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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83F75 it is the complementary color #57C08A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83F75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83F75 shade: #AD3F70, #BE5183, #CF6396, #E075A9 and #F187BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83F75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83F75 shade: #A83F75, #972D62, #861B4F, #75093C and #640029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83F75 shade: #A63F74, #A63F58 and #A63F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83F75 shade: #A63F74, #A63F90, #A13FA6, #853FA6 and #693FA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83F75 shade matches the following richer shades: #A63F74, #B92D75, #CC1A75 and #DE0776

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83F75 shade: #A63F74, #945274, #816473, #6F7773 and #5C8972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83F75 shade: #A13FA6, #A63F90, #A63F74, #A63F59 and #A6413F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83F75 shade: #6B284A, #88345F, #A63F74, #BD5289 and #C96F9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83F75 shade: #A83F75, #A6863F and #3F9EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83F75 shade: #A83F75, #74A63F and #3F74A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83F75 shade: #A83F75, #A6863F, #3FA671 and #3F60A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83F75 shade: #A83F75, #A6A53F, #3FA671 and #3F41A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

Complementary color

CMYK 55 / 0 / 28 / 25

HEX #57C08A

RGB 87 192 138

HSL 149.14, 0.45%, 0.55%

LAB 70.57, -42.96, 18.21

 

CMYK 0 / 64 / 35 / 32

HEX #AD3F70

RGB 173 63 112

HSL 333.27, 0.47%, 0.46%

LAB 43.67, 49.51, -4.4

 

CMYK 0 / 57 / 31 / 25

HEX #BE5183

RGB 190 81 131

HSL 332.48, 0.46%, 0.53%

LAB 50.06, 49.03, -6.15

 

CMYK 0 / 52 / 28 / 19

HEX #CF6396

RGB 207 99 150

HSL 331.67, 0.53%, 0.6%

LAB 56.48, 48.35, -7.57

 

CMYK 0 / 48 / 25 / 12

HEX #E075A9

RGB 224 117 169

HSL 330.84, 0.63%, 0.67%

LAB 62.87, 47.59, -8.75

 

CMYK 0 / 44 / 22 / 5

HEX #F187BC

RGB 241 135 188

HSL 330, 0.79%, 0.74%

LAB 69.23, 46.8, -9.77

 

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

CMYK 0 / 70 / 35 / 41

HEX #972D62

RGB 151 45 98

HSL 330, 0.54%, 0.38%

LAB 36.63, 48.69, -6.52

 

CMYK 0 / 80 / 41 / 47

HEX #861B4F

RGB 134 27 79

HSL 330.84, 0.66%, 0.32%

LAB 30.44, 48.09, -3.78

 

CMYK 0 / 92 / 49 / 54

HEX #75093C

RGB 117 9 60

HSL 331.67, 0.86%, 0.25%

LAB 24.65, 46.16, 0.07

 

CMYK 0 / 100 / 59 / 61

HEX #640029

RGB 100 0 41

HSL 335.4, 1%, 0.2%

LAB 19.51, 42.13, 5.52

 

CMYK 0 / 62 / 30 / 35

HEX #A63F74

RGB 166 63 116

HSL 329.13, 0.45%, 0.45%

LAB 42.65, 47.82, -8.51

 

CMYK 0 / 62 / 47 / 35

HEX #A63F58

RGB 166 63 88

HSL 345.44, 0.45%, 0.45%

LAB 41.79, 44.6, 7.63

 

CMYK 0 / 62 / 62 / 35

HEX #A63F3F

RGB 166 63 63

HSL 0, 0.45%, 0.45%

LAB 41.25, 42.48, 22.37

 

CMYK 0 / 62 / 30 / 35

HEX #A63F74

RGB 166 63 116

HSL 329.13, 0.45%, 0.45%

LAB 42.65, 47.82, -8.51

 

CMYK 0 / 62 / 13 / 35

HEX #A63F90

RGB 166 63 144

HSL 312.82, 0.45%, 0.45%

LAB 43.76, 51.87, -23.89

 

CMYK 3 / 62 / 0 / 35

HEX #A13FA6

RGB 161 63 166

HSL 297.09, 0.45%, 0.45%

LAB 44.07, 54.27, -36.66

 

CMYK 20 / 62 / 0 / 35

HEX #853FA6

RGB 133 63 166

HSL 280.78, 0.45%, 0.45%

LAB 40.07, 47.2, -43.25

 

CMYK 37 / 62 / 0 / 35

HEX #693FA6

RGB 105 63 166

HSL 264.47, 0.45%, 0.45%

LAB 36.58, 40.45, -49.05

 

CMYK 0 / 62 / 30 / 35

HEX #A63F74

RGB 166 63 116

HSL 329.13, 0.45%, 0.45%

LAB 42.65, 47.82, -8.51

 

CMYK 0 / 76 / 37 / 27

HEX #B92D75

RGB 185 45 117

HSL 329.14, 0.61%, 0.45%

LAB 43.47, 60.38, -7.55

 

CMYK 0 / 87 / 43 / 20

HEX #CC1A75

RGB 204 26 117

HSL 329.33, 0.77%, 0.45%

LAB 45.44, 69.75, -4.23

 

CMYK 0 / 97 / 47 / 13

HEX #DE0776

RGB 222 7 118

HSL 329.02, 0.94%, 0.45%

LAB 48.25, 76.16, -0.31

 

