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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89E85 it is the complementary color #47617A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89E85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89E85 shade: #BD9E80, #CEB093, #DFC2A6, #F0D4B9 and #FFE6CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89E85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89E85 shade: #B89E85, #A78C72, #967A5F, #85684C and #745639

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89E85 shade: #B79E85, #B79085 and #B78585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89E85 shade: #B79E85, #B7AB85, #B6B785, #A8B785 and #9BB785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89E85 shade matches the following richer shades: #B79E85, #C79D75, #D79D66, #E69D56 and #F69C46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89E85 shade: #B79E85, #A89E95, #989EA4, #889FB4 and #799FC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89E85 shade: #B78587, #B79085, #B79D85, #B7AB85 and #B6B785

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89E85 shade: #937456, #A8896B, #B79E85, #C7B29F and #D6C7B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89E85 shade: #B89E85, #95B785 and #8985B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89E85 shade: #B89E85, #85B79D and #9D85B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89E85 shade: #B89E85, #95B785, #859FB7 and #A785B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89E85 shade: #B89E85, #86B785, #859FB7 and #B685B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 28 / 28

HEX #B89E85

RGB 184 158 133

HSL 29.41, 0.26%, 0.62%

LAB 66.78, 5.73, 16.61

 

Complementary color

CMYK 42 / 20 / 0 / 52

HEX #47617A

RGB 71 97 122

HSL 209.41, 0.26%, 0.38%

LAB 40.07, -2.65, -17.1

 

CMYK 0 / 16 / 32 / 26

HEX #BD9E80

RGB 189 158 128

HSL 29.51, 0.32%, 0.62%

LAB 67.15, 7.04, 19.96

 

CMYK 0 / 15 / 29 / 19

HEX #CEB093

RGB 206 176 147

HSL 29.49, 0.38%, 0.69%

LAB 73.73, 6.51, 18.88

 

CMYK 0 / 13 / 26 / 13

HEX #DFC2A6

RGB 223 194 166

HSL 29.47, 0.47%, 0.76%

LAB 80.19, 6.05, 17.88

 

CMYK 0 / 12 / 23 / 6

HEX #F0D4B9

RGB 240 212 185

HSL 29.45, 0.65%, 0.83%

LAB 86.56, 5.63, 16.93

 

CMYK 0 / 10 / 20 / 0

HEX #FFE6CC

RGB 255 230 204

HSL 30.59, 1%, 0.9%

LAB 92.67, 4.54, 15.77

 

CMYK 0 / 14 / 28 / 28

HEX #B89E85

RGB 184 158 133

HSL 29.41, 0.26%, 0.62%

LAB 66.78, 5.73, 16.61

 

CMYK 0 / 16 / 32 / 35

HEX #A78C72

RGB 167 140 114

HSL 29.43, 0.23%, 0.55%

LAB 60.06, 6.25, 17.7

 

CMYK 0 / 19 / 37 / 41

HEX #967A5F

RGB 150 122 95

HSL 29.45, 0.22%, 0.48%

LAB 53.2, 6.86, 18.88

 

CMYK 0 / 22 / 43 / 48

HEX #85684C

RGB 133 104 76

HSL 29.47, 0.27%, 0.41%

LAB 46.19, 7.6, 20.19

 

CMYK 0 / 26 / 51 / 55

HEX #745639

RGB 116 86 57

HSL 29.49, 0.34%, 0.34%

LAB 39.01, 8.52, 21.66

 

CMYK 0 / 14 / 27 / 28

HEX #B79E85

RGB 183 158 133

HSL 30, 0.26%, 0.62%

LAB 66.68, 5.33, 16.47

 

CMYK 0 / 21 / 27 / 28

HEX #B79085

RGB 183 144 133

HSL 13.2, 0.26%, 0.62%

LAB 63.1, 13.06, 11.46

 

CMYK 0 / 27 / 27 / 28

HEX #B78585

RGB 183 133 133

HSL 0, 0.26%, 0.62%

LAB 60.37, 19.2, 7.59

 

