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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B83C18 it is the complementary color #47C3E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B83C18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B83C18: #BD3C13, #CE4E26, #DF6039, #F0724C and #FF845F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B83C18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B83C18: #B83C18, #A72A05, #961800, #850600 and #740000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

Complementary color

CMYK 69 / 16 / 0 / 9

HEX #47C3E7

RGB 71 195 231

HSL 193.5, 0.77%, 0.59%

LAB 73.64, -22.81, -27.85

 

CMYK 0 / 68 / 90 / 26

HEX #BD3C13

RGB 189 60 19

HSL 14.47, 0.82%, 0.41%

LAB 44.37, 50.08, 50.12

 

CMYK 0 / 62 / 82 / 19

HEX #CE4E26

RGB 206 78 38

HSL 14.29, 0.69%, 0.48%

LAB 50.35, 48.79, 48.23

 

CMYK 0 / 57 / 74 / 13

HEX #DF6039

RGB 223 96 57

HSL 14.1, 0.72%, 0.55%

LAB 56.44, 47.36, 45.9

 

CMYK 0 / 53 / 68 / 6

HEX #F0724C

RGB 240 114 76

HSL 13.9, 0.85%, 0.62%

LAB 62.58, 45.91, 43.6

 

CMYK 0 / 48 / 63 / 0

HEX #FF845F

RGB 255 132 95

HSL 13.88, 1%, 0.69%

LAB 68.45, 43.76, 41.05

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 0 / 75 / 97 / 35

HEX #A72A05

RGB 167 42 5

HSL 13.7, 0.94%, 0.34%

LAB 37.63, 49.39, 48.38

 

CMYK 0 / 84 / 100 / 41

HEX #961800

RGB 150 24 0

HSL 9.6, 1%, 0.29%

LAB 32.12, 49.58, 45.4

 

CMYK 0 / 95 / 100 / 48

HEX #850600

RGB 133 6 0

HSL 2.71, 1%, 0.26%

LAB 27.06, 48.34, 39.88

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 0 / 54 / 87 / 27

HEX #B95518

RGB 185 85 24

HSL 22.73, 0.77%, 0.41%

LAB 48.1, 37.15, 50.88

 

CMYK 0 / 39 / 87 / 27

HEX #B97018

RGB 185 112 24

HSL 32.8, 0.77%, 0.41%

LAB 53.99, 22.74, 55.69

 

CMYK 0 / 25 / 87 / 27

HEX #B98B18

RGB 185 139 24

HSL 42.86, 0.77%, 0.41%

LAB 60.65, 7.8, 61.09

 

CMYK 0 / 10 / 87 / 27

HEX #B9A618

RGB 185 166 24

HSL 52.92, 0.77%, 0.41%

LAB 67.76, -6.78, 66.86

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 0 / 67 / 87 / 8

HEX #EB4D1F

RGB 235 77 31

HSL 13.53, 0.84%, 0.52%

LAB 55.14, 58.96, 57.36

 

CMYK 0 / 68 / 87 / 88

HEX #1F0A04

RGB 31 10 4

HSL 13.33, 0.77%, 0.07%

LAB 4.67, 8.36, 5.51

 

CMYK 0 / 67 / 87 / 68

HEX #521B0B

RGB 82 27 11

HSL 13.52, 0.76%, 0.18%

LAB 18.37, 24.77, 22.93

 

CMYK 0 / 68 / 87 / 48

HEX #852B11

RGB 133 43 17

HSL 13.45, 0.77%, 0.29%

LAB 31.24, 37.33, 36.05

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 37 / 0 / 87 / 27

HEX #75B918

RGB 117 185 24

HSL 85.34, 0.77%, 0.41%

LAB 68.42, -44.17, 65.45

 

CMYK 87 / 71 / 0 / 27

HEX #1835B9

RGB 24 53 185

HSL 229.19, 0.77%, 0.41%

LAB 30.02, 40.85, -71.33

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 87 / 0 / 69 / 27

HEX #18B93A

RGB 24 185 58

HSL 132.67, 0.77%, 0.41%

LAB 65.9, -63.32, 51.51

 

CMYK 69 / 87 / 0 / 27

HEX #3A18B9

RGB 58 24 185

HSL 252.67, 0.77%, 0.41%

LAB 26.89, 57.51, -76.45

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 37 / 0 / 87 / 27

HEX #75B918

RGB 117 185 24

HSL 85.34, 0.77%, 0.41%

LAB 68.42, -44.17, 65.45

 

CMYK 87 / 19 / 0 / 27

HEX #1896B9

RGB 24 150 185

HSL 193.04, 0.77%, 0.41%

LAB 57.57, -19.51, -27.22

 

CMYK 51 / 87 / 0 / 27

HEX #5B18B9

RGB 91 24 185

HSL 264.97, 0.77%, 0.41%

LAB 30.35, 60.42, -70.61

 

CMYK 0 / 67 / 87 / 28

HEX #B83C18

RGB 184 60 24

HSL 13.5, 0.77%, 0.41%

LAB 43.49, 48.46, 47.03

 

CMYK 63 / 0 / 87 / 27

HEX #45B918

RGB 69 185 24

HSL 103.23, 0.77%, 0.41%

LAB 66.54, -58.55, 63.1

 

CMYK 87 / 19 / 0 / 27

HEX #1896B9

RGB 24 150 185

HSL 193.04, 0.77%, 0.41%

LAB 57.57, -19.51, -27.22

 

CMYK 25 / 87 / 0 / 27

HEX #8B18B9

RGB 139 24 185

HSL 282.86, 0.77%, 0.41%

LAB 37.2, 66.76, -59.13

 

Description

Color code: HEX #B83C18 | qconv.com Color code: HEX #B83C18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 60 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 60 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 87 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 87% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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