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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9A8C8 it is the complementary color #465737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9A8C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9A8C8 shade: #BEA8C3, #CFBAD6, #E0CCE9, #F1DEFC and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9A8C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9A8C8 shade: #B9A8C8, #A896B5, #9784A2, #86728F and #75607C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9A8C8 shade: #B8A7C8, #C1A7C8, #C8A7C5, #C8A7BC and #C8A7B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9A8C8 shade: #B8A7C8, #AFA7C8 and #A7A7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9A8C8 shade matches the following richer shades: #B8A7C8, #B99BD3, #BA90DF, #BA84EA and #BB78F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9A8C8 shade: #B8A7C8, #B7B2BC, #B7BEB0, #B6C9A5 and #B5D599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9A8C8 shade: #A7A7C8, #AFA7C8, #B8A7C8, #C0A7C8 and #C8A7C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9A8C8 shade: #8F74A8, #A48DB8, #B8A7C8, #CCC0D7 and #E1D9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9A8C8 shade: #B9A8C8, #C8A7B0 and #A7C8AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9A8C8 shade: #B9A8C8, #C8B8A7 and #A7C8B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9A8C8 shade: #B9A8C8, #C8A7B0, #B7C8A7 and #A7C8BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9A8C8 shade: #B9A8C8, #C8A7A7, #B7C8A7 and #A7C7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 16 / 0 / 22

HEX #B9A8C8

RGB 185 168 200

HSL 271.88, 0.23%, 0.72%

LAB 71.21, 12.17, -14.07

 

Complementary color

CMYK 20 / 0 / 37 / 66

HEX #465737

RGB 70 87 55

HSL 91.88, 0.23%, 0.28%

LAB 34.79, -13.17, 16.5

 

CMYK 3 / 14 / 0 / 24

HEX #BEA8C3

RGB 190 168 195

HSL 288.89, 0.18%, 0.71%

LAB 71.48, 12.87, -10.86

 

CMYK 3 / 13 / 0 / 16

HEX #CFBAD6

RGB 207 186 214

HSL 285, 0.25%, 0.78%

LAB 78.02, 12.5, -11.31

 

CMYK 4 / 12 / 0 / 9

HEX #E0CCE9

RGB 224 204 233

HSL 281.38, 0.4%, 0.86%

LAB 84.44, 12.15, -11.76

 

CMYK 4 / 12 / 0 / 1

HEX #F1DEFC

RGB 241 222 252

HSL 278, 0.83%, 0.93%

LAB 90.77, 11.82, -12.21

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 8 / 16 / 0 / 22

HEX #B9A8C8

RGB 185 168 200

HSL 271.88, 0.23%, 0.72%

LAB 71.21, 12.17, -14.07

 

CMYK 7 / 17 / 0 / 29

HEX #A896B5

RGB 168 150 181

HSL 274.84, 0.17%, 0.65%

LAB 64.54, 12.56, -13.68

 

CMYK 7 / 19 / 0 / 36

HEX #9784A2

RGB 151 132 162

HSL 278, 0.14%, 0.58%

LAB 57.74, 12.99, -13.29

 

CMYK 6 / 20 / 0 / 44

HEX #86728F

RGB 134 114 143

HSL 281.38, 0.11%, 0.5%

LAB 50.79, 13.46, -12.89

 

CMYK 6 / 23 / 0 / 51

HEX #75607C

RGB 117 96 124

HSL 285, 0.13%, 0.43%

LAB 43.66, 13.99, -12.5

 

CMYK 8 / 17 / 0 / 22

HEX #B8A7C8

RGB 184 167 200

HSL 270.91, 0.23%, 0.72%

LAB 70.87, 12.39, -14.58

 

CMYK 4 / 17 / 0 / 22

HEX #C1A7C8

RGB 193 167 200

HSL 287.27, 0.23%, 0.72%

LAB 71.65, 15.42, -13.33

 

