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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B978F3 it is the complementary color #46870C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B978F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B978F3 shade: #BE78EE, #CF8AFF, #E09CFF, #F1AEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B978F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B978F3 shade: #B978F3, #A866E0, #9754CD, #8642BA and #7530A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B978F3 shade: #B977F3, #DA77F3, #F377EB, #F377C9 and #F377A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B978F3 shade: #B977F3, #9777F3 and #7777F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B978F3 shade matches the following richer shades: #B977F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B978F3 shade: #B977F3, #B883E7, #B78FDB, #B79BCF and #B6A7C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B978F3 shade: #7779F3, #9677F3, #B777F3, #D877F3 and #F377ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B978F3 shade: #912BED, #A551F0, #B977F3, #CC9DF6 and #E0C3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B978F3 shade: #B978F3, #F3779A and #77F385

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B978F3 shade: #B978F3, #F3B777 and #77F3B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B978F3 shade: #B978F3, #F3779A, #B3F377 and #77F3D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B978F3 shade: #B978F3, #F37977, #B3F377 and #77F1F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 51 / 0 / 5

HEX #B978F3

RGB 185 120 243

HSL 271.71, 0.84%, 0.71%

LAB 61.84, 48.02, -52.34

 

Complementary color

CMYK 48 / 0 / 91 / 47

HEX #46870C

RGB 70 135 12

HSL 91.71, 0.84%, 0.29%

LAB 50.28, -40.16, 51.58

 

CMYK 20 / 50 / 0 / 7

HEX #BE78EE

RGB 190 120 238

HSL 275.59, 0.78%, 0.7%

LAB 62.13, 48.22, -49.09

 

CMYK 19 / 46 / 0 / 0

HEX #CF8AFF

RGB 207 138 255

HSL 275.38, 1%, 0.77%

LAB 68.51, 46.96, -48.24

 

CMYK 12 / 39 / 0 / 0

HEX #E09CFF

RGB 224 156 255

HSL 281.21, 1%, 0.81%

LAB 74.09, 42.21, -39.37

 

CMYK 5 / 32 / 0 / 0

HEX #F1AEFF

RGB 241 174 255

HSL 289.63, 1%, 0.84%

LAB 79.72, 37.77, -30.52

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 24 / 51 / 0 / 5

HEX #B978F3

RGB 185 120 243

HSL 271.71, 0.84%, 0.71%

LAB 61.84, 48.02, -52.34

 

CMYK 25 / 54 / 0 / 12

HEX #A866E0

RGB 168 102 224

HSL 272.46, 0.66%, 0.64%

LAB 55.29, 48.89, -52.29

 

CMYK 26 / 59 / 0 / 20

HEX #9754CD

RGB 151 84 205

HSL 273.22, 0.55%, 0.57%

LAB 48.67, 49.74, -52.18

 

CMYK 28 / 65 / 0 / 27

HEX #8642BA

RGB 134 66 186

HSL 274, 0.48%, 0.49%

LAB 42.02, 50.48, -51.96

 

CMYK 30 / 71 / 0 / 35

HEX #7530A7

RGB 117 48 167

HSL 274.79, 0.55%, 0.42%

LAB 35.37, 50.96, -51.53

 

CMYK 24 / 51 / 0 / 5

HEX #B977F3

RGB 185 119 243

HSL 271.94, 0.84%, 0.71%

LAB 61.64, 48.55, -52.67

 

CMYK 10 / 51 / 0 / 5

HEX #DA77F3

RGB 218 119 243

HSL 287.9, 0.84%, 0.71%

LAB 65.41, 57.2, -46.45

 

CMYK 0 / 51 / 3 / 5

HEX #F377EB

RGB 243 119 235

HSL 303.87, 0.84%, 0.71%

LAB 68.2, 62.51, -37.45

 

CMYK 0 / 51 / 17 / 5

HEX #F377C9

RGB 243 119 201

HSL 320.32, 0.84%, 0.71%

LAB 66.87, 57.16, -20.58

 

CMYK 0 / 51 / 31 / 5

HEX #F377A8

RGB 243 119 168

HSL 336.29, 0.84%, 0.71%

LAB 65.81, 52.69, -3.55

 

CMYK 24 / 51 / 0 / 5

HEX #B977F3

RGB 185 119 243

HSL 271.94, 0.84%, 0.71%

LAB 61.64, 48.55, -52.67

 

CMYK 38 / 51 / 0 / 5

HEX #9777F3

RGB 151 119 243

HSL 255.48, 0.84%, 0.71%

LAB 58.27, 40.09, -58.24

 

CMYK 51 / 51 / 0 / 5

HEX #7777F3

RGB 119 119 243

HSL 240, 0.84%, 0.71%

LAB 55.67, 32.94, -62.54

 

CMYK 24 / 51 / 0 / 5

HEX #B977F3

RGB 185 119 243

HSL 271.94, 0.84%, 0.71%

LAB 61.64, 48.55, -52.67

 

CMYK 24 / 51 / 0 / 5

HEX #B977F3

RGB 185 119 243

HSL 271.94, 0.84%, 0.71%

LAB 61.64, 48.55, -52.67

 

CMYK 20 / 43 / 0 / 9

HEX #B883E7

RGB 184 131 231

HSL 271.8, 0.68%, 0.71%

LAB 63.5, 39.09, -43.09

 

