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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98A32 it is the complementary color #4675CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98A32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B98A32 shade: #BE8A2D, #CF9C40, #E0AE53, #F1C066 and #FFD279

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98A32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B98A32 shade: #B98A32, #A8781F, #97660C, #865400 and #754200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B98A32 shade: #B88A32, #B86632, #B84132 and #B83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B98A32 shade: #B88A32, #B8AE32, #9FB832, #7BB832 and #56B832

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B98A32 shade matches the following richer shades: #B88A32, #CB8F1F and #DE950C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B98A32 shade: #B88A32, #A58445, #927E58, #7F786B and #6C737E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B98A32 shade: #B84232, #B86632, #B88932, #B8AD32 and #A0B832

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B98A32 shade: #775921, #98712A, #B88A32, #CD9E47 and #D6AF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B98A32 shade: #B98A32, #46B832 and #5432B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B98A32 shade: #B98A32, #32B889 and #8932B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B98A32 shade: #B98A32, #46B832, #3261B8 and #A432B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B98A32 shade: #B98A32, #32B846, #3261B8 and #B832A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 73 / 27

HEX #B98A32

RGB 185 138 50

HSL 39.11, 0.57%, 0.46%

LAB 60.54, 9.29, 51.85

 

Complementary color

CMYK 66 / 43 / 0 / 20

HEX #4675CD

RGB 70 117 205

HSL 219.11, 0.57%, 0.54%

LAB 50.02, 12.38, -50.39

 

CMYK 0 / 27 / 76 / 25

HEX #BE8A2D

RGB 190 138 45

HSL 38.48, 0.62%, 0.46%

LAB 61.06, 11.28, 54.62

 

CMYK 0 / 25 / 69 / 19

HEX #CF9C40

RGB 207 156 64

HSL 38.6, 0.6%, 0.53%

LAB 67.59, 9.82, 53.76

 

CMYK 0 / 22 / 63 / 12

HEX #E0AE53

RGB 224 174 83

HSL 38.72, 0.69%, 0.6%

LAB 74.03, 8.57, 52.6

 

CMYK 0 / 20 / 58 / 5

HEX #F1C066

RGB 241 192 102

HSL 38.85, 0.83%, 0.67%

LAB 80.38, 7.5, 51.34

 

CMYK 0 / 18 / 53 / 0

HEX #FFD279

RGB 255 210 121

HSL 39.85, 1%, 0.74%

LAB 86.37, 5.36, 49.65

 

CMYK 0 / 25 / 73 / 27

HEX #B98A32

RGB 185 138 50

HSL 39.11, 0.57%, 0.46%

LAB 60.54, 9.29, 51.85

 

CMYK 0 / 29 / 82 / 34

HEX #A8781F

RGB 168 120 31

HSL 38.98, 0.69%, 0.39%

LAB 53.87, 10.9, 52.38

 

CMYK 0 / 32 / 92 / 41

HEX #97660C

RGB 151 102 12

HSL 38.85, 0.85%, 0.32%

LAB 47.12, 12.83, 51.75

 

CMYK 0 / 37 / 100 / 47

HEX #865400

RGB 134 84 0

HSL 37.61, 1%, 0.26%

LAB 40.26, 15.12, 48.88

 

CMYK 0 / 44 / 100 / 54

HEX #754200

RGB 117 66 0

HSL 33.85, 1%, 0.23%

LAB 33.3, 17.76, 43.22

 

CMYK 0 / 25 / 73 / 28

HEX #B88A32

RGB 184 138 50

HSL 39.4, 0.57%, 0.46%

LAB 60.42, 8.85, 51.7

 

CMYK 0 / 45 / 73 / 28

HEX #B86632

RGB 184 102 50

HSL 23.28, 0.57%, 0.46%

LAB 51.75, 28.73, 42.7

 

CMYK 0 / 65 / 73 / 28

HEX #B84132

RGB 184 65 50

HSL 6.72, 0.57%, 0.46%

LAB 44.52, 47.21, 34.75

 

CMYK 0 / 73 / 73 / 28

HEX #B83232

RGB 184 50 50

HSL 0, 0.57%, 0.46%

LAB 42.31, 53.24, 32.23

 

CMYK 0 / 25 / 73 / 28

HEX #B88A32

RGB 184 138 50

HSL 39.4, 0.57%, 0.46%

LAB 60.42, 8.85, 51.7

 

CMYK 0 / 5 / 73 / 28

HEX #B8AE32

RGB 184 174 50

HSL 55.52, 0.57%, 0.46%

LAB 69.96, -10.51, 61.08

 

CMYK 14 / 0 / 73 / 28

HEX #9FB832

RGB 159 184 50

HSL 71.19, 0.57%, 0.46%

LAB 70.79, -26.21, 61.2

 

CMYK 33 / 0 / 73 / 28

HEX #7BB832

RGB 123 184 50

HSL 87.31, 0.57%, 0.46%

LAB 68.55, -40.34, 58.24

 

CMYK 53 / 0 / 73 / 28

HEX #56B832

RGB 86 184 50

HSL 103.88, 0.57%, 0.46%

LAB 66.89, -52.39, 56.04

 

CMYK 0 / 25 / 73 / 28

HEX #B88A32

RGB 184 138 50

HSL 39.4, 0.57%, 0.46%

LAB 60.42, 8.85, 51.7

 

CMYK 0 / 30 / 85 / 20

HEX #CB8F1F

RGB 203 143 31

HSL 39.07, 0.74%, 0.46%

LAB 63.71, 13.79, 62.48

 

CMYK 0 / 33 / 95 / 13

HEX #DE950C

RGB 222 149 12

HSL 39.14, 0.9%, 0.46%

LAB 67.32, 18.48, 70.43

 

