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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8F073 it is the complementary color #470F8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8F073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8F073 shade: #BDF06E, #CEFF81, #DFFF94, #F0FFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8F073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8F073 shade: #B8F073, #A7DE60, #96CC4D, #85BA3A and #74A827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8F073 shade: #B9F075, #DAF075, #F0E575, #F0C475 and #F0A275

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8F073 shade: #B9F075, #98F075, #76F075, #75F094 and #75F0B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8F073 shade matches the following richer shades: #B9F075 and #BAFD68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8F073 shade: #B9F075, #B8E481, #B6D88D, #B5CB9A and #B4BFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8F073 shade: #F0E475, #DCF075, #BBF075, #9AF075 and #79F075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8F073 shade: #93E92A, #A6ED4F, #B9F075, #CCF49A and #DFF8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8F073 shade: #B8F073, #75F0C3 and #F075EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8F073 shade: #B8F073, #75BBF0 and #F075BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8F073 shade: #B8F073, #75F0C3, #AA75F0 and #F075A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8F073 shade: #B8F073, #75F0E8, #AA75F0 and #F0757D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 52 / 6

HEX #B8F073

RGB 184 240 115

HSL 86.88, 0.81%, 0.7%

LAB 88.8, -37.57, 54.11

 

Complementary color

CMYK 49 / 89 / 0 / 45

HEX #470F8C

RGB 71 15 140

HSL 266.88, 0.81%, 0.3%

LAB 22.21, 49.78, -56.76

 

CMYK 21 / 0 / 54 / 6

HEX #BDF06E

RGB 189 240 110

HSL 83.54, 0.81%, 0.69%

LAB 89.05, -36.23, 56.74

 

CMYK 19 / 0 / 49 / 0

HEX #CEFF81

RGB 206 255 129

HSL 83.33, 1%, 0.75%

LAB 94.41, -34.99, 54.7

 

CMYK 13 / 0 / 42 / 0

HEX #DFFF94

RGB 223 255 148

HSL 77.94, 1%, 0.79%

LAB 95.72, -26.76, 47.63

 

CMYK 6 / 0 / 35 / 0

HEX #F0FFA7

RGB 240 255 167

HSL 70.23, 1%, 0.83%

LAB 97.16, -18.31, 40.46

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 23 / 0 / 52 / 6

HEX #B8F073

RGB 184 240 115

HSL 86.88, 0.81%, 0.7%

LAB 88.8, -37.57, 54.11

 

CMYK 25 / 0 / 57 / 13

HEX #A7DE60

RGB 167 222 96

HSL 86.19, 0.66%, 0.62%

LAB 82.54, -37.46, 55.14

 

CMYK 26 / 0 / 62 / 20

HEX #96CC4D

RGB 150 204 77

HSL 85.51, 0.55%, 0.55%

LAB 76.2, -37.28, 56.03

 

CMYK 28 / 0 / 69 / 27

HEX #85BA3A

RGB 133 186 58

HSL 84.84, 0.52%, 0.48%

LAB 69.76, -36.98, 56.65

 

CMYK 31 / 0 / 77 / 34

HEX #74A827

RGB 116 168 39

HSL 84.19, 0.62%, 0.41%

LAB 63.23, -36.52, 56.74

 

CMYK 23 / 0 / 51 / 6

HEX #B9F075

RGB 185 240 117

HSL 86.83, 0.8%, 0.7%

LAB 88.88, -37.01, 53.3

 

CMYK 9 / 0 / 51 / 6

HEX #DAF075

RGB 218 240 117

HSL 70.73, 0.8%, 0.7%

LAB 91.01, -24.65, 56.35

 

CMYK 0 / 5 / 51 / 6

HEX #F0E575

RGB 240 229 117

HSL 54.63, 0.8%, 0.7%

LAB 89.79, -10.63, 55.32

 

CMYK 0 / 18 / 51 / 6

HEX #F0C475

RGB 240 196 117

HSL 38.54, 0.8%, 0.7%

LAB 81.45, 6.2, 45.27

 

CMYK 0 / 33 / 51 / 6

HEX #F0A275

RGB 240 162 117

HSL 21.95, 0.8%, 0.7%

LAB 73.32, 24.12, 35.06

 

CMYK 23 / 0 / 51 / 6

HEX #B9F075

RGB 185 240 117

HSL 86.83, 0.8%, 0.7%

LAB 88.88, -37.01, 53.3

 

CMYK 37 / 0 / 51 / 6

HEX #98F075

RGB 152 240 117

HSL 102.93, 0.8%, 0.7%

LAB 87.13, -48.26, 50.78

 

CMYK 51 / 0 / 51 / 6

HEX #76F075

RGB 118 240 117

HSL 119.51, 0.8%, 0.7%

LAB 85.73, -58.15, 48.76

 

CMYK 51 / 0 / 38 / 6

HEX #75F094

RGB 117 240 148

HSL 135.12, 0.8%, 0.7%

LAB 86.13, -53.88, 34.19

 

CMYK 51 / 0 / 24 / 6

HEX #75F0B6

RGB 117 240 182

HSL 151.71, 0.8%, 0.7%

LAB 86.74, -47.63, 17.67

 

CMYK 23 / 0 / 51 / 6

HEX #B9F075

RGB 185 240 117

HSL 86.83, 0.8%, 0.7%

LAB 88.88, -37.01, 53.3

 

CMYK 26 / 0 / 59 / 1

HEX #BAFD68

RGB 186 253 104

HSL 86.98, 0.97%, 0.7%

LAB 92.44, -43.61, 63.18

 