CMYK 0 / 17 / 1 / 22

HEX #C8A7C5

RGB 200 167 197

HSL 305.45, 0.23%, 0.72%

LAB 72.19, 17.24, -10.8

 

CMYK 0 / 17 / 6 / 22

HEX #C8A7BC

RGB 200 167 188

HSL 321.82, 0.23%, 0.72%

LAB 71.93, 15.6, -6.24

 

CMYK 0 / 17 / 11 / 22

HEX #C8A7B3

RGB 200 167 179

HSL 338.18, 0.23%, 0.72%

LAB 71.67, 14.03, -1.66

 

CMYK 8 / 17 / 0 / 22

HEX #B8A7C8

RGB 184 167 200

HSL 270.91, 0.23%, 0.72%

LAB 70.87, 12.39, -14.58

 

CMYK 13 / 17 / 0 / 22

HEX #AFA7C8

RGB 175 167 200

HSL 254.55, 0.23%, 0.72%

LAB 70.12, 9.4, -15.79

 

CMYK 17 / 17 / 0 / 22

HEX #A7A7C8

RGB 167 167 200

HSL 240, 0.23%, 0.72%

LAB 69.49, 6.78, -16.81

 

CMYK 8 / 17 / 0 / 22

HEX #B8A7C8

RGB 184 167 200

HSL 270.91, 0.23%, 0.72%

LAB 70.87, 12.39, -14.58

 

CMYK 12 / 27 / 0 / 17

HEX #B99BD3

RGB 185 155 211

HSL 272.14, 0.39%, 0.72%

LAB 68.36, 21.67, -24.46

 

CMYK 17 / 35 / 0 / 13

HEX #BA90DF

RGB 186 144 223

HSL 271.9, 0.55%, 0.72%

LAB 66.3, 30.7, -34.27

 

CMYK 21 / 44 / 0 / 8

HEX #BA84EA

RGB 186 132 234

HSL 271.76, 0.71%, 0.72%

LAB 64.07, 39.77, -43.85

 

CMYK 24 / 51 / 0 / 4

HEX #BB78F6

RGB 187 120 246

HSL 271.9, 0.88%, 0.72%

LAB 62.21, 49.21, -53.4

 

CMYK 8 / 17 / 0 / 22

HEX #B8A7C8

RGB 184 167 200

HSL 270.91, 0.23%, 0.72%

LAB 70.87, 12.39, -14.58

 

CMYK 3 / 5 / 0 / 26

HEX #B7B2BC

RGB 183 178 188

HSL 270, 0.07%, 0.72%

LAB 73.25, 3.65, -4.46

 

CMYK 4 / 0 / 7 / 25

HEX #B7BEB0

RGB 183 190 176

HSL 90, 0.1%, 0.72%

LAB 76.09, -4.99, 6.22

 

CMYK 9 / 0 / 18 / 21

HEX #B6C9A5

RGB 182 201 165

HSL 91.67, 0.25%, 0.72%

LAB 78.71, -12.95, 15.85

 

CMYK 15 / 0 / 28 / 16

HEX #B5D599

RGB 181 213 153

HSL 92, 0.42%, 0.72%

LAB 81.68, -21.22, 26.26

 

CMYK 17 / 17 / 0 / 22

HEX #A7A7C8

RGB 167 167 200

HSL 240, 0.23%, 0.72%

LAB 69.49, 6.78, -16.81

 

CMYK 13 / 17 / 0 / 22

HEX #AFA7C8

RGB 175 167 200

HSL 254.55, 0.23%, 0.72%

LAB 70.12, 9.4, -15.79

 

CMYK 8 / 17 / 0 / 22

HEX #B8A7C8

RGB 184 167 200

HSL 270.91, 0.23%, 0.72%

LAB 70.87, 12.39, -14.58

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 0 / 17 / 1 / 22

HEX #C8A7C6

RGB 200 167 198

HSL 303.64, 0.23%, 0.72%

LAB 72.22, 17.43, -11.31

 

