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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7FA7F it is the complementary color #480580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7FA7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7FA7F shade: #BCFA7A, #CDFF8D, #DEFFA0, #EFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7FA7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7FA7F shade: #B7FA7F, #A6E86C, #95D659, #84C446 and #73B233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7FA7F shade: #B7F97F, #D8F97F, #F9F97F, #F9D97F and #F9B87F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7FA7F shade: #B7F97F, #96F97F, #7FF989, #7FF9AA and #7FF9CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7FA7F shade matches the following richer shades: #B7F97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7FA7F shade: #B7F97F, #B8EE8A, #B9E495, #BAD99F and #BBCEAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7FA7F shade: #F9F97F, #D9F97F, #B8F97F, #98F97F and #7FF987

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7FA7F shade: #8AF630, #A0F858, #B7F97F, #CDFBA7 and #E3FCCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7FA7F shade: #B7FA7F, #7FF9D9 and #F97FE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7FA7F shade: #B7FA7F, #7FB8F9 and #F97FB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7FA7F shade: #B7FA7F, #7FF9D9, #C07FF9 and #F97FA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7FA7F shade: #B7FA7F, #7FF5F9, #C07FF9 and #F9837F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 49 / 2

HEX #B7FA7F

RGB 183 250 127

HSL 92.68, 0.92%, 0.74%

LAB 91.67, -41.12, 52.01

 

Complementary color

CMYK 44 / 96 / 0 / 50

HEX #480580

RGB 72 5 128

HSL 272.68, 0.92%, 0.26%

LAB 20.22, 49.62, -52.48

 

CMYK 25 / 0 / 51 / 2

HEX #BCFA7A

RGB 188 250 122

HSL 89.06, 0.93%, 0.73%

LAB 91.89, -39.9, 54.64

 

CMYK 20 / 0 / 45 / 0

HEX #CDFF8D

RGB 205 255 141

HSL 86.32, 1%, 0.78%

LAB 94.49, -34.07, 49.18

 

CMYK 13 / 0 / 37 / 0

HEX #DEFFA0

RGB 222 255 160

HSL 80.84, 1%, 0.81%

LAB 95.83, -25.73, 41.93

 

CMYK 6 / 0 / 30 / 0

HEX #EFFFB3

RGB 239 255 179

HSL 72.63, 1%, 0.85%

LAB 97.28, -17.18, 34.66

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 27 / 0 / 49 / 2

HEX #B7FA7F

RGB 183 250 127

HSL 92.68, 0.92%, 0.74%

LAB 91.67, -41.12, 52.01

 

CMYK 28 / 0 / 53 / 9

HEX #A6E86C

RGB 166 232 108

HSL 91.94, 0.73%, 0.67%

LAB 85.45, -41.11, 53.1

 

CMYK 30 / 0 / 58 / 16

HEX #95D659

RGB 149 214 89

HSL 91.2, 0.6%, 0.59%

LAB 79.16, -41.04, 54.12

 

CMYK 33 / 0 / 64 / 23

HEX #84C446

RGB 132 196 70

HSL 90.48, 0.52%, 0.52%

LAB 72.78, -40.87, 54.97

 

CMYK 35 / 0 / 71 / 30

HEX #73B233

RGB 115 178 51

HSL 89.76, 0.55%, 0.45%

LAB 66.31, -40.57, 55.49

 

CMYK 27 / 0 / 49 / 2

HEX #B7F97F

RGB 183 249 127

HSL 92.46, 0.91%, 0.74%

LAB 91.39, -40.68, 51.67

 

CMYK 13 / 0 / 49 / 2

HEX #D8F97F

RGB 216 249 127

HSL 76.23, 0.91%, 0.74%

LAB 93.4, -28.73, 54.56

 

CMYK 0 / 0 / 49 / 2

HEX #F9F97F

RGB 249 249 127

HSL 60, 0.91%, 0.74%

LAB 95.76, -16.06, 57.95

 

CMYK 0 / 13 / 49 / 2

HEX #F9D97F

RGB 249 217 127

HSL 44.26, 0.91%, 0.74%

LAB 87.63, -0.12, 48.14

 

CMYK 0 / 26 / 49 / 2

HEX #F9B87F

RGB 249 184 127

HSL 28.03, 0.91%, 0.74%

LAB 79.59, 17, 38.06

 

CMYK 27 / 0 / 49 / 2

HEX #B7F97F

RGB 183 249 127

HSL 92.46, 0.91%, 0.74%

LAB 91.39, -40.68, 51.67

 

CMYK 40 / 0 / 49 / 2

HEX #96F97F

RGB 150 249 127

HSL 108.69, 0.91%, 0.74%

LAB 89.75, -51.43, 49.28

 

