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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 0 / 73 / 28 it is the complementary color CMYK 54 / 65 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 0 / 73 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 0 / 73 / 28: CMYK 10 / 0 / 76 / 28, CMYK 10 / 0 / 68 / 21, CMYK 10 / 0 / 62 / 14, CMYK 9 / 0 / 57 / 7 and CMYK 9 / 0 / 53 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 0 / 73 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 0 / 73 / 28: CMYK 13 / 0 / 73 / 28, CMYK 14 / 0 / 81 / 35, CMYK 15 / 0 / 92 / 42, CMYK 16 / 0 / 100 / 49 and CMYK 18 / 0 / 100 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

Complementary color

CMYK 54 / 65 / 0 / 20

HEX #5F47CD

RGB 95 71 205

HSL 250.75, 0.57%, 0.54%

LAB 40.16, 45.02, -66.23

 

CMYK 10 / 0 / 76 / 28

HEX #A5B82D

RGB 165 184 45

HSL 68.2, 0.61%, 0.45%

LAB 71.19, -23.95, 63.43

 

CMYK 10 / 0 / 68 / 21

HEX #B6CA40

RGB 182 202 64

HSL 68.7, 0.57%, 0.52%

LAB 77.61, -24.68, 63.38

 

CMYK 10 / 0 / 62 / 14

HEX #C7DC53

RGB 199 220 83

HSL 69.2, 0.66%, 0.59%

LAB 83.94, -25.26, 62.84

 

CMYK 9 / 0 / 57 / 7

HEX #D8EE66

RGB 216 238 102

HSL 69.71, 0.8%, 0.67%

LAB 90.19, -25.73, 62.02

 

CMYK 9 / 0 / 53 / 0

HEX #E9FF79

RGB 233 255 121

HSL 69.85, 1%, 0.74%

LAB 96.09, -25.64, 60.75

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 14 / 0 / 81 / 35

HEX #8FA61F

RGB 143 166 31

HSL 70.22, 0.69%, 0.39%

LAB 64.33, -25, 60.83

 

CMYK 15 / 0 / 92 / 42

HEX #7E940C

RGB 126 148 12

HSL 69.71, 0.85%, 0.31%

LAB 57.7, -23.97, 59.05

 

CMYK 16 / 0 / 100 / 49

HEX #6D8200

RGB 109 130 0

HSL 69.69, 1%, 0.25%

LAB 50.94, -22.67, 55.3

 

CMYK 18 / 0 / 100 / 56

HEX #5C7000

RGB 92 112 0

HSL 70.71, 1%, 0.22%

LAB 44.04, -21.11, 49.56

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 24 / 0 / 73 / 28

HEX #8BB832

RGB 139 184 50

HSL 80.15, 0.57%, 0.46%

LAB 69.47, -34.28, 59.46

 

CMYK 36 / 0 / 73 / 28

HEX #75B832

RGB 117 184 50

HSL 90, 0.57%, 0.46%

LAB 68.24, -42.5, 57.83

 

CMYK 48 / 0 / 73 / 28

HEX #5FB832

RGB 95 184 50

HSL 99.85, 0.57%, 0.46%

LAB 67.24, -49.76, 56.5

 

CMYK 61 / 0 / 73 / 28

HEX #48B832

RGB 72 184 50

HSL 110.15, 0.57%, 0.46%

LAB 66.44, -56.01, 55.43

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 13 / 0 / 73 / 8

HEX #CCEB40

RGB 204 235 64

HSL 70.88, 0.81%, 0.59%

LAB 88.27, -31.43, 74.36

 

CMYK 13 / 0 / 74 / 88

HEX #1B1F08

RGB 27 31 8

HSL 70.43, 0.59%, 0.08%

LAB 10.78, -6.39, 12.65

 

CMYK 13 / 0 / 73 / 68

HEX #475216

RGB 71 82 22

HSL 71, 0.58%, 0.2%

LAB 32.77, -13.82, 32.3

 

CMYK 13 / 0 / 73 / 48

HEX #748524

RGB 116 133 36

HSL 70.52, 0.57%, 0.33%

LAB 52.53, -19.82, 47.45

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 73 / 0 / 46 / 28

HEX #32B863

RGB 50 184 99

HSL 141.94, 0.57%, 0.46%

LAB 66.41, -54.36, 33.07

 

CMYK 17 / 73 / 0 / 28

HEX #9832B8

RGB 152 50 184

HSL 285.67, 0.57%, 0.46%

LAB 41.87, 60.96, -50.88

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 73 / 13 / 0 / 28

HEX #32A1B8

RGB 50 161 184

HSL 190.3, 0.57%, 0.46%

LAB 61.33, -23.06, -20.83

 

CMYK 0 / 73 / 13 / 28

HEX #B832A1

RGB 184 50 161

HSL 310.3, 0.57%, 0.46%

LAB 45.7, 64.13, -30.87

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 73 / 0 / 46 / 28

HEX #32B863

RGB 50 184 99

HSL 141.94, 0.57%, 0.46%

LAB 66.41, -54.36, 33.07

 

CMYK 61 / 73 / 0 / 28

HEX #4832B8

RGB 72 50 184

HSL 249.85, 0.57%, 0.46%

LAB 32.08, 46.8, -67.25

 

CMYK 0 / 73 / 27 / 28

HEX #B83287

RGB 184 50 135

HSL 321.94, 0.57%, 0.46%

LAB 44.55, 60.57, -16.98

 

CMYK 13 / 0 / 73 / 28

HEX #A0B832

RGB 160 184 50

HSL 70.75, 0.57%, 0.46%

LAB 70.86, -25.79, 61.29

 

CMYK 73 / 0 / 24 / 28

HEX #32B88B

RGB 50 184 139

HSL 159.85, 0.57%, 0.46%

LAB 67.14, -46.28, 12.76

 

CMYK 61 / 73 / 0 / 28

HEX #4832B8

RGB 72 50 184

HSL 249.85, 0.57%, 0.46%

LAB 32.08, 46.8, -67.25

 

CMYK 0 / 73 / 48 / 28

HEX #B8325F

RGB 184 50 95

HSL 339.85, 0.57%, 0.46%

LAB 43.21, 56.25, 5.71

 

Description

Color code: CMYK 13 / 0 / 73 / 28 | qconv.com Color code: CMYK 13 / 0 / 73 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 184 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 184 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 73 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 73% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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