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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 119 237 it is the complementary color RGB 12 136 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 119 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 119 237 shade: RGB 248 119 232, RGB 255 137 251, RGB 255 155 255, RGB 255 173 255 and RGB 255 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 119 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 119 237 shade: RGB 243 119 237, RGB 226 101 218, RGB 209 83 199, RGB 192 65 180 and RGB 175 47 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 119 237 shade: RGB 243 118 237, RGB 243 118 203, RGB 243 118 170, RGB 243 118 136 and RGB 243 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 119 237 shade: RGB 243 118 237, RGB 215 118 243, RGB 182 118 243, RGB 148 118 243 and RGB 118 118 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 119 237 shade matches the following richer shades: RGB 243 118 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 119 237 shade: RGB 243 118 237, RGB 231 130 226, RGB 219 142 215, RGB 207 154 204 and RGB 195 166 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 119 237 shade: RGB 181 118 243, RGB 214 118 243, RGB 243 118 239, RGB 243 118 205 and RGB 243 118 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 119 237 shade: RGB 236 43 227, RGB 239 80 232, RGB 243 118 237, RGB 246 156 242 and RGB 249 194 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 119 237 shade: RGB 243 119 237, RGB 243 147 118 and RGB 118 243 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 119 237 shade: RGB 243 119 237, RGB 239 243 118 and RGB 118 239 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 119 237 shade: RGB 243 119 237, RGB 243 147 118, RGB 118 243 123 and RGB 118 214 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 119 237 shade: RGB 243 119 237, RGB 243 185 118, RGB 118 243 123 and RGB 118 176 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

Complementary color

CMYK 91 / 0 / 87 / 47

HEX #0C8812

RGB 12 136 18

HSL 122.9, 0.84%, 0.29%

LAB 49.17, -52.45, 48.66

 

CMYK 0 / 52 / 6 / 3

HEX #F877E8

RGB 248 119 232

HSL 307.44, 0.9%, 0.72%

LAB 68.73, 63.38, -34.91

 

CMYK 0 / 46 / 2 / 0

HEX #FF89FB

RGB 255 137 251

HSL 302.03, 1%, 0.77%

LAB 73.62, 60.01, -37.66

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

CMYK 0 / 55 / 4 / 11

HEX #E265DA

RGB 226 101 218

HSL 303.84, 0.68%, 0.64%

LAB 62.12, 63.32, -37.65

 

CMYK 0 / 60 / 5 / 18

HEX #D153C7

RGB 209 83 199

HSL 304.76, 0.58%, 0.57%

LAB 55.95, 63.6, -36.7

 

CMYK 0 / 66 / 6 / 25

HEX #C041B4

RGB 192 65 180

HSL 305.67, 0.5%, 0.5%

LAB 49.84, 63.57, -35.5

 

CMYK 0 / 73 / 8 / 31

HEX #AF2FA1

RGB 175 47 161

HSL 306.56, 0.58%, 0.44%

LAB 43.83, 63.02, -33.91

 

CMYK 0 / 51 / 2 / 5

HEX #F376ED

RGB 243 118 237

HSL 302.88, 0.84%, 0.71%

LAB 68.11, 63.3, -38.69

 

CMYK 0 / 51 / 16 / 5

HEX #F376CB

RGB 243 118 203

HSL 319.2, 0.84%, 0.71%

LAB 66.77, 57.93, -21.86

 

CMYK 0 / 51 / 30 / 5

HEX #F376AA

RGB 243 118 170

HSL 335.04, 0.84%, 0.71%

LAB 65.68, 53.42, -4.87

 

CMYK 0 / 51 / 44 / 5

HEX #F37688

RGB 243 118 136

HSL 351.36, 0.84%, 0.71%

LAB 64.79, 49.6, 13.2

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 0 / 51 / 2 / 5

HEX #F376ED

RGB 243 118 237

HSL 302.88, 0.84%, 0.71%

LAB 68.11, 63.3, -38.69

 

CMYK 12 / 51 / 0 / 5

HEX #D776F3

RGB 215 118 243

HSL 286.56, 0.84%, 0.71%

LAB 64.86, 56.9, -47.34

 

CMYK 25 / 51 / 0 / 5

HEX #B676F3

RGB 182 118 243

HSL 270.72, 0.84%, 0.71%

LAB 61.11, 48.31, -53.53

 

CMYK 39 / 51 / 0 / 5

HEX #9476F3

RGB 148 118 243

HSL 254.4, 0.84%, 0.71%

LAB 57.77, 39.94, -59.04

 

CMYK 51 / 51 / 0 / 5

HEX #7676F3

RGB 118 118 243

HSL 240, 0.84%, 0.71%

LAB 55.36, 33.33, -63.05

 

CMYK 0 / 51 / 2 / 5

HEX #F376ED

RGB 243 118 237

HSL 302.88, 0.84%, 0.71%

LAB 68.11, 63.3, -38.69

 

CMYK 0 / 51 / 2 / 5

HEX #F376ED

RGB 243 118 237

HSL 302.88, 0.84%, 0.71%

LAB 68.11, 63.3, -38.69

 