CMYK 0 / 62 / 30 / 35

HEX #A63F74

RGB 166 63 116

HSL 329.13, 0.45%, 0.45%

LAB 42.65, 47.82, -8.51

 

CMYK 0 / 45 / 22 / 42

HEX #945274

RGB 148 82 116

HSL 329.09, 0.29%, 0.45%

LAB 43.64, 32.08, -7.3

 

CMYK 0 / 22 / 11 / 49

HEX #816473

RGB 129 100 115

HSL 328.97, 0.13%, 0.45%

LAB 45.66, 14.3, -3.94

 

CMYK 7 / 0 / 3 / 53

HEX #6F7773

RGB 111 119 115

HSL 150, 0.03%, 0.45%

LAB 49.27, -3.83, 1.16

 

CMYK 33 / 0 / 17 / 46

HEX #5C8972

RGB 92 137 114

HSL 149.33, 0.2%, 0.45%

LAB 53.36, -20.65, 7.48

 

CMYK 3 / 62 / 0 / 35

HEX #A13FA6

RGB 161 63 166

HSL 297.09, 0.45%, 0.45%

LAB 44.07, 54.27, -36.66

 

CMYK 0 / 62 / 13 / 35

HEX #A63F90

RGB 166 63 144

HSL 312.82, 0.45%, 0.45%

LAB 43.76, 51.87, -23.89

 

CMYK 0 / 62 / 30 / 35

HEX #A63F74

RGB 166 63 116

HSL 329.13, 0.45%, 0.45%

LAB 42.65, 47.82, -8.51

 

CMYK 0 / 62 / 46 / 35

HEX #A63F59

RGB 166 63 89

HSL 344.85, 0.45%, 0.45%

LAB 41.82, 44.7, 7.04

 

CMYK 0 / 61 / 62 / 35

HEX #A6413F

RGB 166 65 63

HSL 1.17, 0.45%, 0.45%

LAB 41.61, 41.54, 22.83

 

CMYK 0 / 63 / 31 / 58

HEX #6B284A

RGB 107 40 74

HSL 329.55, 0.46%, 0.29%

LAB 27.12, 33.77, -5.94

 

CMYK 0 / 62 / 30 / 47

HEX #88345F

RGB 136 52 95

HSL 329.29, 0.45%, 0.37%

LAB 35.04, 40.55, -7.26

 

CMYK 0 / 62 / 30 / 35

HEX #A63F74

RGB 166 63 116

HSL 329.13, 0.45%, 0.45%

LAB 42.65, 47.82, -8.51

 

CMYK 0 / 57 / 28 / 26

HEX #BD5289

RGB 189 82 137

HSL 329.16, 0.45%, 0.53%

LAB 50.29, 49.02, -9.42

 

CMYK 0 / 45 / 22 / 21

HEX #C96F9D

RGB 201 111 157

HSL 329.33, 0.45%, 0.61%

LAB 58.25, 41.26, -9.08

 

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

CMYK 0 / 19 / 62 / 35

HEX #A6863F

RGB 166 134 63

HSL 41.36, 0.45%, 0.45%

LAB 57.57, 3.86, 42.04

 

CMYK 62 / 5 / 0 / 35

HEX #3F9EA6

RGB 63 158 166

HSL 184.66, 0.45%, 0.45%

LAB 60.13, -25.09, -12.48

 

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

CMYK 30 / 0 / 62 / 35

HEX #74A63F

RGB 116 166 63

HSL 89.13, 0.45%, 0.45%

LAB 62.8, -33.88, 46.82

 

CMYK 62 / 30 / 0 / 35

HEX #3F74A6

RGB 63 116 166

HSL 209.13, 0.45%, 0.45%

LAB 47.37, -1.86, -32.08

 

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

CMYK 0 / 19 / 62 / 35

HEX #A6863F

RGB 166 134 63

HSL 41.36, 0.45%, 0.45%

LAB 57.57, 3.86, 42.04

 

CMYK 62 / 0 / 32 / 35

HEX #3FA671

RGB 63 166 113

HSL 149.13, 0.45%, 0.45%

LAB 61.24, -42.29, 18.85

 

CMYK 62 / 42 / 0 / 35

HEX #3F60A6

RGB 63 96 166

HSL 220.78, 0.45%, 0.45%

LAB 41.49, 10.56, -41.36

 

CMYK 0 / 63 / 30 / 34

HEX #A83F75

RGB 168 63 117

HSL 329.14, 0.45%, 0.45%

LAB 43.01, 48.57, -8.54

 

CMYK 0 / 1 / 62 / 35

HEX #A6A53F

RGB 166 165 63

HSL 59.42, 0.45%, 0.45%

LAB 66.04, -12.89, 51.38

 

CMYK 62 / 0 / 32 / 35

HEX #3FA671

RGB 63 166 113

HSL 149.13, 0.45%, 0.45%

LAB 61.24, -42.29, 18.85

 

CMYK 62 / 61 / 0 / 35

HEX #3F41A6

RGB 63 65 166

HSL 238.83, 0.45%, 0.45%

LAB 33.12, 30.65, -54.85

 

Description

Color code: HEX #A83F75 | qconv.com Color code: HEX #A83F75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 63 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 63 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 30 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 30% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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