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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 8 / 0 / 27 / 28 it is the complementary color CMYK 29 / 41 / 0 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 8 / 0 / 27 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 8 / 0 / 27 / 28: CMYK 5 / 0 / 30 / 28, CMYK 5 / 0 / 27 / 21, CMYK 5 / 0 / 24 / 14, CMYK 5 / 0 / 22 / 7 and CMYK 5 / 0 / 20 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 8 / 0 / 27 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 8 / 0 / 27 / 28: CMYK 8 / 0 / 27 / 28, CMYK 8 / 0 / 31 / 35, CMYK 9 / 0 / 35 / 42, CMYK 9 / 0 / 41 / 49 and CMYK 10 / 0 / 48 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

Complementary color

CMYK 29 / 41 / 0 / 53

HEX #564779

RGB 86 71 121

HSL 258, 0.26%, 0.38%

LAB 33.7, 18.16, -26.28

 

CMYK 5 / 0 / 30 / 28

HEX #AEB881

RGB 174 184 129

HSL 70.91, 0.28%, 0.61%

LAB 72.8, -12.63, 26.85

 

CMYK 5 / 0 / 27 / 21

HEX #BFCA94

RGB 191 202 148

HSL 72.22, 0.34%, 0.69%

LAB 79.3, -12.75, 25.77

 

CMYK 5 / 0 / 24 / 14

HEX #D0DCA7

RGB 208 220 167

HSL 73.58, 0.43%, 0.76%

LAB 85.7, -12.85, 24.75

 

CMYK 5 / 0 / 22 / 7

HEX #E1EEBA

RGB 225 238 186

HSL 75, 0.6%, 0.83%

LAB 92, -12.93, 23.78

 

CMYK 5 / 0 / 20 / 0

HEX #F2FFCD

RGB 242 255 205

HSL 75.6, 1%, 0.9%

LAB 97.96, -12.51, 22.51

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 8 / 0 / 31 / 35

HEX #98A673

RGB 152 166 115

HSL 76.47, 0.22%, 0.55%

LAB 65.89, -13.77, 24.83

 

CMYK 9 / 0 / 35 / 42

HEX #879460

RGB 135 148 96

HSL 75, 0.21%, 0.48%

LAB 59.14, -13.68, 25.99

 

CMYK 9 / 0 / 41 / 49

HEX #76824D

RGB 118 130 77

HSL 73.58, 0.26%, 0.41%

LAB 52.23, -13.54, 27.22

 

CMYK 10 / 0 / 48 / 56

HEX #65703A

RGB 101 112 58

HSL 72.22, 0.32%, 0.33%

LAB 45.17, -13.34, 28.5

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 13 / 0 / 28 / 28

HEX #9FB784

RGB 159 183 132

HSL 88.24, 0.26%, 0.62%

LAB 71.49, -17.38, 23.29

 

CMYK 17 / 0 / 28 / 28

HEX #97B784

RGB 151 183 132

HSL 97.65, 0.26%, 0.62%

LAB 70.95, -20.33, 22.47

 

CMYK 22 / 0 / 28 / 28

HEX #8EB784

RGB 142 183 132

HSL 108.24, 0.26%, 0.62%

LAB 70.37, -23.55, 21.59

 

CMYK 27 / 0 / 28 / 28

HEX #86B784

RGB 134 183 132

HSL 117.65, 0.26%, 0.62%

LAB 69.9, -26.33, 20.86

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 8 / 0 / 27 / 8

HEX #D8EBAB

RGB 216 235 171

HSL 77.81, 0.62%, 0.8%

LAB 90.3, -16.83, 29.04

 

CMYK 10 / 0 / 26 / 88

HEX #1C1F17

RGB 28 31 23

HSL 82.5, 0.15%, 0.11%

LAB 11.2, -3.33, 5

 

CMYK 9 / 0 / 27 / 68

HEX #4B523C

RGB 75 82 60

HSL 79.09, 0.15%, 0.28%

LAB 33.68, -7.25, 12.01

 

CMYK 8 / 0 / 27 / 48

HEX #7A8561

RGB 122 133 97

HSL 78.33, 0.16%, 0.45%

LAB 53.79, -10.67, 18.11

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 28 / 0 / 14 / 28

HEX #84B79E

RGB 132 183 158

HSL 150.59, 0.26%, 0.62%

LAB 70.34, -22.1, 7.33

 

CMYK 3 / 28 / 0 / 28

HEX #B284B7

RGB 178 132 183

HSL 294.12, 0.26%, 0.62%

LAB 61.12, 26.5, -19.9

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 28 / 8 / 0 / 28

HEX #84A8B7

RGB 132 168 183

HSL 197.65, 0.26%, 0.62%

LAB 66.77, -8.7, -11.72

 

CMYK 0 / 28 / 8 / 28

HEX #B784A8

RGB 183 132 168

HSL 317.65, 0.26%, 0.62%

LAB 61.13, 25.4, -11.3

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 28 / 0 / 14 / 28

HEX #84B79E

RGB 132 183 158

HSL 150.59, 0.26%, 0.62%

LAB 70.34, -22.1, 7.33

 

CMYK 19 / 28 / 0 / 28

HEX #9484B7

RGB 148 132 183

HSL 258.82, 0.26%, 0.62%

LAB 58.24, 16.64, -24.56

 

CMYK 0 / 28 / 14 / 28

HEX #B7849E

RGB 183 132 158

HSL 329.41, 0.26%, 0.62%

LAB 60.82, 23.66, -6.06

 

CMYK 8 / 0 / 27 / 28

HEX #A9B886

RGB 169 184 134

HSL 78, 0.26%, 0.62%

LAB 72.52, -13.84, 23.74

 

CMYK 28 / 0 / 5 / 28

HEX #84B7AD

RGB 132 183 173

HSL 168.24, 0.26%, 0.62%

LAB 70.73, -18.91, -0.34

 

CMYK 19 / 28 / 0 / 28

HEX #9484B7

RGB 148 132 183

HSL 258.82, 0.26%, 0.62%

LAB 58.24, 16.64, -24.56

 

CMYK 0 / 28 / 22 / 28

HEX #B7848E

RGB 183 132 142

HSL 348.24, 0.26%, 0.62%

LAB 60.36, 21.09, 2.42

 

Description

Color code: CMYK 8 / 0 / 27 / 28 | qconv.com Color code: CMYK 8 / 0 / 27 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 184 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 184 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 27 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 27% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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