CMYK 0 / 14 / 27 / 28

HEX #B79E85

RGB 183 158 133

HSL 30, 0.26%, 0.62%

LAB 66.68, 5.33, 16.47

 

CMYK 0 / 7 / 27 / 28

HEX #B7AB85

RGB 183 171 133

HSL 45.6, 0.26%, 0.62%

LAB 70.1, -1.72, 21.16

 

CMYK 1 / 0 / 27 / 28

HEX #B6B785

RGB 182 183 133

HSL 61.2, 0.26%, 0.62%

LAB 73.22, -8.46, 25.39

 

CMYK 8 / 0 / 27 / 28

HEX #A8B785

RGB 168 183 133

HSL 78, 0.26%, 0.62%

LAB 72.15, -13.85, 23.76

 

CMYK 15 / 0 / 27 / 28

HEX #9BB785

RGB 155 183 133

HSL 93.6, 0.26%, 0.62%

LAB 71.23, -18.71, 22.36

 

CMYK 0 / 14 / 27 / 28

HEX #B79E85

RGB 183 158 133

HSL 30, 0.26%, 0.62%

LAB 66.68, 5.33, 16.47

 

CMYK 0 / 21 / 41 / 22

HEX #C79D75

RGB 199 157 117

HSL 29.27, 0.42%, 0.62%

LAB 67.68, 10.28, 26.86

 

CMYK 0 / 27 / 53 / 16

HEX #D79D66

RGB 215 157 102

HSL 29.2, 0.59%, 0.62%

LAB 69.13, 15.36, 37.09

 

CMYK 0 / 32 / 63 / 10

HEX #E69D56

RGB 230 157 86

HSL 29.58, 0.74%, 0.62%

LAB 70.6, 20.34, 47.43

 

CMYK 0 / 37 / 72 / 4

HEX #F69C46

RGB 246 156 70

HSL 29.32, 0.91%, 0.62%

LAB 72.1, 26.55, 57.19

 

CMYK 0 / 14 / 27 / 28

HEX #B79E85

RGB 183 158 133

HSL 30, 0.26%, 0.62%

LAB 66.68, 5.33, 16.47

 

CMYK 0 / 6 / 11 / 34

HEX #A89E95

RGB 168 158 149

HSL 28.42, 0.1%, 0.62%

LAB 65.71, 2.05, 6

 

CMYK 7 / 4 / 0 / 36

HEX #989EA4

RGB 152 158 164

HSL 210, 0.06%, 0.62%

LAB 64.81, -0.94, -3.87

 

CMYK 24 / 12 / 0 / 29

HEX #889FB4

RGB 136 159 180

HSL 208.64, 0.23%, 0.62%

LAB 64.42, -3.26, -13.54

 

CMYK 38 / 19 / 0 / 23

HEX #799FC4

RGB 121 159 196

HSL 209.6, 0.39%, 0.62%

LAB 64.04, -3.62, -23.17

 

CMYK 0 / 27 / 26 / 28

HEX #B78587

RGB 183 133 135

HSL 357.6, 0.26%, 0.62%

LAB 60.42, 19.49, 6.51

 

CMYK 0 / 21 / 27 / 28

HEX #B79085

RGB 183 144 133

HSL 13.2, 0.26%, 0.62%

LAB 63.1, 13.06, 11.46

 

CMYK 0 / 14 / 27 / 28

HEX #B79D85

RGB 183 157 133

HSL 28.8, 0.26%, 0.62%

LAB 66.42, 5.88, 16.11

 

CMYK 0 / 7 / 27 / 28

HEX #B7AB85

RGB 183 171 133

HSL 45.6, 0.26%, 0.62%

LAB 70.1, -1.72, 21.16

 

CMYK 1 / 0 / 27 / 28

HEX #B6B785

RGB 182 183 133

HSL 61.2, 0.26%, 0.62%

LAB 73.22, -8.46, 25.39

 

