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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98099 it is the complementary color #467F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B98099: #BE8094, #CF92A7, #E0A4BA, #F1B6CD and #FFC8E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B98099: #B98099, #A86E86, #975C73, #864A60 and #75384D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

Complementary color

CMYK 45 / 0 / 20 / 50

HEX #467F66

RGB 70 127 102

HSL 153.68, 0.29%, 0.39%

LAB 48.81, -24.99, 7.82

 

CMYK 0 / 33 / 22 / 25

HEX #BE8094

RGB 190 128 148

HSL 340.65, 0.32%, 0.62%

LAB 60.36, 26.84, -0.92

 

CMYK 0 / 29 / 19 / 19

HEX #CF92A7

RGB 207 146 167

HSL 339.34, 0.39%, 0.69%

LAB 66.99, 26.1, -1.77

 

CMYK 0 / 27 / 17 / 12

HEX #E0A4BA

RGB 224 164 186

HSL 338, 0.49%, 0.76%

LAB 73.51, 25.42, -2.54

 

CMYK 0 / 24 / 15 / 5

HEX #F1B6CD

RGB 241 182 205

HSL 336.61, 0.68%, 0.83%

LAB 79.93, 24.79, -3.26

 

CMYK 0 / 22 / 12 / 0

HEX #FFC8E0

RGB 255 200 224

HSL 333.82, 1%, 0.89%

LAB 85.98, 23.18, -4.39

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 0 / 35 / 20 / 34

HEX #A86E86

RGB 168 110 134

HSL 335.17, 0.25%, 0.55%

LAB 53.17, 26.56, -3.66

 

CMYK 0 / 39 / 24 / 41

HEX #975C73

RGB 151 92 115

HSL 336.61, 0.24%, 0.48%

LAB 46.27, 27.4, -2.74

 

CMYK 0 / 45 / 28 / 47

HEX #864A60

RGB 134 74 96

HSL 338, 0.29%, 0.41%

LAB 39.26, 28.31, -1.65

 

CMYK 0 / 52 / 34 / 54

HEX #75384D

RGB 117 56 77

HSL 339.34, 0.35%, 0.34%

LAB 32.14, 29.26, -0.31

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 0 / 32 / 22 / 28

HEX #B87E8F

RGB 184 126 143

HSL 342.41, 0.29%, 0.61%

LAB 59.06, 24.96, -0.03

 

CMYK 0 / 32 / 28 / 28

HEX #B87E85

RGB 184 126 133

HSL 352.76, 0.29%, 0.61%

LAB 58.79, 23.49, 5.34

 

CMYK 0 / 30 / 32 / 28

HEX #B8817E

RGB 184 129 126

HSL 3.1, 0.29%, 0.61%

LAB 59.34, 20.84, 10.15

 

CMYK 0 / 24 / 32 / 28

HEX #B88B7E

RGB 184 139 126

HSL 13.45, 0.29%, 0.61%

LAB 61.79, 15.27, 13.59

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 0 / 31 / 17 / 7

HEX #ECA3C3

RGB 236 163 195

HSL 333.7, 0.66%, 0.78%

LAB 74.8, 31.58, -5.43

 

CMYK 0 / 31 / 19 / 87

HEX #20161A

RGB 32 22 26

HSL 336, 0.19%, 0.11%

LAB 8.61, 5.93, -0.87

 

CMYK 0 / 31 / 17 / 67

HEX #533945

RGB 83 57 69

HSL 332.31, 0.19%, 0.27%

LAB 27.28, 13.67, -2.78

 

CMYK 0 / 31 / 17 / 47

HEX #865D6F

RGB 134 93 111

HSL 333.66, 0.18%, 0.45%

LAB 44.3, 19.67, -3.47

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 0 / 8 / 32 / 28

HEX #B8A97E

RGB 184 169 126

HSL 44.48, 0.29%, 0.61%

LAB 69.52, -1.19, 24.19

 

CMYK 32 / 5 / 0 / 28

HEX #7EAFB8

RGB 126 175 184

HSL 189.31, 0.29%, 0.61%

LAB 68.43, -13.97, -9.83

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 17 / 0 / 32 / 28

HEX #98B87E

RGB 152 184 126

HSL 93.1, 0.29%, 0.61%

LAB 71.19, -21.38, 26.01

 

CMYK 32 / 17 / 0 / 28

HEX #7E98B8

RGB 126 152 184

HSL 213.1, 0.29%, 0.61%

LAB 61.96, -1.42, -19.59

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 0 / 8 / 32 / 28

HEX #B8A97E

RGB 184 169 126

HSL 44.48, 0.29%, 0.61%

LAB 69.52, -1.19, 24.19

 

CMYK 32 / 0 / 14 / 28

HEX #7EB89E

RGB 126 184 158

HSL 153.1, 0.29%, 0.61%

LAB 70.31, -24.47, 7.24

 

CMYK 32 / 23 / 0 / 28

HEX #7E8DB8

RGB 126 141 184

HSL 224.48, 0.29%, 0.61%

LAB 58.92, 4.84, -24.23

 

CMYK 0 / 31 / 17 / 27

HEX #B98099

RGB 185 128 153

HSL 333.68, 0.29%, 0.61%

LAB 59.94, 25.79, -4.48

 

CMYK 2 / 0 / 32 / 28

HEX #B5B87E

RGB 181 184 126

HSL 63.1, 0.29%, 0.61%

LAB 73.29, -10.3, 29.18

 

CMYK 32 / 0 / 14 / 28

HEX #7EB89E

RGB 126 184 158

HSL 153.1, 0.29%, 0.61%

LAB 70.31, -24.47, 7.24

 

CMYK 30 / 32 / 0 / 28

HEX #817EB8

RGB 129 126 184

HSL 243.1, 0.29%, 0.61%

LAB 55.12, 14.5, -30.08

 

Description

Color code: HEX #B98099 | qconv.com Color code: HEX #B98099 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 128 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 128 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 17 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 17% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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