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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8665C it is the complementary color #4799A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8665C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B8665C: #BD6657, #CE786A, #DF8A7D, #F09C90 and #FFAEA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8665C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B8665C: #B8665C, #A75449, #964236, #853023 and #741E10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

Complementary color

CMYK 56 / 6 / 0 / 36

HEX #4799A3

RGB 71 153 163

HSL 186.52, 0.39%, 0.46%

LAB 58.76, -21.89, -12.82

 

CMYK 0 / 46 / 54 / 26

HEX #BD6657

RGB 189 102 87

HSL 8.82, 0.44%, 0.54%

LAB 52.96, 33.29, 24.02

 

CMYK 0 / 42 / 49 / 19

HEX #CE786A

RGB 206 120 106

HSL 8.4, 0.51%, 0.61%

LAB 59.52, 32.08, 22.24

 

CMYK 0 / 38 / 44 / 13

HEX #DF8A7D

RGB 223 138 125

HSL 7.96, 0.6%, 0.68%

LAB 66.02, 30.97, 20.69

 

CMYK 0 / 35 / 40 / 6

HEX #F09C90

RGB 240 156 144

HSL 7.5, 0.76%, 0.75%

LAB 72.44, 29.97, 19.3

 

CMYK 0 / 32 / 36 / 0

HEX #FFAEA3

RGB 255 174 163

HSL 7.17, 1%, 0.82%

LAB 78.56, 28.31, 17.7

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 0 / 50 / 56 / 35

HEX #A75449

RGB 167 84 73

HSL 7.02, 0.39%, 0.47%

LAB 45.69, 33.04, 22.12

 

CMYK 0 / 56 / 64 / 41

HEX #964236

RGB 150 66 54

HSL 7.5, 0.47%, 0.4%

LAB 38.98, 34.37, 24.41

 

CMYK 0 / 64 / 74 / 48

HEX #853023

RGB 133 48 35

HSL 7.96, 0.58%, 0.33%

LAB 32.31, 35.69, 27.19

 

CMYK 0 / 74 / 86 / 55

HEX #741E10

RGB 116 30 16

HSL 8.4, 0.76%, 0.26%

LAB 25.8, 36.74, 30.41

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 0 / 37 / 50 / 28

HEX #B7745B

RGB 183 116 91

HSL 16.3, 0.39%, 0.54%

LAB 55.39, 23.62, 24.76

 

CMYK 0 / 28 / 50 / 28

HEX #B7835B

RGB 183 131 91

HSL 26.09, 0.39%, 0.54%

LAB 59.03, 15.27, 29.47

 

CMYK 0 / 20 / 50 / 28

HEX #B7925B

RGB 183 146 91

HSL 35.87, 0.39%, 0.54%

LAB 62.83, 6.96, 34.29

 

CMYK 0 / 11 / 50 / 28

HEX #B7A25B

RGB 183 162 91

HSL 46.3, 0.39%, 0.54%

LAB 67.02, -1.76, 39.47

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 0 / 45 / 50 / 8

HEX #EB8276

RGB 235 130 118

HSL 6.15, 0.75%, 0.69%

LAB 65.7, 39.03, 24.42

 

CMYK 0 / 45 / 48 / 88

HEX #1F1110

RGB 31 17 16

HSL 4, 0.32%, 0.09%

LAB 6.59, 6.78, 2.98

 

CMYK 0 / 45 / 50 / 68

HEX #522D29

RGB 82 45 41

HSL 5.85, 0.33%, 0.24%

LAB 23.1, 16.5, 9.95

 

CMYK 0 / 44 / 50 / 48

HEX #854A43

RGB 133 74 67

HSL 6.36, 0.33%, 0.39%

LAB 38.36, 24.21, 15.14

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 15 / 0 / 50 / 28

HEX #9BB75B

RGB 155 183 91

HSL 78.26, 0.39%, 0.54%

LAB 70.59, -24.16, 43.27

 

CMYK 50 / 35 / 0 / 28

HEX #5B77B7

RGB 91 119 183

HSL 221.74, 0.39%, 0.54%

LAB 50.5, 8.07, -36.94

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 50 / 0 / 45 / 28

HEX #5BB765

RGB 91 183 101

HSL 126.52, 0.39%, 0.54%

LAB 67.3, -44.8, 33.42

 

CMYK 45 / 50 / 0 / 28

HEX #655BB7

RGB 101 91 183

HSL 246.52, 0.39%, 0.54%

LAB 43.75, 27.73, -47.6

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 15 / 0 / 50 / 28

HEX #9BB75B

RGB 155 183 91

HSL 78.26, 0.39%, 0.54%

LAB 70.59, -24.16, 43.27

 

CMYK 50 / 5 / 0 / 28

HEX #5BAEB7

RGB 91 174 183

HSL 185.87, 0.39%, 0.54%

LAB 66.46, -22.73, -12.4

 

CMYK 35 / 50 / 0 / 28

HEX #775BB7

RGB 119 91 183

HSL 258.26, 0.39%, 0.54%

LAB 45.39, 32.26, -44.89

 

CMYK 0 / 45 / 50 / 28

HEX #B8665C

RGB 184 102 92

HSL 6.52, 0.39%, 0.54%

LAB 52.36, 31.78, 20.19

 

CMYK 30 / 0 / 50 / 28

HEX #80B75B

RGB 128 183 91

HSL 95.87, 0.39%, 0.54%

LAB 68.9, -34.37, 40.84

 

CMYK 50 / 5 / 0 / 28

HEX #5BAEB7

RGB 91 174 183

HSL 185.87, 0.39%, 0.54%

LAB 66.46, -22.73, -12.4

 

CMYK 20 / 50 / 0 / 28

HEX #925BB7

RGB 146 91 183

HSL 275.87, 0.39%, 0.54%

LAB 48.28, 39.6, -40.13

 

Description

Color code: HEX #B8665C | qconv.com Color code: HEX #B8665C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 102 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 102 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 50 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 50% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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