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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8317D it is the complementary color #47CE82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8317D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8317D shade: #BD3178, #CE438B, #DF559E, #F067B1 and #FF79C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8317D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8317D shade: #B8317D, #A71F6A, #960D57, #850044 and #740031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8317D shade: #B9317E, #B93159, #B93134 and #B93131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8317D shade: #B9317E, #B931A3, #AB31B9, #8731B9 and #6231B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8317D shade matches the following richer shades: #B9317E, #CC1E80 and #DF0B83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8317D shade: #B9317E, #A6447B, #935779, #806A77 and #6D7D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8317D shade: #AC31B9, #B931A3, #B9317E, #B9315A and #B93136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8317D shade: #782052, #992968, #B9317E, #CE4692 and #D667A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8317D shade: #B8317D, #B98731 and #31B5B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8317D shade: #B8317D, #7EB931 and #317EB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8317D shade: #B8317D, #B98731, #31B96C and #3163B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8317D shade: #B8317D, #B9B031, #31B96C and #313AB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 32 / 28

HEX #B8317D

RGB 184 49 125

HSL 326.22, 0.58%, 0.46%

LAB 44.04, 59.7, -11.63

 

Complementary color

CMYK 66 / 0 / 37 / 19

HEX #47CE82

RGB 71 206 130

HSL 146.22, 0.58%, 0.54%

LAB 74.25, -53.57, 27.37

 

CMYK 0 / 74 / 37 / 26

HEX #BD3178

RGB 189 49 120

HSL 329.57, 0.59%, 0.47%

LAB 44.76, 60.47, -7.39

 

CMYK 0 / 67 / 33 / 19

HEX #CE438B

RGB 206 67 139

HSL 328.92, 0.59%, 0.54%

LAB 50.69, 60.83, -9.74

 

CMYK 0 / 62 / 29 / 13

HEX #DF559E

RGB 223 85 158

HSL 328.26, 0.68%, 0.6%

LAB 56.74, 60.71, -11.6

 

CMYK 0 / 57 / 26 / 6

HEX #F067B1

RGB 240 103 177

HSL 327.59, 0.82%, 0.67%

LAB 62.84, 60.31, -13.13

 

CMYK 0 / 53 / 23 / 0

HEX #FF79C4

RGB 255 121 196

HSL 326.42, 1%, 0.74%

LAB 68.69, 59.14, -14.86

 

CMYK 0 / 73 / 32 / 28

HEX #B8317D

RGB 184 49 125

HSL 326.22, 0.58%, 0.46%

LAB 44.04, 59.7, -11.63

 

CMYK 0 / 81 / 37 / 35

HEX #A71F6A

RGB 167 31 106

HSL 326.91, 0.69%, 0.39%

LAB 38.26, 58.6, -8.83

 

CMYK 0 / 91 / 42 / 41

HEX #960D57

RGB 150 13 87

HSL 327.59, 0.84%, 0.32%

LAB 32.83, 56.33, -5.12

 

CMYK 0 / 100 / 49 / 48

HEX #850044

RGB 133 0 68

HSL 329.32, 1%, 0.26%

LAB 27.86, 52.52, -0.27

 

CMYK 0 / 100 / 58 / 55

HEX #740031

RGB 116 0 49

HSL 334.66, 1%, 0.23%

LAB 23.45, 46.82, 5.94

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 74 / 52 / 27

HEX #B93159

RGB 185 49 89

HSL 342.35, 0.58%, 0.46%

LAB 43.11, 56.38, 9.34

 

CMYK 0 / 74 / 72 / 27

HEX #B93134

RGB 185 49 52

HSL 358.68, 0.58%, 0.46%

LAB 42.4, 54, 31.2

 

CMYK 0 / 74 / 74 / 27

HEX #B93131

RGB 185 49 49

HSL 0, 0.58%, 0.46%

LAB 42.36, 53.87, 32.92

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 74 / 12 / 27

HEX #B931A3

RGB 185 49 163

HSL 309.71, 0.58%, 0.46%

LAB 45.85, 64.99, -31.81

 

CMYK 8 / 74 / 0 / 27

HEX #AB31B9

RGB 171 49 185

HSL 293.82, 0.58%, 0.46%

LAB 44.74, 65.44, -46.71

 

CMYK 27 / 74 / 0 / 27

HEX #8731B9

RGB 135 49 185

HSL 277.94, 0.58%, 0.46%

LAB 39.33, 58.16, -55.7

 

CMYK 47 / 74 / 0 / 27

HEX #6231B9

RGB 98 49 185

HSL 261.62, 0.58%, 0.46%

LAB 34.59, 51.48, -63.62

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 85 / 37 / 20

HEX #CC1E80

RGB 204 30 128

HSL 326.21, 0.74%, 0.46%

LAB 46.08, 70.05, -10.04

 

CMYK 0 / 95 / 41 / 13

HEX #DF0B83

RGB 223 11 131

HSL 326.04, 0.91%, 0.46%

LAB 48.97, 77.15, -7.17

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 59 / 26 / 35

HEX #A6447B

RGB 166 68 123

HSL 326.33, 0.42%, 0.46%

LAB 43.76, 46.45, -11.13

 

