / 55 / 35

HEX #A58D4B

RGB 165 141 75

HSL 44, 0.38%, 0.47%

LAB 59.49, 0.5, 38.18

 

CMYK 0 / 10 / 36 / 43

HEX #92845E

RGB 146 132 94

HSL 43.85, 0.22%, 0.47%

LAB 55.5, -0.63, 22.47

 

CMYK 0 / 2 / 10 / 51

HEX #7E7B71

RGB 126 123 113

HSL 46.15, 0.05%, 0.47%

LAB 51.6, -0.75, 5.87

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 0 / 56 / 70 / 27

HEX #B95137

RGB 185 81 55

HSL 12, 0.54%, 0.47%

LAB 47.59, 40.34, 35.49

 

CMYK 0 / 37 / 70 / 27

HEX #B97437

RGB 185 116 55

HSL 28.15, 0.54%, 0.47%

LAB 55.16, 21.75, 43.92

 

CMYK 0 / 19 / 70 / 27

HEX #B99637

RGB 185 150 55

HSL 43.85, 0.54%, 0.47%

LAB 63.67, 2.97, 52.9

 

CMYK 0 / 0 / 70 / 27

HEX #B9B937

RGB 185 185 55

HSL 60, 0.54%, 0.47%

LAB 73.08, -15.48, 62.31

 

CMYK 19 / 0 / 70 / 27

HEX #96B937

RGB 150 185 55

HSL 76.15, 0.54%, 0.47%

LAB 70.5, -30.08, 58.89

 

CMYK 0 / 18 / 70 / 53

HEX #796324

RGB 121 99 36

HSL 44.47, 0.54%, 0.31%

LAB 42.94, 1.35, 37.82

 

CMYK 0 / 18 / 70 / 40

HEX #997D2E

RGB 153 125 46

HSL 44.3, 0.54%, 0.39%

LAB 53.64, 1.93, 45.44

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 0 / 16 / 61 / 21

HEX #CAAA4F

RGB 202 170 79

HSL 44.39, 0.54%, 0.55%

LAB 70.78, 1.08, 50.23

 

CMYK 0 / 13 / 48 / 17

HEX #D4B96E

RGB 212 185 110

HSL 44.12, 0.54%, 0.63%

LAB 75.96, -0.11, 41.41

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 65 / 0 / 70 / 27

HEX #40B937

RGB 64 185 55

HSL 115.85, 0.54%, 0.47%

LAB 66.57, -57.75, 53.61

 

CMYK 47 / 70 / 0 / 27

HEX #6237B9

RGB 98 55 185

HSL 259.85, 0.54%, 0.47%

LAB 35.66, 48.49, -61.87

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 70 / 0 / 19 / 27

HEX #37B996

RGB 55 185 150

HSL 163.85, 0.54%, 0.47%

LAB 67.81, -43.34, 7.69

 

CMYK 19 / 70 / 0 / 27

HEX #9637B9

RGB 150 55 185

HSL 283.85, 0.54%, 0.47%

LAB 42.34, 58.77, -50.74

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 65 / 0 / 70 / 27

HEX #40B937

RGB 64 185 55

HSL 115.85, 0.54%, 0.47%

LAB 66.57, -57.75, 53.61

 

CMYK 70 / 51 / 0 / 27

HEX #375AB9

RGB 55 90 185

HSL 223.85, 0.54%, 0.47%

LAB 40.62, 19.95, -53.97

 

CMYK 5 / 70 / 0 / 27

HEX #B037B9

RGB 176 55 185

HSL 295.85, 0.54%, 0.47%

LAB 46.26, 64.42, -44.23

 

CMYK 0 / 18 / 70 / 27

HEX #B99737

RGB 185 151 55

HSL 44.31, 0.54%, 0.47%

LAB 63.94, 2.42, 53.17

 

CMYK 70 / 0 / 54 / 27

HEX #37B955

RGB 55 185 85

HSL 133.85, 0.54%, 0.47%

LAB 66.65, -56.07, 40.38

 

CMYK 70 / 51 / 0 / 27

HEX #375AB9

RGB 55 90 185

HSL 223.85, 0.54%, 0.47%

LAB 40.62, 19.95, -53.97

 

CMYK 0 / 70 / 17 / 27

HEX #B9379A

RGB 185 55 154

HSL 314.31, 0.54%, 0.47%

LAB 46.15, 61.63, -25.96

 

Description

Color code: HEX #B99737 | qconv.com Color code: HEX #B99737 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 151 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 151 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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