CMYK 23 / 0 / 51 / 6

HEX #B9F075

RGB 185 240 117

HSL 86.83, 0.8%, 0.7%

LAB 88.88, -37.01, 53.3

 

CMYK 19 / 0 / 43 / 11

HEX #B8E481

RGB 184 228 129

HSL 86.67, 0.65%, 0.7%

LAB 85.64, -30.53, 43.61

 

CMYK 16 / 0 / 35 / 15

HEX #B6D88D

RGB 182 216 141

HSL 87.2, 0.49%, 0.7%

LAB 82.37, -24.02, 33.38

 

CMYK 11 / 0 / 24 / 20

HEX #B5CB9A

RGB 181 203 154

HSL 86.94, 0.32%, 0.7%

LAB 78.97, -16.08, 22.03

 

CMYK 6 / 0 / 13 / 25

HEX #B4BFA6

RGB 180 191 166

HSL 86.4, 0.16%, 0.7%

LAB 75.9, -8.33, 11.33

 

CMYK 0 / 5 / 51 / 6

HEX #F0E475

RGB 240 228 117

HSL 54.15, 0.8%, 0.7%

LAB 89.53, -10.13, 55.01

 

CMYK 8 / 0 / 51 / 6

HEX #DCF075

RGB 220 240 117

HSL 69.76, 0.8%, 0.7%

LAB 91.15, -23.88, 56.55

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 36 / 0 / 51 / 6

HEX #9AF075

RGB 154 240 117

HSL 101.95, 0.8%, 0.7%

LAB 87.23, -47.62, 50.92

 

CMYK 50 / 0 / 51 / 6

HEX #79F075

RGB 121 240 117

HSL 118.05, 0.8%, 0.7%

LAB 85.84, -57.36, 48.92

 

CMYK 37 / 0 / 82 / 9

HEX #93E92A

RGB 147 233 42

HSL 87.02, 0.81%, 0.54%

LAB 84.3, -52.74, 75.79

 

CMYK 30 / 0 / 67 / 7

HEX #A6ED4F

RGB 166 237 79

HSL 86.96, 0.81%, 0.62%

LAB 86.62, -45.77, 66.64

 

CMYK 23 / 0 / 51 / 6

HEX #B9F075

RGB 185 240 117

HSL 86.83, 0.8%, 0.7%

LAB 88.88, -37.01, 53.3

 

CMYK 16 / 0 / 37 / 4

HEX #CCF49A

RGB 204 244 154

HSL 86.67, 0.8%, 0.78%

LAB 91.63, -27.76, 39.21

 

CMYK 10 / 0 / 23 / 3

HEX #DFF8BF

RGB 223 248 191

HSL 86.32, 0.8%, 0.86%

LAB 94.56, -17.82, 24.73

 

CMYK 23 / 0 / 52 / 6

HEX #B8F073

RGB 184 240 115

HSL 86.88, 0.81%, 0.7%

LAB 88.8, -37.57, 54.11

 

CMYK 51 / 0 / 19 / 6

HEX #75F0C3

RGB 117 240 195

HSL 158.05, 0.8%, 0.7%

LAB 87.02, -44.91, 11.31

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 23 / 0 / 52 / 6

HEX #B8F073

RGB 184 240 115

HSL 86.88, 0.81%, 0.7%

LAB 88.8, -37.57, 54.11

 

CMYK 51 / 22 / 0 / 6

HEX #75BBF0

RGB 117 187 240

HSL 205.85, 0.8%, 0.7%

LAB 73.29, -7.61, -33.11

 

CMYK 0 / 51 / 22 / 6

HEX #F075BB

RGB 240 117 187

HSL 325.85, 0.8%, 0.7%

LAB 65.62, 55.19, -14.63

 

CMYK 23 / 0 / 52 / 6

HEX #B8F073

RGB 184 240 115

HSL 86.88, 0.81%, 0.7%

LAB 88.8, -37.57, 54.11

 

CMYK 51 / 0 / 19 / 6

HEX #75F0C3

RGB 117 240 195

HSL 158.05, 0.8%, 0.7%

LAB 87.02, -44.91, 11.31

 

CMYK 29 / 51 / 0 / 6

HEX #AA75F0

RGB 170 117 240

HSL 265.85, 0.8%, 0.7%

LAB 59.49, 45.1, -54.52

 

CMYK 0 / 51 / 33 / 6

HEX #F075A2

RGB 240 117 162

HSL 338.05, 0.8%, 0.7%

LAB 64.85, 51.94, -1.6

 

CMYK 23 / 0 / 52 / 6

HEX #B8F073

RGB 184 240 115

HSL 86.88, 0.81%, 0.7%

LAB 88.8, -37.57, 54.11

 

CMYK 51 / 0 / 3 / 6

HEX #75F0E8

RGB 117 240 232

HSL 176.1, 0.8%, 0.7%

LAB 87.93, -36.29, -6.7

 

CMYK 29 / 51 / 0 / 6

HEX #AA75F0

RGB 170 117 240

HSL 265.85, 0.8%, 0.7%

LAB 59.49, 45.1, -54.52

 

CMYK 0 / 51 / 48 / 6

HEX #F0757D

RGB 240 117 125

HSL 356.1, 0.8%, 0.7%

LAB 63.94, 47.99, 18.21

 

Description

Color code: HEX #B8F073 | qconv.com Color code: HEX #B8F073 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 240 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 240 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 52 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 52% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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