CMYK 0 / 41 / 18 / 42

HEX #935779

RGB 147 87 121

HSL 326, 0.26%, 0.46%

LAB 44.8, 29.73, -8.62

 

CMYK 0 / 17 / 7 / 50

HEX #806A77

RGB 128 106 119

HSL 324.55, 0.09%, 0.46%

LAB 47.27, 11.1, -3.97

 

CMYK 13 / 0 / 7 / 51

HEX #6D7D74

RGB 109 125 116

HSL 146.25, 0.07%, 0.46%

LAB 50.9, -7.78, 2.91

 

CMYK 7 / 74 / 0 / 27

HEX #AC31B9

RGB 172 49 185

HSL 294.26, 0.58%, 0.46%

LAB 44.9, 65.65, -46.45

 

CMYK 0 / 74 / 12 / 27

HEX #B931A3

RGB 185 49 163

HSL 309.71, 0.58%, 0.46%

LAB 45.85, 64.99, -31.81

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 74 / 51 / 27

HEX #B9315A

RGB 185 49 90

HSL 341.91, 0.58%, 0.46%

LAB 43.14, 56.46, 8.75

 

CMYK 0 / 74 / 71 / 27

HEX #B93136

RGB 185 49 54

HSL 357.79, 0.58%, 0.46%

LAB 42.43, 54.09, 30.04

 

CMYK 0 / 73 / 32 / 53

HEX #782052

RGB 120 32 82

HSL 325.91, 0.58%, 0.3%

LAB 28.47, 42.65, -8.98

 

CMYK 0 / 73 / 32 / 40

HEX #992968

RGB 153 41 104

HSL 326.25, 0.58%, 0.38%

LAB 36.66, 51.52, -10.23

 

CMYK 0 / 74 / 32 / 27

HEX #B9317E

RGB 185 49 126

HSL 326.03, 0.58%, 0.46%

LAB 44.26, 60.08, -11.91

 

CMYK 0 / 66 / 29 / 19

HEX #CE4692

RGB 206 70 146

HSL 326.47, 0.58%, 0.54%

LAB 51.36, 60.5, -12.91

 

CMYK 0 / 52 / 22 / 16

HEX #D667A6

RGB 214 103 166

HSL 325.95, 0.58%, 0.62%

LAB 58.74, 50.85, -13.36

 

CMYK 0 / 73 / 32 / 28

HEX #B8317D

RGB 184 49 125

HSL 326.22, 0.58%, 0.46%

LAB 44.04, 59.7, -11.63

 

CMYK 0 / 27 / 74 / 27

HEX #B98731

RGB 185 135 49

HSL 37.94, 0.58%, 0.46%

LAB 59.77, 10.9, 51.5

 

CMYK 74 / 2 / 0 / 27

HEX #31B5B9

RGB 49 181 185

HSL 181.76, 0.58%, 0.46%

LAB 67.43, -32.77, -12.17

 

CMYK 0 / 73 / 32 / 28

HEX #B8317D

RGB 184 49 125

HSL 326.22, 0.58%, 0.46%

LAB 44.04, 59.7, -11.63

 

CMYK 32 / 0 / 74 / 27

HEX #7EB931

RGB 126 185 49

HSL 86.03, 0.58%, 0.46%

LAB 69.01, -39.74, 59.11

 

CMYK 74 / 32 / 0 / 27

HEX #317EB9

RGB 49 126 185

HSL 206.03, 0.58%, 0.46%

LAB 50.78, -3.47, -37.78

 

CMYK 0 / 73 / 32 / 28

HEX #B8317D

RGB 184 49 125

HSL 326.22, 0.58%, 0.46%

LAB 44.04, 59.7, -11.63

 

CMYK 0 / 27 / 74 / 27

HEX #B98731

RGB 185 135 49

HSL 37.94, 0.58%, 0.46%

LAB 59.77, 10.9, 51.5

 

CMYK 74 / 0 / 42 / 27

HEX #31B96C

RGB 49 185 108

HSL 146.03, 0.58%, 0.46%

LAB 66.85, -53.3, 28.97

 

CMYK 74 / 46 / 0 / 27

HEX #3163B9

RGB 49 99 185

HSL 217.94, 0.58%, 0.46%

LAB 42.88, 13.27, -50.33

 

CMYK 0 / 73 / 32 / 28

HEX #B8317D

RGB 184 49 125

HSL 326.22, 0.58%, 0.46%

LAB 44.04, 59.7, -11.63

 

CMYK 0 / 5 / 74 / 27

HEX #B9B031

RGB 185 176 49

HSL 56.03, 0.58%, 0.46%

LAB 70.59, -11.16, 62.06

 

CMYK 74 / 0 / 42 / 27

HEX #31B96C

RGB 49 185 108

HSL 146.03, 0.58%, 0.46%

LAB 66.85, -53.3, 28.97

 

CMYK 74 / 69 / 0 / 27

HEX #313AB9

RGB 49 58 185

HSL 236.03, 0.58%, 0.46%

LAB 32.22, 39.73, -67.67

 

Description

Color code: HEX #B8317D | qconv.com Color code: HEX #B8317D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 49 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 49 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 32 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 32% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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