CMYK 0 / 25 / 73 / 28

HEX #B88A32

RGB 184 138 50

HSL 39.4, 0.57%, 0.46%

LAB 60.42, 8.85, 51.7

 

CMYK 0 / 20 / 58 / 35

HEX #A58445

RGB 165 132 69

HSL 39.38, 0.41%, 0.46%

LAB 57.01, 4.99, 38.33

 

CMYK 0 / 14 / 40 / 43

HEX #927E58

RGB 146 126 88

HSL 39.31, 0.25%, 0.46%

LAB 53.75, 2, 23.53

 

CMYK 0 / 6 / 16 / 50

HEX #7F786B

RGB 127 120 107

HSL 39, 0.09%, 0.46%

LAB 50.69, 0.31, 8.1

 

CMYK 14 / 9 / 0 / 51

HEX #6C737E

RGB 108 115 126

HSL 216.67, 0.08%, 0.46%

LAB 48.2, -0.2, -6.95

 

CMYK 0 / 64 / 73 / 28

HEX #B84232

RGB 184 66 50

HSL 7.16, 0.57%, 0.46%

LAB 44.68, 46.77, 34.94

 

CMYK 0 / 45 / 73 / 28

HEX #B86632

RGB 184 102 50

HSL 23.28, 0.57%, 0.46%

LAB 51.75, 28.73, 42.7

 

CMYK 0 / 26 / 73 / 28

HEX #B88932

RGB 184 137 50

HSL 38.96, 0.57%, 0.46%

LAB 60.17, 9.4, 51.44

 

CMYK 0 / 6 / 73 / 28

HEX #B8AD32

RGB 184 173 50

HSL 55.07, 0.57%, 0.46%

LAB 69.69, -9.99, 60.82

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 0 / 25 / 72 / 53

HEX #775921

RGB 119 89 33

HSL 39.07, 0.57%, 0.3%

LAB 39.88, 6.13, 35.98

 

CMYK 0 / 26 / 72 / 40

HEX #98712A

RGB 152 113 42

HSL 38.73, 0.57%, 0.38%

LAB 50.28, 8.06, 43.74

 

CMYK 0 / 25 / 73 / 28

HEX #B88A32

RGB 184 138 50

HSL 39.4, 0.57%, 0.46%

LAB 60.42, 8.85, 51.7

 

CMYK 0 / 23 / 65 / 20

HEX #CD9E47

RGB 205 158 71

HSL 38.96, 0.57%, 0.54%

LAB 67.94, 8.28, 50.89

 

CMYK 0 / 18 / 51 / 16

HEX #D6AF68

RGB 214 175 104

HSL 38.73, 0.57%, 0.62%

LAB 73.52, 5.46, 41.48

 

CMYK 0 / 25 / 73 / 27

HEX #B98A32

RGB 185 138 50

HSL 39.11, 0.57%, 0.46%

LAB 60.54, 9.29, 51.85

 

CMYK 62 / 0 / 73 / 28

HEX #46B832

RGB 70 184 50

HSL 111.04, 0.57%, 0.46%

LAB 66.38, -56.48, 55.35

 

CMYK 54 / 73 / 0 / 28

HEX #5432B8

RGB 84 50 184

HSL 255.22, 0.57%, 0.46%

LAB 33.19, 48.51, -65.38

 

CMYK 0 / 25 / 73 / 27

HEX #B98A32

RGB 185 138 50

HSL 39.11, 0.57%, 0.46%

LAB 60.54, 9.29, 51.85

 

CMYK 73 / 0 / 26 / 28

HEX #32B889

RGB 50 184 137

HSL 158.96, 0.57%, 0.46%

LAB 67.1, -46.74, 13.79

 

CMYK 26 / 73 / 0 / 28

HEX #8932B8

RGB 137 50 184

HSL 278.96, 0.57%, 0.46%

LAB 39.68, 57.93, -54.53

 

CMYK 0 / 25 / 73 / 27

HEX #B98A32

RGB 185 138 50

HSL 39.11, 0.57%, 0.46%

LAB 60.54, 9.29, 51.85

 

CMYK 62 / 0 / 73 / 28

HEX #46B832

RGB 70 184 50

HSL 111.04, 0.57%, 0.46%

LAB 66.38, -56.48, 55.35

 

CMYK 73 / 47 / 0 / 28

HEX #3261B8

RGB 50 97 184

HSL 218.96, 0.57%, 0.46%

LAB 42.29, 14.32, -50.7

 

CMYK 11 / 73 / 0 / 28

HEX #A432B8

RGB 164 50 184

HSL 291.04, 0.57%, 0.46%

LAB 43.7, 63.45, -47.84

 

CMYK 0 / 25 / 73 / 27

HEX #B98A32

RGB 185 138 50

HSL 39.11, 0.57%, 0.46%

LAB 60.54, 9.29, 51.85

 

CMYK 73 / 0 / 62 / 28

HEX #32B846

RGB 50 184 70

HSL 128.96, 0.57%, 0.46%

LAB 66.06, -58.5, 46.68

 

CMYK 73 / 47 / 0 / 28

HEX #3261B8

RGB 50 97 184

HSL 218.96, 0.57%, 0.46%

LAB 42.29, 14.32, -50.7

 

CMYK 0 / 73 / 11 / 28

HEX #B832A4

RGB 184 50 164

HSL 308.96, 0.57%, 0.46%

LAB 45.84, 64.58, -32.43

 

Description

Color code: HEX #B98A32 | qconv.com Color code: HEX #B98A32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 138 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 138 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 73 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 73% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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