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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF075 it is the complementary color #440F8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF075. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF075 shade: #C0F070, #D1FF83, #E2FF96, #F3FFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF075. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF075 shade: #BBF075, #AADE62, #99CC4F, #88BA3C and #77A829

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF075 shade: #BBF075, #DCF075, #F0E275, #F0C175 and #F0A075

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF075 shade: #BBF075, #9AF075, #79F075, #75F093 and #75F0B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF075 shade matches the following richer shades: #BBF075 and #BDFC69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF075 shade: #BBF075, #B9E382, #B8D78E, #B6CB9A and #B4BEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF075 shade: #F0E175, #DDF075, #BDF075, #9CF075 and #7BF075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF075 shade: #96E72B, #A9EC50, #BBF075, #CDF49A and #E0F8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF075 shade: #BBF075, #75F0C1 and #F075EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF075 shade: #BBF075, #75BDF0 and #F075BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF075 shade: #BBF075, #75F0C1, #A875F0 and #F075A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF075 shade: #BBF075, #75F0E6, #A875F0 and #F07580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

Complementary color

CMYK 51 / 89 / 0 / 46

HEX #440F8A

RGB 68 15 138

HSL 265.85, 0.8%, 0.3%

LAB 21.6, 48.92, -56.53

 

CMYK 20 / 0 / 53 / 6

HEX #C0F070

RGB 192 240 112

HSL 82.5, 0.81%, 0.69%

LAB 89.25, -34.94, 56.12

 

CMYK 18 / 0 / 49 / 0

HEX #D1FF83

RGB 209 255 131

HSL 82.26, 1%, 0.76%

LAB 94.62, -33.7, 54.08

 

CMYK 11 / 0 / 41 / 0

HEX #E2FF96

RGB 226 255 150

HSL 76.57, 1%, 0.79%

LAB 95.95, -25.43, 47

 

CMYK 5 / 0 / 34 / 0

HEX #F3FFA9

RGB 243 255 169

HSL 68.37, 1%, 0.83%

LAB 97.41, -16.96, 39.84

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 23 / 0 / 56 / 13

HEX #AADE62

RGB 170 222 98

HSL 85.16, 0.65%, 0.63%

LAB 82.74, -36.18, 54.52

 

CMYK 25 / 0 / 61 / 20

HEX #99CC4F

RGB 153 204 79

HSL 84.48, 0.55%, 0.55%

LAB 76.39, -35.99, 55.44

 

CMYK 27 / 0 / 68 / 27

HEX #88BA3C

RGB 136 186 60

HSL 83.81, 0.51%, 0.48%

LAB 69.95, -35.7, 56.12

 

CMYK 29 / 0 / 76 / 34

HEX #77A829

RGB 119 168 41

HSL 83.15, 0.61%, 0.41%

LAB 63.41, -35.26, 56.3

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 8 / 0 / 51 / 6

HEX #DCF075

RGB 220 240 117

HSL 69.76, 0.8%, 0.7%

LAB 91.15, -23.88, 56.55

 

CMYK 0 / 6 / 51 / 6

HEX #F0E275

RGB 240 226 117

HSL 53.17, 0.8%, 0.7%

LAB 89.02, -9.14, 54.41

 

CMYK 0 / 20 / 51 / 6

HEX #F0C175

RGB 240 193 117

HSL 37.07, 0.8%, 0.7%

LAB 80.71, 7.77, 44.36

 

CMYK 0 / 33 / 51 / 6

HEX #F0A075

RGB 240 160 117

HSL 20.98, 0.8%, 0.7%

LAB 72.86, 25.18, 34.48

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 36 / 0 / 51 / 6

HEX #9AF075

RGB 154 240 117

HSL 101.95, 0.8%, 0.7%

LAB 87.23, -47.62, 50.92

 

CMYK 50 / 0 / 51 / 6

HEX #79F075

RGB 121 240 117

HSL 118.05, 0.8%, 0.7%

LAB 85.84, -57.36, 48.92

 

CMYK 51 / 0 / 39 / 6

HEX #75F093

RGB 117 240 147

HSL 134.63, 0.8%, 0.7%

LAB 86.11, -54.04, 34.67

 