CMYK 0 / 44 / 2 / 9

HEX #E782E2

RGB 231 130 226

HSL 302.97, 0.68%, 0.71%

LAB 68.35, 52.24, -32.37

 

CMYK 0 / 35 / 2 / 14

HEX #DB8ED7

RGB 219 142 215

HSL 303.12, 0.52%, 0.71%

LAB 68.98, 40.42, -25.43

 

CMYK 0 / 26 / 1 / 19

HEX #CF9ACC

RGB 207 154 204

HSL 303.4, 0.36%, 0.71%

LAB 69.99, 28.04, -17.91

 

CMYK 0 / 15 / 1 / 24

HEX #C3A6C1

RGB 195 166 193

HSL 304.14, 0.19%, 0.71%

LAB 71.37, 15.32, -9.88

 

CMYK 26 / 51 / 0 / 5

HEX #B576F3

RGB 181 118 243

HSL 270.24, 0.84%, 0.71%

LAB 61, 48.06, -53.7

 

CMYK 12 / 51 / 0 / 5

HEX #D676F3

RGB 214 118 243

HSL 286.08, 0.84%, 0.71%

LAB 64.74, 56.64, -47.54

 

CMYK 0 / 51 / 2 / 5

HEX #F376EF

RGB 243 118 239

HSL 301.92, 0.84%, 0.71%

LAB 68.2, 63.64, -39.65

 

CMYK 0 / 51 / 16 / 5

HEX #F376CD

RGB 243 118 205

HSL 318.24, 0.84%, 0.71%

LAB 66.84, 58.22, -22.87

 

CMYK 0 / 51 / 29 / 5

HEX #F376AC

RGB 243 118 172

HSL 334.08, 0.84%, 0.71%

LAB 65.74, 53.67, -5.92

 

CMYK 0 / 82 / 4 / 7

HEX #EC2BE3

RGB 236 43 227

HSL 302.8, 0.84%, 0.55%

LAB 57.18, 86.36, -50.4

 

CMYK 0 / 67 / 3 / 6

HEX #EF50E8

RGB 239 80 232

HSL 302.64, 0.83%, 0.63%

LAB 61.58, 77.23, -46.2

 

CMYK 0 / 51 / 2 / 5

HEX #F376ED

RGB 243 118 237

HSL 302.88, 0.84%, 0.71%

LAB 68.11, 63.3, -38.69

 

CMYK 0 / 37 / 2 / 4

HEX #F69CF2

RGB 246 156 242

HSL 302.67, 0.83%, 0.79%

LAB 75.93, 46.32, -29.29

 

CMYK 0 / 22 / 1 / 2

HEX #F9C2F7

RGB 249 194 247

HSL 302.18, 0.82%, 0.87%

LAB 84.71, 28.25, -18.58

 

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

CMYK 0 / 40 / 51 / 5

HEX #F39376

RGB 243 147 118

HSL 13.92, 0.84%, 0.71%

LAB 70.34, 33.27, 30.74

 

CMYK 51 / 0 / 19 / 5

HEX #76F3C5

RGB 118 243 197

HSL 157.92, 0.84%, 0.71%

LAB 87.96, -45.56, 11.62

 

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

CMYK 2 / 0 / 51 / 5

HEX #EFF376

RGB 239 243 118

HSL 61.92, 0.84%, 0.71%

LAB 93.35, -17.82, 59.01

 

CMYK 51 / 2 / 0 / 5

HEX #76EFF3

RGB 118 239 243

HSL 181.92, 0.84%, 0.71%

LAB 88, -32.83, -12.36

 

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

CMYK 0 / 40 / 51 / 5

HEX #F39376

RGB 243 147 118

HSL 13.92, 0.84%, 0.71%

LAB 70.34, 33.27, 30.74

 

CMYK 51 / 0 / 49 / 5

HEX #76F37B

RGB 118 243 123

HSL 122.4, 0.84%, 0.71%

LAB 86.69, -58.52, 47.12

 

CMYK 51 / 12 / 0 / 5

HEX #76D6F3

RGB 118 214 243

HSL 193.92, 0.84%, 0.71%

LAB 80.97, -20.64, -22.95

 

CMYK 0 / 51 / 2 / 5

HEX #F377ED

RGB 243 119 237

HSL 302.9, 0.84%, 0.71%

LAB 68.29, 62.84, -38.42

 

CMYK 0 / 24 / 51 / 5

HEX #F3B976

RGB 243 185 118

HSL 32.16, 0.84%, 0.71%

LAB 79.08, 13.26, 41.89

 

CMYK 51 / 0 / 49 / 5

HEX #76F37B

RGB 118 243 123

HSL 122.4, 0.84%, 0.71%

LAB 86.69, -58.52, 47.12

 

CMYK 51 / 28 / 0 / 5

HEX #76B0F3

RGB 118 176 243

HSL 212.16, 0.84%, 0.71%

LAB 70.44, -0.47, -39.16

 

Description

Color code: RGB 243 119 237 | qconv.com Color code: RGB 243 119 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 119 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 119 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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