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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9317E it is the complementary color #46CE81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9317E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B9317E: #BE3179, #CF438C, #E0559F, #F167B2 and #FF79C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9317E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B9317E: #B9317E, #A81F6B, #970D58, #860045 and #750032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

Complementary color

CMYK 66 / 0 / 37 / 19

HEX #46CE81

RGB 70 206 129

HSL 146.03, 0.58%, 0.54%

LAB 74.21, -53.94, 27.83

 

CMYK 0 / 74 / 36 / 25

HEX #BE3179

RGB 190 49 121

HSL 329.36, 0.59%, 0.47%

LAB 44.98, 60.85, -7.67

 

CMYK 0 / 68 / 32 / 19

HEX #CF438C

RGB 207 67 140

HSL 328.71, 0.59%, 0.54%

LAB 50.89, 61.23, -10.01

 

CMYK 0 / 62 / 29 / 12

HEX #E0559F

RGB 224 85 159

HSL 328.06, 0.69%, 0.61%

LAB 56.93, 61.13, -11.89

 

CMYK 0 / 57 / 26 / 5

HEX #F167B2

RGB 241 103 178

HSL 327.39, 0.83%, 0.67%

LAB 63.02, 60.74, -13.42

 

CMYK 0 / 53 / 23 / 0

HEX #FF79C5

RGB 255 121 197

HSL 325.97, 1%, 0.74%

LAB 68.73, 59.28, -15.37

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 82 / 36 / 34

HEX #A81F6B

RGB 168 31 107

HSL 326.72, 0.69%, 0.39%

LAB 38.49, 58.97, -9.1

 

CMYK 0 / 91 / 42 / 41

HEX #970D58

RGB 151 13 88

HSL 327.39, 0.84%, 0.32%

LAB 33.07, 56.66, -5.39

 

CMYK 0 / 100 / 49 / 47

HEX #860045

RGB 134 0 69

HSL 329.1, 1%, 0.26%

LAB 28.11, 52.84, -0.55

 

CMYK 0 / 100 / 57 / 54

HEX #750032

RGB 117 0 50

HSL 334.36, 1%, 0.23%

LAB 23.71, 47.14, 5.64

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 74 / 44 / 27

HEX #B93167

RGB 185 49 103

HSL 336.18, 0.58%, 0.46%

LAB 43.49, 57.63, 1.16

 

CMYK 0 / 74 / 56 / 27

HEX #B93151

RGB 185 49 81

HSL 345.88, 0.58%, 0.46%

LAB 42.92, 55.75, 14.07

 

CMYK 0 / 74 / 69 / 27

HEX #B9313A

RGB 185 49 58

HSL 356.03, 0.58%, 0.46%

LAB 42.49, 54.3, 27.7

 

CMYK 0 / 66 / 74 / 27

HEX #B93E31

RGB 185 62 49

HSL 5.74, 0.58%, 0.46%

LAB 44.21, 48.8, 35.02

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 73 / 32 / 7

HEX #EC3FA1

RGB 236 63 161

HSL 326.01, 0.82%, 0.59%

LAB 56.05, 72.69, -14.19

 

CMYK 0 / 75 / 31 / 87

HEX #200816

RGB 32 8 22

HSL 325, 0.6%, 0.08%

LAB 4.87, 12.92, -3.33

 

CMYK 0 / 73 / 31 / 67

HEX #531639

RGB 83 22 57

HSL 325.57, 0.58%, 0.21%

LAB 18.84, 31.96, -7.25

 

CMYK 0 / 74 / 32 / 47

HEX #86235B

RGB 134 35 91

HSL 326.06, 0.59%, 0.33%

LAB 31.87, 46.73, -9.49

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 27 / 74 / 27

HEX #B98731

RGB 185 135 49

HSL 37.94, 0.58%, 0.46%

LAB 59.77, 10.9, 51.5

 

CMYK 74 / 3 / 0 / 27

HEX #31B4B9

RGB 49 180 185

HSL 182.21, 0.58%, 0.46%

LAB 67.13, -32.3, -12.62

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 32 / 0 / 74 / 27

HEX #7EB931

RGB 126 185 49

HSL 86.03, 0.58%, 0.46%

LAB 69.01, -39.74, 59.11

 

CMYK 74 / 32 / 0 / 27

HEX #317EB9

RGB 49 126 185

HSL 206.03, 0.58%, 0.46%

LAB 50.78, -3.47, -37.78

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 27 / 74 / 27

HEX #B98731

RGB 185 135 49

HSL 37.94, 0.58%, 0.46%

LAB 59.77, 10.9, 51.5

 

CMYK 74 / 0 / 42 / 27

HEX #31B96C

RGB 49 185 108

HSL 146.03, 0.58%, 0.46%

LAB 66.85, -53.3, 28.97

 

CMYK 74 / 46 / 0 / 27

HEX #3163B9

RGB 49 99 185

HSL 217.94, 0.58%, 0.46%

LAB 42.88, 13.27, -50.33

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 5 / 74 / 27

HEX #B9B031

RGB 185 176 49

HSL 56.03, 0.58%, 0.46%

LAB 70.59, -11.16, 62.06

 

CMYK 74 / 0 / 42 / 27

HEX #31B96C

RGB 49 185 108

HSL 146.03, 0.58%, 0.46%

LAB 66.85, -53.3, 28.97

 

CMYK 74 / 69 / 0 / 27

HEX #313AB9

RGB 49 58 185

HSL 236.03, 0.58%, 0.46%

LAB 32.22, 39.73, -67.67

 

Description

Color code: HEX #B9317E | qconv.com Color code: HEX #B9317E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 49 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 49 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 32 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 32% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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