CMYK 15 / 31 / 0 / 34

HEX #8F74A8

RGB 143 116 168

HSL 271.15, 0.23%, 0.56%

LAB 53.12, 20.88, -23.86

 

CMYK 11 / 23 / 0 / 28

HEX #A48DB8

RGB 164 141 184

HSL 272.09, 0.23%, 0.64%

LAB 62, 16.93, -19.25

 

CMYK 8 / 17 / 0 / 22

HEX #B8A7C8

RGB 184 167 200

HSL 270.91, 0.23%, 0.72%

LAB 70.87, 12.39, -14.58

 

CMYK 5 / 11 / 0 / 16

HEX #CCC0D7

RGB 204 192 215

HSL 271.3, 0.22%, 0.8%

LAB 79.3, 8.45, -9.97

 

CMYK 3 / 6 / 0 / 9

HEX #E1D9E7

RGB 225 217 231

HSL 274.29, 0.23%, 0.88%

LAB 87.68, 5.25, -5.88

 

CMYK 8 / 16 / 0 / 22

HEX #B9A8C8

RGB 185 168 200

HSL 271.88, 0.23%, 0.72%

LAB 71.21, 12.17, -14.07

 

CMYK 0 / 17 / 12 / 22

HEX #C8A7B0

RGB 200 167 176

HSL 343.64, 0.23%, 0.72%

LAB 71.59, 13.52, -0.12

 

CMYK 17 / 0 / 15 / 22

HEX #A7C8AB

RGB 167 200 171

HSL 127.27, 0.23%, 0.72%

LAB 77.56, -16.65, 10.87

 

CMYK 8 / 16 / 0 / 22

HEX #B9A8C8

RGB 185 168 200

HSL 271.88, 0.23%, 0.72%

LAB 71.21, 12.17, -14.07

 

CMYK 0 / 8 / 17 / 22

HEX #C8B8A7

RGB 200 184 167

HSL 30.91, 0.23%, 0.72%

LAB 75.67, 2.87, 10.68

 

CMYK 17 / 0 / 8 / 22

HEX #A7C8B8

RGB 167 200 184

HSL 150.91, 0.23%, 0.72%

LAB 77.87, -14.2, 4.32

 

CMYK 8 / 16 / 0 / 22

HEX #B9A8C8

RGB 185 168 200

HSL 271.88, 0.23%, 0.72%

LAB 71.21, 12.17, -14.07

 

CMYK 0 / 17 / 12 / 22

HEX #C8A7B0

RGB 200 167 176

HSL 343.64, 0.23%, 0.72%

LAB 71.59, 13.52, -0.12

 

CMYK 9 / 0 / 17 / 22

HEX #B7C8A7

RGB 183 200 167

HSL 90.91, 0.23%, 0.72%

LAB 78.56, -11.75, 14.58

 

CMYK 17 / 0 / 5 / 22

HEX #A7C8BE

RGB 167 200 190

HSL 161.82, 0.23%, 0.72%

LAB 78.02, -13.01, 1.31

 

CMYK 8 / 16 / 0 / 22

HEX #B9A8C8

RGB 185 168 200

HSL 271.88, 0.23%, 0.72%

LAB 71.21, 12.17, -14.07

 

CMYK 0 / 17 / 17 / 22

HEX #C8A7A7

RGB 200 167 167

HSL 0, 0.23%, 0.72%

LAB 71.36, 12.05, 4.51

 

CMYK 9 / 0 / 17 / 22

HEX #B7C8A7

RGB 183 200 167

HSL 90.91, 0.23%, 0.72%

LAB 78.56, -11.75, 14.58

 

CMYK 17 / 0 / 0 / 22

HEX #A7C7C8

RGB 167 199 200

HSL 181.82, 0.23%, 0.72%

LAB 78.01, -10.44, -4.08

 

Description

Color code: HEX #B9A8C8 | qconv.com Color code: HEX #B9A8C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 168 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 168 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 16 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 16% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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