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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B92DC0 it is the complementary color #46D23F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B92DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B92DC0: #BE2DBB, #CF3FCE, #E051E1, #F163F4 and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B92DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B92DC0: #B92DC0, #A81BAD, #97099A, #860087 and #750074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

Complementary color

CMYK 67 / 0 / 70 / 18

HEX #46D23F

RGB 70 210 63

HSL 117.14, 0.62%, 0.54%

LAB 74.67, -64.3, 59.06

 

CMYK 0 / 76 / 2 / 25

HEX #BE2DBB

RGB 190 45 187

HSL 301.24, 0.62%, 0.46%

LAB 47.51, 70.95, -43.28

 

CMYK 0 / 70 / 0 / 19

HEX #CF3FCE

RGB 207 63 206

HSL 300.42, 0.6%, 0.53%

LAB 53.25, 71.94, -44.99

 

CMYK 0 / 64 / 0 / 12

HEX #E051E1

RGB 224 81 225

HSL 299.58, 0.71%, 0.6%

LAB 59.13, 72.32, -46.3

 

CMYK 1 / 59 / 0 / 4

HEX #F163F4

RGB 241 99 244

HSL 298.76, 0.87%, 0.67%

LAB 65.09, 72.3, -47.32

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 3 / 84 / 0 / 32

HEX #A81BAD

RGB 168 27 173

HSL 297.95, 0.73%, 0.39%

LAB 41.42, 68.91, -44.97

 

CMYK 2 / 94 / 0 / 40

HEX #97099A

RGB 151 9 154

HSL 298.76, 0.89%, 0.32%

LAB 36.19, 65.81, -42.07

 

CMYK 1 / 100 / 0 / 47

HEX #860087

RGB 134 0 135

HSL 299.56, 1%, 0.26%

LAB 31.39, 61.08, -38.25

 

CMYK 0 / 100 / 1 / 54

HEX #750074

RGB 117 0 116

HSL 300.51, 1%, 0.23%

LAB 26.86, 55.1, -33.68

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 0 / 77 / 9 / 25

HEX #BE2CAD

RGB 190 44 173

HSL 306.99, 0.62%, 0.46%

LAB 46.67, 69.1, -36.4

 

CMYK 0 / 77 / 22 / 25

HEX #BE2C94

RGB 190 44 148

HSL 317.26, 0.62%, 0.46%

LAB 45.48, 65.63, -23.33

 

CMYK 0 / 77 / 35 / 25

HEX #BE2C7C

RGB 190 44 124

HSL 327.12, 0.62%, 0.46%

LAB 44.52, 62.75, -10.19

 

CMYK 0 / 77 / 47 / 25

HEX #BE2C64

RGB 190 44 100

HSL 336.99, 0.62%, 0.46%

LAB 43.75, 60.37, 3.52

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 4 / 77 / 0 / 5

HEX #EA39F3

RGB 234 57 243

HSL 297.1, 0.89%, 0.59%

LAB 58.87, 85.09, -56.69

 

CMYK 3 / 77 / 0 / 85

HEX #260927

RGB 38 9 39

HSL 298, 0.63%, 0.09%

LAB 6.81, 20.12, -13.43

 

CMYK 3 / 77 / 0 / 65

HEX #57155A

RGB 87 21 90

HSL 297.39, 0.62%, 0.22%

LAB 21.21, 39.18, -26.05

 

CMYK 4 / 77 / 0 / 45

HEX #88218D

RGB 136 33 141

HSL 297.22, 0.62%, 0.34%

LAB 34.49, 55.58, -36.99

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 0 / 65 / 77 / 25

HEX #BE422C

RGB 190 66 44

HSL 9.04, 0.62%, 0.46%

LAB 45.67, 48.62, 39.63

 

CMYK 77 / 0 / 35 / 25

HEX #2CBE7C

RGB 44 190 124

HSL 152.88, 0.62%, 0.46%

LAB 68.62, -52.75, 22.87

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 77 / 0 / 4 / 25

HEX #2CBEB6

RGB 44 190 182

HSL 176.71, 0.62%, 0.46%

LAB 69.99, -38.38, -6.7

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 0 / 65 / 77 / 25

HEX #BE422C

RGB 190 66 44

HSL 9.04, 0.62%, 0.46%

LAB 45.67, 48.62, 39.63

 

CMYK 73 / 0 / 77 / 25

HEX #33BE2C

RGB 51 190 44

HSL 117.12, 0.62%, 0.46%

LAB 67.81, -62.7, 58.7

 

CMYK 77 / 12 / 0 / 25

HEX #2CA8BE

RGB 44 168 190

HSL 189.04, 0.62%, 0.46%

LAB 63.56, -25.42, -20.81

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 0 / 42 / 77 / 25

HEX #BE6E2C

RGB 190 110 44

HSL 27.12, 0.62%, 0.46%

LAB 54.32, 26.64, 48.47

 

CMYK 73 / 0 / 77 / 25

HEX #33BE2C

RGB 51 190 44

HSL 117.12, 0.62%, 0.46%

LAB 67.81, -62.7, 58.7

 

CMYK 77 / 35 / 0 / 25

HEX #2C7CBE

RGB 44 124 190

HSL 207.12, 0.62%, 0.46%

LAB 50.3, -1.1, -41.42

 

Description

Color code: HEX #B92DC0 | qconv.com Color code: HEX #B92DC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 45 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 45 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 77 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 77% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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