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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B954BE it is the complementary color #46AB41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B954BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B954BE: #BE54B9, #CF66CC, #E078DF, #F18AF2 and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B954BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B954BE: #B954BE, #A842AB, #973098, #861E85 and #750C72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

Complementary color

CMYK 59 / 0 / 62 / 33

HEX #46AB41

RGB 70 171 65

HSL 117.17, 0.45%, 0.46%

LAB 62.35, -50.34, 44.85

 

CMYK 0 / 56 / 3 / 25

HEX #BE54B9

RGB 190 84 185

HSL 302.83, 0.45%, 0.54%

LAB 52.72, 55.79, -33.91

 

CMYK 0 / 51 / 1 / 19

HEX #CF66CC

RGB 207 102 204

HSL 301.71, 0.52%, 0.61%

LAB 59.09, 55.29, -34.66

 

CMYK 0 / 46 / 0 / 12

HEX #E078DF

RGB 224 120 223

HSL 300.58, 0.63%, 0.67%

LAB 65.44, 54.66, -35.28

 

CMYK 0 / 43 / 0 / 5

HEX #F18AF2

RGB 241 138 242

HSL 299.42, 0.8%, 0.75%

LAB 71.75, 53.97, -35.79

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 2 / 61 / 0 / 33

HEX #A842AB

RGB 168 66 171

HSL 298.29, 0.44%, 0.46%

LAB 45.85, 55.64, -36.73

 

CMYK 1 / 68 / 0 / 40

HEX #973098

RGB 151 48 152

HSL 299.42, 0.52%, 0.39%

LAB 39.51, 55.55, -35.57

 

CMYK 0 / 78 / 1 / 47

HEX #861E85

RGB 134 30 133

HSL 300.58, 0.63%, 0.32%

LAB 33.33, 54.72, -33.9

 

CMYK 0 / 90 / 3 / 54

HEX #750C72

RGB 117 12 114

HSL 301.71, 0.81%, 0.25%

LAB 27.46, 52.61, -31.44

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 0 / 56 / 6 / 25

HEX #BE54B2

RGB 190 84 178

HSL 306.79, 0.45%, 0.54%

LAB 52.4, 54.6, -30.34

 

CMYK 0 / 56 / 16 / 25

HEX #BE54A0

RGB 190 84 160

HSL 316.98, 0.45%, 0.54%

LAB 51.64, 51.7, -20.99

 

CMYK 0 / 56 / 25 / 25

HEX #BE548E

RGB 190 84 142

HSL 327.17, 0.45%, 0.54%

LAB 50.97, 49.06, -11.36

 

CMYK 0 / 56 / 34 / 25

HEX #BE547D

RGB 190 84 125

HSL 336.79, 0.45%, 0.54%

LAB 50.42, 46.84, -2.03

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 2 / 56 / 0 / 5

HEX #EB6BF1

RGB 235 107 241

HSL 297.31, 0.83%, 0.68%

LAB 65.38, 66.88, -45.25

 

CMYK 3 / 57 / 0 / 85

HEX #241025

RGB 36 16 37

HSL 297.14, 0.4%, 0.1%

LAB 7.94, 14.72, -10.18

 

CMYK 2 / 56 / 0 / 65

HEX #562758

RGB 86 39 88

HSL 297.55, 0.39%, 0.25%

LAB 24.11, 29.73, -20.16

 

CMYK 3 / 56 / 0 / 45

HEX #873D8B

RGB 135 61 139

HSL 296.92, 0.39%, 0.39%

LAB 38.47, 43.13, -29.47

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 0 / 47 / 56 / 25

HEX #BE6454

RGB 190 100 84

HSL 9.06, 0.45%, 0.54%

LAB 52.62, 34.49, 25.34

 

CMYK 56 / 0 / 25 / 25

HEX #54BE8E

RGB 84 190 142

HSL 152.83, 0.45%, 0.54%

LAB 69.94, -41.94, 15.17

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 0 / 3 / 56 / 25

HEX #BEB954

RGB 190 185 84

HSL 57.17, 0.45%, 0.54%

LAB 73.73, -11.5, 50.95

 

CMYK 56 / 0 / 3 / 25

HEX #54BEB9

RGB 84 190 185

HSL 177.17, 0.45%, 0.54%

LAB 71.02, -31.55, -6.72

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 0 / 47 / 56 / 25

HEX #BE6454

RGB 190 100 84

HSL 9.06, 0.45%, 0.54%

LAB 52.62, 34.49, 25.34

 

CMYK 53 / 0 / 56 / 25

HEX #5ABE54

RGB 90 190 84

HSL 116.6, 0.45%, 0.54%

LAB 69.21, -50.26, 44.17

 

CMYK 56 / 8 / 0 / 25

HEX #54AEBE

RGB 84 174 190

HSL 189.06, 0.45%, 0.54%

LAB 66.42, -22.24, -16.36

 

CMYK 3 / 56 / 0 / 25

HEX #B954BE

RGB 185 84 190

HSL 297.17, 0.45%, 0.54%

LAB 52.26, 55.33, -37.57

 

CMYK 0 / 31 / 56 / 25

HEX #BE8454

RGB 190 132 84

HSL 27.17, 0.45%, 0.54%

LAB 59.97, 17.04, 34.64

 

CMYK 53 / 0 / 56 / 25

HEX #5ABE54

RGB 90 190 84

HSL 116.6, 0.45%, 0.54%

LAB 69.21, -50.26, 44.17

 

CMYK 56 / 25 / 0 / 25

HEX #548EBE

RGB 84 142 190

HSL 207.17, 0.45%, 0.54%

LAB 57.03, -4.9, -30.76

 

Description

Color code: HEX #B954BE | qconv.com Color code: HEX #B954BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 84 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 84 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 56 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 56% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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