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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95188 it is the complementary color #46AE77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95188 shade: #BE5183, #CF6396, #E075A9, #F187BC and #FF99CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95188 shade: #B95188, #A83F75, #972D62, #861B4F and #75093C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95188 shade: #B95088, #B9506B and #B95050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95188 shade: #B95088, #B950A4, #B250B9, #9650B9 and #7950B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95188 shade matches the following richer shades: #B95088, #CD3C89, #E1288A and #F5158B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95188 shade: #B95088, #A56486, #927885, #7E8B84 and #6A9F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95188 shade: #B250B9, #B950A4, #B95088, #B9506C and #B95050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95188 shade: #83345E, #A04073, #B95088, #C56D9C and #D18BB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95188 shade: #B95188, #B99650 and #50B2B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95188 shade: #B95188, #88B950 and #5088B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95188 shade: #B95188, #B99650, #50B981 and #5073B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95188 shade: #B95188, #B9B650, #50B981 and #5053B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 26 / 27

HEX #B95188

RGB 185 81 136

HSL 328.27, 0.43%, 0.52%

LAB 49.47, 48.09, -10.11

 

Complementary color

CMYK 60 / 0 / 32 / 32

HEX #46AE77

RGB 70 174 119

HSL 148.27, 0.43%, 0.48%

LAB 64.08, -42.96, 19.49

 

CMYK 0 / 57 / 31 / 25

HEX #BE5183

RGB 190 81 131

HSL 332.48, 0.46%, 0.53%

LAB 50.06, 49.03, -6.15

 

CMYK 0 / 52 / 28 / 19

HEX #CF6396

RGB 207 99 150

HSL 331.67, 0.53%, 0.6%

LAB 56.48, 48.35, -7.57

 

CMYK 0 / 48 / 25 / 12

HEX #E075A9

RGB 224 117 169

HSL 330.84, 0.63%, 0.67%

LAB 62.87, 47.59, -8.75

 

CMYK 0 / 44 / 22 / 5

HEX #F187BC

RGB 241 135 188

HSL 330, 0.79%, 0.74%

LAB 69.23, 46.8, -9.77

 

CMYK 0 / 40 / 19 / 0

HEX #FF99CF

RGB 255 153 207

HSL 328.24, 1%, 0.8%

LAB 75.17, 45.03, -11.24

 

CMYK 0 / 56 / 26 / 27

HEX #B95188

RGB 185 81 136

HSL 328.27, 0.43%, 0.52%

LAB 49.47, 48.09, -10.11

 

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

CMYK 0 / 70 / 35 / 41

HEX #972D62

RGB 151 45 98

HSL 330, 0.54%, 0.38%

LAB 36.63, 48.69, -6.52

 

CMYK 0 / 80 / 41 / 47

HEX #861B4F

RGB 134 27 79

HSL 330.84, 0.66%, 0.32%

LAB 30.44, 48.09, -3.78

 

CMYK 0 / 92 / 49 / 54

HEX #75093C

RGB 117 9 60

HSL 331.67, 0.86%, 0.25%

LAB 24.65, 46.16, 0.07

 

CMYK 0 / 57 / 26 / 27

HEX #B95088

RGB 185 80 136

HSL 328, 0.43%, 0.52%

LAB 49.29, 48.56, -10.38

 

CMYK 0 / 57 / 42 / 27

HEX #B9506B

RGB 185 80 107

HSL 344.57, 0.43%, 0.52%

LAB 48.4, 45.01, 5.79

 

CMYK 0 / 57 / 57 / 27

HEX #B95050

RGB 185 80 80

HSL 0, 0.43%, 0.52%

LAB 47.79, 42.48, 21.23

 

CMYK 0 / 57 / 26 / 27

HEX #B95088

RGB 185 80 136

HSL 328, 0.43%, 0.52%

LAB 49.29, 48.56, -10.38

 

CMYK 0 / 57 / 11 / 27

HEX #B950A4

RGB 185 80 164

HSL 312, 0.43%, 0.52%

LAB 50.37, 52.74, -25.35

 

CMYK 4 / 57 / 0 / 27

HEX #B250B9

RGB 178 80 185

HSL 296, 0.43%, 0.52%

LAB 50.34, 54.43, -37.76

 

CMYK 19 / 57 / 0 / 27

HEX #9650B9

RGB 150 80 185

HSL 280, 0.43%, 0.52%

LAB 46.61, 47.05, -43.9

 

CMYK 35 / 57 / 0 / 27

HEX #7950B9

RGB 121 80 185

HSL 263.43, 0.43%, 0.52%

LAB 43.22, 39.69, -49.52

 

CMYK 0 / 57 / 26 / 27

HEX #B95088

RGB 185 80 136

HSL 328, 0.43%, 0.52%

LAB 49.29, 48.56, -10.38

 

CMYK 0 / 71 / 33 / 20

HEX #CD3C89

RGB 205 60 137

HSL 328.14, 0.59%, 0.52%

LAB 49.52, 62.91, -10.31

 

CMYK 0 / 82 / 39 / 12

HEX #E1288A

RGB 225 40 138

HSL 328.22, 0.76%, 0.52%

LAB 51.11, 73.84, -8.16

 

CMYK 0 / 91 / 43 / 4

HEX #F5158B

RGB 245 21 139

HSL 328.39, 0.92%, 0.52%

LAB 53.83, 81.61, -4.31

 

CMYK 0 / 57 / 26 / 27

HEX #B95088

RGB 185 80 136

HSL 328, 0.43%, 0.52%

LAB 49.29, 48.56, -10.38

 

