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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8862B it is the complementary color #4779D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8862B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B8862B: #BD8626, #CE9839, #DFAA4C, #F0BC5F and #FFCE72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8862B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B8862B: #B8862B, #A77418, #966205, #855000 and #743E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

Complementary color

CMYK 67 / 43 / 0 / 17

HEX #4779D4

RGB 71 121 212

HSL 218.72, 0.62%, 0.55%

LAB 51.57, 12.53, -51.88

 

CMYK 0 / 29 / 80 / 26

HEX #BD8626

RGB 189 134 38

HSL 38.15, 0.67%, 0.45%

LAB 59.9, 12.77, 56.19

 

CMYK 0 / 26 / 72 / 19

HEX #CE9839

RGB 206 152 57

HSL 38.26, 0.6%, 0.52%

LAB 66.42, 11.19, 55.56

 

CMYK 0 / 24 / 66 / 13

HEX #DFAA4C

RGB 223 170 76

HSL 38.37, 0.7%, 0.59%

LAB 72.87, 9.84, 54.52

 

CMYK 0 / 22 / 60 / 6

HEX #F0BC5F

RGB 240 188 95

HSL 38.48, 0.83%, 0.66%

LAB 79.22, 8.68, 53.3

 

CMYK 0 / 19 / 55 / 0

HEX #FFCE72

RGB 255 206 114

HSL 39.15, 1%, 0.72%

LAB 85.31, 6.86, 51.75

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 0 / 31 / 86 / 35

HEX #A77418

RGB 167 116 24

HSL 38.6, 0.75%, 0.37%

LAB 52.7, 12.48, 53.69

 

CMYK 0 / 35 / 97 / 41

HEX #966205

RGB 150 98 5

HSL 38.48, 0.94%, 0.3%

LAB 45.95, 14.54, 52.43

 

CMYK 0 / 40 / 100 / 48

HEX #855000

RGB 133 80 0

HSL 36.09, 1%, 0.26%

LAB 39.11, 17, 48.07

 

CMYK 0 / 47 / 100 / 55

HEX #743E00

RGB 116 62 0

HSL 32.07, 1%, 0.23%

LAB 32.16, 19.66, 42.42

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 0 / 15 / 77 / 27

HEX #B99D2B

RGB 185 157 43

HSL 48.17, 0.62%, 0.45%

LAB 65.44, -1.39, 59.34

 

CMYK 0 / 2 / 77 / 27

HEX #B9B52B

RGB 185 181 43

HSL 58.31, 0.62%, 0.45%

LAB 71.92, -13.98, 65.31

 

CMYK 10 / 0 / 77 / 27

HEX #A6B92B

RGB 166 185 43

HSL 68.03, 0.62%, 0.45%

LAB 71.54, -24.11, 64.41

 

CMYK 23 / 0 / 77 / 27

HEX #8FB92B

RGB 143 185 43

HSL 77.75, 0.62%, 0.45%

LAB 69.97, -33.53, 62.39

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 0 / 27 / 77 / 8

HEX #EBAB37

RGB 235 171 55

HSL 38.67, 0.82%, 0.57%

LAB 74.23, 13.39, 65.07

 

CMYK 0 / 26 / 77 / 88

HEX #1F1707

RGB 31 23 7

HSL 40, 0.63%, 0.07%

LAB 8.3, 1.42, 9.59

 

CMYK 0 / 27 / 77 / 68

HEX #523C13

RGB 82 60 19

HSL 39.05, 0.62%, 0.2%

LAB 26.94, 4.88, 28.09

 

CMYK 0 / 27 / 77 / 48

HEX #85611F

RGB 133 97 31

HSL 38.82, 0.62%, 0.32%

LAB 43.7, 7.93, 41.35

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 64 / 0 / 77 / 27

HEX #43B92B

RGB 67 185 43

HSL 109.86, 0.62%, 0.45%

LAB 66.57, -58.02, 57.95

 

CMYK 59 / 77 / 0 / 27

HEX #4C2BB9

RGB 76 43 185

HSL 253.94, 0.62%, 0.45%

LAB 31.27, 51.2, -69.16

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 77 / 0 / 28 / 27

HEX #2BB985

RGB 43 185 133

HSL 158.03, 0.62%, 0.45%

LAB 67.21, -48.98, 16.09

 

CMYK 28 / 77 / 0 / 27

HEX #852BB9

RGB 133 43 185

HSL 278.03, 0.62%, 0.45%

LAB 38.23, 60.11, -57.5

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 64 / 0 / 77 / 27

HEX #43B92B

RGB 67 185 43

HSL 109.86, 0.62%, 0.45%

LAB 66.57, -58.02, 57.95

 

CMYK 77 / 49 / 0 / 27

HEX #2B5FB9

RGB 43 95 185

HSL 218.03, 0.62%, 0.45%

LAB 41.53, 15.09, -52.51

 

CMYK 12 / 77 / 0 / 27

HEX #A22BB9

RGB 162 43 185

HSL 290.28, 0.62%, 0.45%

LAB 42.63, 65.58, -50.17

 

CMYK 0 / 27 / 77 / 28

HEX #B8862B

RGB 184 134 43

HSL 38.72, 0.62%, 0.45%

LAB 59.36, 10.74, 53.55

 

CMYK 77 / 0 / 66 / 27

HEX #2BB93E

RGB 43 185 62

HSL 128.03, 0.62%, 0.45%

LAB 66.18, -60.78, 50.25

 

CMYK 77 / 49 / 0 / 27

HEX #2B5FB9

RGB 43 95 185

HSL 218.03, 0.62%, 0.45%

LAB 41.53, 15.09, -52.51

 

CMYK 0 / 77 / 10 / 27

HEX #B92BA6

RGB 185 43 166

HSL 308.03, 0.62%, 0.45%

LAB 45.35, 67.27, -34.37

 

Description

Color code: HEX #B8862B | qconv.com Color code: HEX #B8862B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 134 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 134 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 77 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 77% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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