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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97445 it is the complementary color #468BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B97445: #BE7440, #CF8653, #E09866, #F1AA79 and #FFBC8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B97445: #B97445, #A86232, #97501F, #863E0C and #752C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

Complementary color

CMYK 62 / 25 / 0 / 27

HEX #468BBA

RGB 70 139 186

HSL 204.31, 0.46%, 0.5%

LAB 55.39, -7.28, -31.07

 

CMYK 0 / 39 / 66 / 25

HEX #BE7440

RGB 190 116 64

HSL 24.76, 0.5%, 0.5%

LAB 55.9, 24.4, 40.37

 

CMYK 0 / 35 / 60 / 19

HEX #CF8653

RGB 207 134 83

HSL 24.68, 0.56%, 0.57%

LAB 62.46, 22.98, 38.67

 

CMYK 0 / 32 / 54 / 12

HEX #E09866

RGB 224 152 102

HSL 24.59, 0.66%, 0.64%

LAB 68.94, 21.74, 37.07

 

CMYK 0 / 29 / 50 / 5

HEX #F1AA79

RGB 241 170 121

HSL 24.5, 0.81%, 0.71%

LAB 75.35, 20.64, 35.58

 

CMYK 0 / 26 / 45 / 0

HEX #FFBC8C

RGB 255 188 140

HSL 25.04, 1%, 0.77%

LAB 81.36, 18.5, 33.72

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 0 / 42 / 70 / 34

HEX #A86232

RGB 168 98 50

HSL 24.41, 0.54%, 0.43%

LAB 48.62, 24.16, 38.66

 

CMYK 0 / 47 / 79 / 41

HEX #97501F

RGB 151 80 31

HSL 24.5, 0.66%, 0.36%

LAB 41.87, 25.94, 40.35

 

CMYK 0 / 54 / 91 / 47

HEX #863E0C

RGB 134 62 12

HSL 24.59, 0.84%, 0.29%

LAB 35.08, 27.97, 41.4

 

CMYK 0 / 62 / 100 / 54

HEX #752C00

RGB 117 44 0

HSL 22.56, 1%, 0.23%

LAB 28.34, 30.16, 39.65

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 0 / 27 / 63 / 27

HEX #BA8744

RGB 186 135 68

HSL 34.07, 0.46%, 0.5%

LAB 60.05, 12.45, 42.96

 

CMYK 0 / 17 / 63 / 27

HEX #BA9A44

RGB 186 154 68

HSL 43.73, 0.46%, 0.5%

LAB 64.94, 2.02, 48.44

 

CMYK 0 / 6 / 63 / 27

HEX #BAAE44

RGB 186 174 68

HSL 53.9, 0.46%, 0.5%

LAB 70.27, -8.64, 54.23

 

CMYK 4 / 0 / 63 / 27

HEX #B2BA44

RGB 178 186 68

HSL 64.07, 0.46%, 0.5%

LAB 72.89, -18.2, 56.83

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 0 / 37 / 63 / 7

HEX #EC9458

RGB 236 148 88

HSL 24.32, 0.8%, 0.64%

LAB 69.27, 27.7, 45.06

 

CMYK 0 / 38 / 63 / 87

HEX #20140C

RGB 32 20 12

HSL 24, 0.45%, 0.09%

LAB 7.53, 4.82, 6.4

 

CMYK 0 / 37 / 63 / 67

HEX #53341F

RGB 83 52 31

HSL 24.23, 0.46%, 0.22%

LAB 24.93, 11.44, 18.89

 

CMYK 0 / 37 / 63 / 47

HEX #865432

RGB 134 84 50

HSL 24.29, 0.46%, 0.36%

LAB 40.64, 17.25, 28.25

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 38 / 0 / 63 / 27

HEX #73BA44

RGB 115 186 68

HSL 96.1, 0.46%, 0.5%

LAB 68.88, -42.66, 51.32

 

CMYK 63 / 63 / 0 / 27

HEX #4444BA

RGB 68 68 186

HSL 240, 0.46%, 0.5%

LAB 35.81, 36.37, -62.33

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 63 / 0 / 38 / 27

HEX #44BA73

RGB 68 186 115

HSL 143.9, 0.46%, 0.5%

LAB 67.71, -49.09, 26.51

 

CMYK 38 / 63 / 0 / 27

HEX #7344BA

RGB 115 68 186

HSL 263.9, 0.46%, 0.5%

LAB 40.12, 45.23, -55.13

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 38 / 0 / 63 / 27

HEX #73BA44

RGB 115 186 68

HSL 96.1, 0.46%, 0.5%

LAB 68.88, -42.66, 51.32

 

CMYK 63 / 25 / 0 / 27

HEX #448BBA

RGB 68 139 186

HSL 203.9, 0.46%, 0.5%

LAB 55.32, -7.65, -31.19

 

CMYK 25 / 63 / 0 / 27

HEX #8B44BA

RGB 139 68 186

HSL 276.1, 0.46%, 0.5%

LAB 43.02, 50.64, -50.31

 

CMYK 0 / 37 / 63 / 27

HEX #B97445

RGB 185 116 69

HSL 24.31, 0.46%, 0.5%

LAB 55.31, 22.62, 36.9

 

CMYK 57 / 0 / 63 / 27

HEX #50BA44

RGB 80 186 68

HSL 113.9, 0.46%, 0.5%

LAB 67.46, -53.15, 49.35

 

CMYK 63 / 25 / 0 / 27

HEX #448BBA

RGB 68 139 186

HSL 203.9, 0.46%, 0.5%

LAB 55.32, -7.65, -31.19

 

CMYK 6 / 63 / 0 / 27

HEX #AE44BA

RGB 174 68 186

HSL 293.9, 0.46%, 0.5%

LAB 47.85, 58.99, -42.31

 

Description

Color code: HEX #B97445 | qconv.com Color code: HEX #B97445 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 116 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 116 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 63 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 63% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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