CMYK 16 / 35 / 0 / 14

HEX #B78FDB

RGB 183 143 219

HSL 271.58, 0.51%, 0.71%

LAB 65.61, 29.47, -33.14

 

CMYK 12 / 25 / 0 / 19

HEX #B79BCF

RGB 183 155 207

HSL 272.31, 0.35%, 0.71%

LAB 68.03, 20.17, -22.76

 

CMYK 7 / 14 / 0 / 24

HEX #B6A7C3

RGB 182 167 195

HSL 272.14, 0.19%, 0.71%

LAB 70.54, 10.7, -12.34

 

CMYK 51 / 50 / 0 / 5

HEX #7779F3

RGB 119 121 243

HSL 239.03, 0.84%, 0.71%

LAB 56.16, 31.76, -61.77

 

CMYK 38 / 51 / 0 / 5

HEX #9677F3

RGB 150 119 243

HSL 255, 0.84%, 0.71%

LAB 58.18, 39.85, -58.39

 

CMYK 25 / 51 / 0 / 5

HEX #B777F3

RGB 183 119 243

HSL 270.97, 0.84%, 0.71%

LAB 61.42, 48.03, -53.02

 

CMYK 11 / 51 / 0 / 5

HEX #D877F3

RGB 216 119 243

HSL 286.94, 0.84%, 0.71%

LAB 65.17, 56.67, -46.85

 

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

CMYK 39 / 82 / 0 / 7

HEX #912BED

RGB 145 43 237

HSL 271.55, 0.84%, 0.55%

LAB 44.03, 73.24, -77.96

 

CMYK 31 / 66 / 0 / 6

HEX #A551F0

RGB 165 81 240

HSL 271.7, 0.84%, 0.63%

LAB 52.04, 62.33, -66.51

 

CMYK 24 / 51 / 0 / 5

HEX #B977F3

RGB 185 119 243

HSL 271.94, 0.84%, 0.71%

LAB 61.64, 48.55, -52.67

 

CMYK 17 / 36 / 0 / 4

HEX #CC9DF6

RGB 204 157 246

HSL 271.69, 0.83%, 0.79%

LAB 71.96, 33.92, -37.95

 

CMYK 10 / 22 / 0 / 2

HEX #E0C3FA

RGB 224 195 250

HSL 271.64, 0.85%, 0.87%

LAB 82.8, 20.27, -23.29

 

CMYK 24 / 51 / 0 / 5

HEX #B978F3

RGB 185 120 243

HSL 271.71, 0.84%, 0.71%

LAB 61.84, 48.02, -52.34

 

CMYK 0 / 51 / 37 / 5

HEX #F3779A

RGB 243 119 154

HSL 343.06, 0.84%, 0.71%

LAB 65.42, 51.03, 3.84

 

CMYK 51 / 0 / 45 / 5

HEX #77F385

RGB 119 243 133

HSL 126.77, 0.84%, 0.71%

LAB 86.86, -56.88, 42.55

 

CMYK 24 / 51 / 0 / 5

HEX #B978F3

RGB 185 120 243

HSL 271.71, 0.84%, 0.71%

LAB 61.84, 48.02, -52.34

 

CMYK 0 / 25 / 51 / 5

HEX #F3B777

RGB 243 183 119

HSL 30.97, 0.84%, 0.71%

LAB 78.61, 14.4, 40.8

 

CMYK 51 / 0 / 25 / 5

HEX #77F3B7

RGB 119 243 183

HSL 150.97, 0.84%, 0.71%

LAB 87.7, -48.24, 18.5

 

CMYK 24 / 51 / 0 / 5

HEX #B978F3

RGB 185 120 243

HSL 271.71, 0.84%, 0.71%

LAB 61.84, 48.02, -52.34

 

CMYK 0 / 51 / 37 / 5

HEX #F3779A

RGB 243 119 154

HSL 343.06, 0.84%, 0.71%

LAB 65.42, 51.03, 3.84

 

CMYK 26 / 0 / 51 / 5

HEX #B3F377

RGB 179 243 119

HSL 90.97, 0.84%, 0.71%

LAB 89.4, -40.27, 52.92

 

CMYK 51 / 0 / 14 / 5

HEX #77F3D0

RGB 119 243 208

HSL 163.06, 0.84%, 0.71%

LAB 88.25, -42.92, 6.31

 

CMYK 24 / 51 / 0 / 5

HEX #B978F3

RGB 185 120 243

HSL 271.71, 0.84%, 0.71%

LAB 61.84, 48.02, -52.34

 

CMYK 0 / 50 / 51 / 5

HEX #F37977

RGB 243 121 119

HSL 0.97, 0.84%, 0.71%

LAB 65.01, 46.56, 23.13

 

CMYK 26 / 0 / 51 / 5

HEX #B3F377

RGB 179 243 119

HSL 90.97, 0.84%, 0.71%

LAB 89.4, -40.27, 52.92

 

CMYK 51 / 1 / 0 / 5

HEX #77F1F3

RGB 119 241 243

HSL 180.97, 0.84%, 0.71%

LAB 88.59, -33.57, -11.47

 

Description

Color code: HEX #B978F3 | qconv.com Color code: HEX #B978F3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 120 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 120 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 51 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 51% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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