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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B831B8 it is the complementary color #47CE47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B831B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B831B8: #BD31B3, #CE43C6, #DF55D9, #F067EC and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B831B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B831B8: #B831B8, #A71FA5, #960D92, #85007F and #74006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

Complementary color

CMYK 66 / 0 / 66 / 19

HEX #47CE47

RGB 71 206 71

HSL 120, 0.58%, 0.54%

LAB 73.5, -62.03, 54.67

 

CMYK 0 / 74 / 5 / 26

HEX #BD31B3

RGB 189 49 179

HSL 304.29, 0.59%, 0.47%

LAB 47.33, 68.31, -38.9

 

CMYK 0 / 67 / 4 / 19

HEX #CE43C6

RGB 206 67 198

HSL 303.45, 0.59%, 0.54%

LAB 53.18, 69.02, -40.52

 

CMYK 0 / 62 / 3 / 13

HEX #DF55D9

RGB 223 85 217

HSL 302.61, 0.68%, 0.6%

LAB 59.15, 69.2, -41.76

 

CMYK 0 / 57 / 2 / 6

HEX #F067EC

RGB 240 103 236

HSL 301.75, 0.82%, 0.67%

LAB 65.19, 69.04, -42.74

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 81 / 1 / 35

HEX #A71FA5

RGB 167 31 165

HSL 300.88, 0.69%, 0.39%

LAB 41.08, 66.54, -40.75

 

CMYK 0 / 91 / 3 / 41

HEX #960D92

RGB 150 13 146

HSL 301.75, 0.84%, 0.32%

LAB 35.69, 63.86, -38

 

CMYK 0 / 100 / 5 / 48

HEX #85007F

RGB 133 0 127

HSL 302.71, 1%, 0.26%

LAB 30.69, 59.67, -34.37

 

CMYK 0 / 100 / 7 / 55

HEX #74006C

RGB 116 0 108

HSL 304.14, 1%, 0.23%

LAB 26.14, 53.67, -29.68

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 74 / 12 / 27

HEX #B931A2

RGB 185 49 162

HSL 310.15, 0.58%, 0.46%

LAB 45.8, 64.84, -31.29

 

CMYK 0 / 74 / 25 / 27

HEX #B9318B

RGB 185 49 139

HSL 320.29, 0.58%, 0.46%

LAB 44.77, 61.68, -19.06

 

CMYK 0 / 74 / 37 / 27

HEX #B93175

RGB 185 49 117

HSL 330, 0.58%, 0.46%

LAB 43.94, 59.06, -6.85

 

CMYK 0 / 74 / 49 / 27

HEX #B9315E

RGB 185 49 94

HSL 340.15, 0.58%, 0.46%

LAB 43.24, 56.8, 6.4

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 73 / 0 / 8

HEX #EB3FEB

RGB 235 63 235

HSL 300, 0.81%, 0.58%

LAB 59.17, 82.37, -51.73

 

CMYK 0 / 74 / 0 / 88

HEX #1F081F

RGB 31 8 31

HSL 300, 0.59%, 0.08%

LAB 5.09, 14.83, -10.01

 

CMYK 0 / 73 / 0 / 68

HEX #521652

RGB 82 22 82

HSL 300, 0.58%, 0.2%

LAB 19.95, 35.94, -22.74

 

CMYK 0 / 74 / 0 / 48

HEX #852385

RGB 133 35 133

HSL 300, 0.58%, 0.33%

LAB 33.74, 52.83, -33.27

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 59 / 74 / 27

HEX #B94C31

RGB 185 76 49

HSL 11.91, 0.58%, 0.46%

LAB 46.58, 42.47, 37.66

 

CMYK 74 / 0 / 30 / 27

HEX #31B982

RGB 49 185 130

HSL 155.74, 0.58%, 0.46%

LAB 67.25, -48.87, 17.79

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 0 / 74 / 27

HEX #B9B931

RGB 185 185 49

HSL 60, 0.58%, 0.46%

LAB 73.05, -15.76, 64.39

 

CMYK 74 / 0 / 0 / 27

HEX #31B9B9

RGB 49 185 185

HSL 180, 0.58%, 0.46%

LAB 68.65, -34.66, -10.35

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 59 / 74 / 27

HEX #B94C31

RGB 185 76 49

HSL 11.91, 0.58%, 0.46%

LAB 46.58, 42.47, 37.66

 

CMYK 74 / 0 / 74 / 27

HEX #31B931

RGB 49 185 49

HSL 120, 0.58%, 0.46%

LAB 66.19, -61.05, 55.37

 

CMYK 74 / 15 / 0 / 27

HEX #319EB9

RGB 49 158 185

HSL 191.91, 0.58%, 0.46%

LAB 60.44, -21.31, -22.77

 

CMYK 0 / 73 / 0 / 28

HEX #B831B8

RGB 184 49 184

HSL 300, 0.58%, 0.46%

LAB 46.77, 68.02, -42.76

 

CMYK 0 / 37 / 74 / 27

HEX #B97531

RGB 185 117 49

HSL 30, 0.58%, 0.46%

LAB 55.34, 20.88, 46.99

 

CMYK 74 / 0 / 74 / 27

HEX #31B931

RGB 49 185 49

HSL 120, 0.58%, 0.46%

LAB 66.19, -61.05, 55.37

 

CMYK 74 / 37 / 0 / 27

HEX #3175B9

RGB 49 117 185

HSL 210, 0.58%, 0.46%

LAB 48.11, 1.95, -42

 

Description

Color code: HEX #B831B8 | qconv.com Color code: HEX #B831B8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 49 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 49 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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