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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B84632 it is the complementary color #47B9CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B84632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B84632: #BD462D, #CE5840, #DF6A53, #F07C66 and #FF8E79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B84632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B84632: #B84632, #A7341F, #96220C, #851000 and #740000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

Complementary color

CMYK 65 / 10 / 0 / 20

HEX #47B9CD

RGB 71 185 205

HSL 188.96, 0.57%, 0.54%

LAB 69.79, -25.71, -19.57

 

CMYK 0 / 63 / 76 / 26

HEX #BD462D

RGB 189 70 45

HSL 10.42, 0.62%, 0.46%

LAB 46.16, 46.55, 39.57

 

CMYK 0 / 57 / 69 / 19

HEX #CE5840

RGB 206 88 64

HSL 10.14, 0.59%, 0.53%

LAB 52.37, 45.25, 36.89

 

CMYK 0 / 52 / 63 / 13

HEX #DF6A53

RGB 223 106 83

HSL 9.86, 0.69%, 0.6%

LAB 58.62, 43.92, 34.49

 

CMYK 0 / 48 / 58 / 6

HEX #F07C66

RGB 240 124 102

HSL 9.57, 0.82%, 0.67%

LAB 64.88, 42.62, 32.37

 

CMYK 0 / 44 / 53 / 0

HEX #FF8E79

RGB 255 142 121

HSL 9.4, 1%, 0.74%

LAB 70.86, 40.64, 30.09

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 0 / 69 / 81 / 35

HEX #A7341F

RGB 167 52 31

HSL 9.26, 0.69%, 0.39%

LAB 39.19, 46.08, 38.64

 

CMYK 0 / 77 / 92 / 41

HEX #96220C

RGB 150 34 12

HSL 9.57, 0.85%, 0.32%

LAB 33.25, 46.74, 41.31

 

CMYK 0 / 88 / 100 / 48

HEX #851000

RGB 133 16 0

HSL 7.22, 1%, 0.26%

LAB 27.73, 46.43, 40.45

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 0 / 51 / 73 / 28

HEX #B85A32

RGB 184 90 50

HSL 17.91, 0.57%, 0.46%

LAB 49.17, 35.12, 39.91

 

CMYK 0 / 39 / 73 / 28

HEX #B87032

RGB 184 112 50

HSL 27.76, 0.57%, 0.46%

LAB 54.04, 23.26, 45.12

 

CMYK 0 / 27 / 73 / 28

HEX #B88732

RGB 184 135 50

HSL 38.06, 0.57%, 0.46%

LAB 59.66, 10.51, 50.93

 

CMYK 0 / 15 / 73 / 28

HEX #B89D32

RGB 184 157 50

HSL 47.91, 0.57%, 0.46%

LAB 65.38, -1.52, 56.64

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 0 / 62 / 73 / 8

HEX #EB5940

RGB 235 89 64

HSL 8.77, 0.81%, 0.59%

LAB 57.25, 55.06, 43.7

 

CMYK 0 / 61 / 74 / 88

HEX #1F0C08

RGB 31 12 8

HSL 10.43, 0.59%, 0.08%

LAB 5.16, 8.07, 4.6

 

CMYK 0 / 62 / 73 / 68

HEX #521F16

RGB 82 31 22

HSL 9, 0.58%, 0.2%

LAB 19.36, 23.16, 17.87

 

CMYK 0 / 62 / 73 / 48

HEX #853324

RGB 133 51 36

HSL 9.28, 0.57%, 0.33%

LAB 32.88, 34.26, 27.25

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 24 / 0 / 73 / 28

HEX #8BB832

RGB 139 184 50

HSL 80.15, 0.57%, 0.46%

LAB 69.47, -34.28, 59.46

 

CMYK 73 / 53 / 0 / 28

HEX #3256B8

RGB 50 86 184

HSL 223.88, 0.57%, 0.46%

LAB 39.23, 21.48, -55.63

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 73 / 0 / 63 / 28

HEX #32B844

RGB 50 184 68

HSL 128.06, 0.57%, 0.46%

LAB 66.04, -58.73, 47.55

 

CMYK 63 / 73 / 0 / 28

HEX #4432B8

RGB 68 50 184

HSL 248.06, 0.57%, 0.46%

LAB 31.74, 46.28, -67.82

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 24 / 0 / 73 / 28

HEX #8BB832

RGB 139 184 50

HSL 80.15, 0.57%, 0.46%

LAB 69.47, -34.28, 59.46

 

CMYK 73 / 10 / 0 / 28

HEX #32A6B8

RGB 50 166 184

HSL 188.06, 0.57%, 0.46%

LAB 62.85, -25.61, -18.52

 

CMYK 48 / 73 / 0 / 28

HEX #5F32B8

RGB 95 50 184

HSL 260.15, 0.57%, 0.46%

LAB 34.34, 50.24, -63.44

 

CMYK 0 / 62 / 73 / 28

HEX #B84632

RGB 184 70 50

HSL 8.96, 0.57%, 0.46%

LAB 45.36, 44.97, 35.7

 

CMYK 46 / 0 / 73 / 28

HEX #63B832

RGB 99 184 50

HSL 98.06, 0.57%, 0.46%

LAB 67.4, -48.53, 56.72

 

CMYK 73 / 10 / 0 / 28

HEX #32A6B8

RGB 50 166 184

HSL 188.06, 0.57%, 0.46%

LAB 62.85, -25.61, -18.52

 

CMYK 27 / 73 / 0 / 28

HEX #8732B8

RGB 135 50 184

HSL 278.06, 0.57%, 0.46%

LAB 39.4, 57.53, -55

 

Description

Color code: HEX #B84632 | qconv.com Color code: HEX #B84632 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 70 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 70 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 73 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 73% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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