CMYK 0 / 39 / 19 / 35

HEX #A56486

RGB 165 100 134

HSL 328.62, 0.27%, 0.52%

LAB 50.49, 31.07, -7.67

 

CMYK 0 / 18 / 9 / 43

HEX #927885

RGB 146 120 133

HSL 330, 0.11%, 0.52%

LAB 53.21, 12.38, -3.29

 

CMYK 9 / 0 / 5 / 45

HEX #7E8B84

RGB 126 139 132

HSL 147.69, 0.05%, 0.52%

LAB 56.65, -6.15, 2.12

 

CMYK 33 / 0 / 18 / 38

HEX #6A9F83

RGB 106 159 131

HSL 148.3, 0.22%, 0.52%

LAB 61.22, -23.82, 9.08

 

CMYK 4 / 57 / 0 / 27

HEX #B250B9

RGB 178 80 185

HSL 296, 0.43%, 0.52%

LAB 50.34, 54.43, -37.76

 

CMYK 0 / 57 / 11 / 27

HEX #B950A4

RGB 185 80 164

HSL 312, 0.43%, 0.52%

LAB 50.37, 52.74, -25.35

 

CMYK 0 / 57 / 26 / 27

HEX #B95088

RGB 185 80 136

HSL 328, 0.43%, 0.52%

LAB 49.29, 48.56, -10.38

 

CMYK 0 / 57 / 42 / 27

HEX #B9506C

RGB 185 80 108

HSL 344, 0.43%, 0.52%

LAB 48.43, 45.12, 5.22

 

CMYK 0 / 57 / 57 / 27

HEX #B95050

RGB 185 80 80

HSL 0, 0.43%, 0.52%

LAB 47.79, 42.48, 21.23

 

CMYK 0 / 60 / 28 / 49

HEX #83345E

RGB 131 52 94

HSL 328.1, 0.43%, 0.36%

LAB 34.17, 38.76, -8

 

CMYK 0 / 60 / 28 / 37

HEX #A04073

RGB 160 64 115

HSL 328.13, 0.43%, 0.44%

LAB 41.81, 45.33, -9.24

 

CMYK 0 / 57 / 26 / 27

HEX #B95088

RGB 185 80 136

HSL 328, 0.43%, 0.52%

LAB 49.29, 48.56, -10.38

 

CMYK 0 / 45 / 21 / 23

HEX #C56D9C

RGB 197 109 156

HSL 327.95, 0.43%, 0.6%

LAB 57.28, 40.8, -10.01

 

CMYK 0 / 33 / 16 / 18

HEX #D18BB0

RGB 209 139 176

HSL 328.29, 0.43%, 0.68%

LAB 65.87, 32.03, -8.45

 

CMYK 0 / 56 / 26 / 27

HEX #B95188

RGB 185 81 136

HSL 328.27, 0.43%, 0.52%

LAB 49.47, 48.09, -10.11

 

CMYK 0 / 19 / 57 / 27

HEX #B99650

RGB 185 150 80

HSL 40, 0.43%, 0.52%

LAB 63.92, 4.65, 41.39

 

CMYK 57 / 4 / 0 / 27

HEX #50B2B9

RGB 80 178 185

HSL 184, 0.43%, 0.52%

LAB 67.31, -26.48, -12.26

 

CMYK 0 / 56 / 26 / 27

HEX #B95188

RGB 185 81 136

HSL 328.27, 0.43%, 0.52%

LAB 49.47, 48.09, -10.11

 

CMYK 26 / 0 / 57 / 27

HEX #88B950

RGB 136 185 80

HSL 88, 0.43%, 0.52%

LAB 69.83, -33.55, 47.32

 

CMYK 57 / 26 / 0 / 27

HEX #5088B9

RGB 80 136 185

HSL 208, 0.43%, 0.52%

LAB 54.88, -3.89, -31.26

 

CMYK 0 / 56 / 26 / 27

HEX #B95188

RGB 185 81 136

HSL 328.27, 0.43%, 0.52%

LAB 49.47, 48.09, -10.11

 

CMYK 0 / 19 / 57 / 27

HEX #B99650

RGB 185 150 80

HSL 40, 0.43%, 0.52%

LAB 63.92, 4.65, 41.39

 

CMYK 57 / 0 / 30 / 27

HEX #50B981

RGB 80 185 129

HSL 148, 0.43%, 0.52%

LAB 68.01, -43.39, 19.5

 

CMYK 57 / 38 / 0 / 27

HEX #5073B9

RGB 80 115 185

HSL 220, 0.43%, 0.52%

LAB 48.85, 8.66, -40.74

 

CMYK 0 / 56 / 26 / 27

HEX #B95188

RGB 185 81 136

HSL 328.27, 0.43%, 0.52%

LAB 49.47, 48.09, -10.11

 

CMYK 0 / 2 / 57 / 27

HEX #B9B650

RGB 185 182 80

HSL 58.29, 0.43%, 0.52%

LAB 72.46, -12.36, 51.25

 

CMYK 57 / 0 / 30 / 27

HEX #50B981

RGB 80 185 129

HSL 148, 0.43%, 0.52%

LAB 68.01, -43.39, 19.5

 

CMYK 57 / 55 / 0 / 27

HEX #5053B9

RGB 80 83 185

HSL 238.29, 0.43%, 0.52%

LAB 40.24, 28.75, -54.51

 

Description

Color code: HEX #B95188 | qconv.com Color code: HEX #B95188 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 81 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 81 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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