CMYK 0 / 21 / 41 / 42

HEX #937456

RGB 147 116 86

HSL 29.51, 0.26%, 0.46%

LAB 51.11, 7.91, 21.2

 

CMYK 0 / 18 / 36 / 34

HEX #A8896B

RGB 168 137 107

HSL 29.51, 0.26%, 0.54%

LAB 59.23, 7.42, 20.53

 

CMYK 0 / 14 / 27 / 28

HEX #B79E85

RGB 183 158 133

HSL 30, 0.26%, 0.62%

LAB 66.68, 5.33, 16.47

 

CMYK 0 / 11 / 20 / 22

HEX #C7B29F

RGB 199 178 159

HSL 28.5, 0.26%, 0.7%

LAB 73.86, 4.47, 12.46

 

CMYK 0 / 7 / 14 / 16

HEX #D6C7B9

RGB 214 199 185

HSL 28.97, 0.26%, 0.78%

LAB 81.1, 2.91, 8.88

HEX #D6C7B9

CMYK 0 / 14 / 28 / 28

HEX #B89E85

RGB 184 158 133

HSL 29.41, 0.26%, 0.62%

LAB 66.78, 5.73, 16.61

 

CMYK 19 / 0 / 27 / 28

HEX #95B785

RGB 149 183 133

HSL 100.8, 0.26%, 0.62%

LAB 70.84, -20.89, 21.75

 

CMYK 25 / 27 / 0 / 28

HEX #8985B7

RGB 137 133 183

HSL 244.8, 0.26%, 0.62%

LAB 57.57, 12.58, -25.67

 

CMYK 0 / 14 / 28 / 28

HEX #B89E85

RGB 184 158 133

HSL 29.41, 0.26%, 0.62%

LAB 66.78, 5.73, 16.61

 

CMYK 27 / 0 / 14 / 28

HEX #85B79D

RGB 133 183 157

HSL 148.8, 0.26%, 0.62%

LAB 70.38, -21.99, 7.94

 

CMYK 14 / 27 / 0 / 28

HEX #9D85B7

RGB 157 133 183

HSL 268.8, 0.26%, 0.62%

LAB 59.31, 18.98, -22.85

 

CMYK 0 / 14 / 28 / 28

HEX #B89E85

RGB 184 158 133

HSL 29.41, 0.26%, 0.62%

LAB 66.78, 5.73, 16.61

 

CMYK 19 / 0 / 27 / 28

HEX #95B785

RGB 149 183 133

HSL 100.8, 0.26%, 0.62%

LAB 70.84, -20.89, 21.75

 

CMYK 27 / 13 / 0 / 28

HEX #859FB7

RGB 133 159 183

HSL 208.8, 0.26%, 0.62%

LAB 64.32, -3.47, -15.39

 

CMYK 9 / 27 / 0 / 28

HEX #A785B7

RGB 167 133 183

HSL 280.8, 0.26%, 0.62%

LAB 60.26, 22.27, -21.32

 

CMYK 0 / 14 / 28 / 28

HEX #B89E85

RGB 184 158 133

HSL 29.41, 0.26%, 0.62%

LAB 66.78, 5.73, 16.61

 

CMYK 27 / 0 / 27 / 28

HEX #86B785

RGB 134 183 133

HSL 118.8, 0.26%, 0.62%

LAB 69.92, -26.15, 20.35

 

CMYK 27 / 13 / 0 / 28

HEX #859FB7

RGB 133 159 183

HSL 208.8, 0.26%, 0.62%

LAB 64.32, -3.47, -15.39

 

CMYK 1 / 27 / 0 / 28

HEX #B685B7

RGB 182 133 183

HSL 298.8, 0.26%, 0.62%

LAB 61.77, 27.29, -18.87

 

Description

Color code: HEX #B89E85 | qconv.com Color code: HEX #B89E85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 158 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 158 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 28 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 28% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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