CMYK 51 / 0 / 25 / 6

HEX #75F0B4

RGB 117 240 180

HSL 150.73, 0.8%, 0.7%

LAB 86.7, -48.03, 18.65

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 25 / 0 / 58 / 1

HEX #BDFC69

RGB 189 252 105

HSL 85.71, 0.96%, 0.7%

LAB 92.34, -42.02, 62.69

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 19 / 0 / 43 / 11

HEX #B9E382

RGB 185 227 130

HSL 85.98, 0.63%, 0.7%

LAB 85.44, -29.58, 42.88

 

CMYK 14 / 0 / 34 / 16

HEX #B8D78E

RGB 184 215 142

HSL 85.48, 0.48%, 0.7%

LAB 82.24, -22.67, 32.72

 

CMYK 10 / 0 / 24 / 20

HEX #B6CB9A

RGB 182 203 154

HSL 85.71, 0.32%, 0.7%

LAB 79.04, -15.71, 22.14

 

CMYK 5 / 0 / 12 / 25

HEX #B4BEA7

RGB 180 190 167

HSL 86.09, 0.15%, 0.7%

LAB 75.65, -7.64, 10.44

 

CMYK 0 / 6 / 51 / 6

HEX #F0E175

RGB 240 225 117

HSL 52.68, 0.8%, 0.7%

LAB 88.76, -8.64, 54.1

 

CMYK 8 / 0 / 51 / 6

HEX #DDF075

RGB 221 240 117

HSL 69.27, 0.8%, 0.7%

LAB 91.22, -23.49, 56.65

 

CMYK 21 / 0 / 51 / 6

HEX #BDF075

RGB 189 240 117

HSL 84.88, 0.8%, 0.7%

LAB 89.12, -35.56, 53.64

 

CMYK 35 / 0 / 51 / 6

HEX #9CF075

RGB 156 240 117

HSL 100.98, 0.8%, 0.7%

LAB 87.33, -46.97, 51.06

 

CMYK 49 / 0 / 51 / 6

HEX #7BF075

RGB 123 240 117

HSL 117.07, 0.8%, 0.7%

LAB 85.91, -56.82, 49.02

 

CMYK 35 / 0 / 81 / 9

HEX #96E72B

RGB 150 231 43

HSL 85.85, 0.8%, 0.54%

LAB 83.87, -50.87, 75.21

 

CMYK 28 / 0 / 66 / 7

HEX #A9EC50

RGB 169 236 80

HSL 85.77, 0.8%, 0.62%

LAB 86.51, -44.2, 66.18

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 16 / 0 / 37 / 4

HEX #CDF49A

RGB 205 244 154

HSL 86, 0.8%, 0.78%

LAB 91.69, -27.41, 39.31

 

CMYK 10 / 0 / 23 / 3

HEX #E0F8C0

RGB 224 248 192

HSL 85.71, 0.8%, 0.86%

LAB 94.65, -17.33, 24.35

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 0 / 51 / 1 / 6

HEX #F075EE

RGB 240 117 238

HSL 300.98, 0.8%, 0.7%

LAB 67.59, 63.13, -40.08

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 51 / 21 / 0 / 6

HEX #75BDF0

RGB 117 189 240

HSL 204.88, 0.8%, 0.7%

LAB 73.85, -8.68, -32.25

 

CMYK 0 / 51 / 21 / 6

HEX #F075BD

RGB 240 117 189

HSL 324.88, 0.8%, 0.7%

LAB 65.69, 55.47, -15.66

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 30 / 51 / 0 / 6

HEX #A875F0

RGB 168 117 240

HSL 264.88, 0.8%, 0.7%

LAB 59.29, 44.6, -54.85

 

CMYK 0 / 51 / 32 / 6

HEX #F075A4

RGB 240 117 164

HSL 337.07, 0.8%, 0.7%

LAB 64.91, 52.18, -2.65

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 51 / 0 / 4 / 6

HEX #75F0E6

RGB 117 240 230

HSL 175.12, 0.8%, 0.7%

LAB 87.88, -36.79, -5.73

 

CMYK 30 / 51 / 0 / 6

HEX #A875F0

RGB 168 117 240

HSL 264.88, 0.8%, 0.7%

LAB 59.29, 44.6, -54.85

 

CMYK 0 / 51 / 47 / 6

HEX #F07580

RGB 240 117 128

HSL 354.63, 0.8%, 0.7%

LAB 64, 48.27, 16.59

 

Description

Color code: HEX #BBF075 | qconv.com Color code: HEX #BBF075 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 240 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 240 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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