CMYK 49 / 0 / 45 / 2

HEX #7FF989

RGB 127 249 137

HSL 124.92, 0.91%, 0.74%

LAB 88.96, -56.6, 43.33

 

CMYK 49 / 0 / 32 / 2

HEX #7FF9AA

RGB 127 249 170

HSL 141.15, 0.91%, 0.74%

LAB 89.47, -51.3, 27.64

 

CMYK 49 / 0 / 18 / 2

HEX #7FF9CB

RGB 127 249 203

HSL 157.38, 0.91%, 0.74%

LAB 90.13, -44.84, 11.63

 

CMYK 27 / 0 / 49 / 2

HEX #B7F97F

RGB 183 249 127

HSL 92.46, 0.91%, 0.74%

LAB 91.39, -40.68, 51.67

 

CMYK 27 / 0 / 49 / 2

HEX #B7F97F

RGB 183 249 127

HSL 92.46, 0.91%, 0.74%

LAB 91.39, -40.68, 51.67

 

CMYK 23 / 0 / 42 / 7

HEX #B8EE8A

RGB 184 238 138

HSL 92.4, 0.75%, 0.74%

LAB 88.53, -34.09, 42.87

 

CMYK 19 / 0 / 35 / 11

HEX #B9E495

RGB 185 228 149

HSL 92.66, 0.59%, 0.74%

LAB 85.99, -27.62, 34.12

 

CMYK 14 / 0 / 27 / 15

HEX #BAD99F

RGB 186 217 159

HSL 92.07, 0.43%, 0.74%

LAB 83.21, -20.5, 25.27

 

CMYK 9 / 0 / 17 / 19

HEX #BBCEAA

RGB 187 206 170

HSL 91.67, 0.27%, 0.74%

LAB 80.52, -12.9, 15.78

 

CMYK 0 / 0 / 49 / 2

HEX #F9F97F

RGB 249 249 127

HSL 60, 0.91%, 0.74%

LAB 95.76, -16.06, 57.95

 

CMYK 13 / 0 / 49 / 2

HEX #D9F97F

RGB 217 249 127

HSL 75.74, 0.91%, 0.74%

LAB 93.47, -28.35, 54.66

 

CMYK 26 / 0 / 49 / 2

HEX #B8F97F

RGB 184 249 127

HSL 91.97, 0.91%, 0.74%

LAB 91.45, -40.33, 51.75

 

CMYK 39 / 0 / 49 / 2

HEX #98F97F

RGB 152 249 127

HSL 107.7, 0.91%, 0.74%

LAB 89.84, -50.83, 49.41

 

CMYK 49 / 0 / 46 / 2

HEX #7FF987

RGB 127 249 135

HSL 123.93, 0.91%, 0.74%

LAB 88.93, -56.89, 44.26

 

CMYK 44 / 0 / 80 / 4

HEX #8AF630

RGB 138 246 48

HSL 92.73, 0.92%, 0.58%

LAB 87.74, -60.46, 77.24

 

CMYK 35 / 0 / 65 / 3

HEX #A0F858

RGB 160 248 88

HSL 93, 0.92%, 0.66%

LAB 89.54, -51.75, 66.15

 

CMYK 27 / 0 / 49 / 2

HEX #B7F97F

RGB 183 249 127

HSL 92.46, 0.91%, 0.74%

LAB 91.39, -40.68, 51.67

 

CMYK 18 / 0 / 33 / 2

HEX #CDFBA7

RGB 205 251 167

HSL 92.86, 0.91%, 0.82%

LAB 93.78, -28.98, 35.59

 

CMYK 10 / 0 / 18 / 1

HEX #E3FCCE

RGB 227 252 206

HSL 92.61, 0.88%, 0.9%

LAB 96.17, -16.1, 19.35

 

CMYK 27 / 0 / 49 / 2

HEX #B7FA7F

RGB 183 250 127

HSL 92.68, 0.92%, 0.74%

LAB 91.67, -41.12, 52.01

 

CMYK 49 / 0 / 13 / 2

HEX #7FF9D9

RGB 127 249 217

HSL 164.26, 0.91%, 0.74%

LAB 90.45, -41.78, 4.84

 

CMYK 0 / 49 / 6 / 2

HEX #F97FE9

RGB 249 127 233

HSL 307.87, 0.91%, 0.74%

LAB 70.32, 60.09, -33

 

CMYK 27 / 0 / 49 / 2

HEX #B7FA7F

RGB 183 250 127

HSL 92.68, 0.92%, 0.74%

LAB 91.67, -41.12, 52.01

 

CMYK 49 / 26 / 0 / 2

HEX #7FB8F9

RGB 127 184 249

HSL 211.97, 0.91%, 0.74%

LAB 73.31, -1.13, -37.91

 

CMYK 0 / 49 / 26 / 2

HEX #F97FB8

RGB 249 127 184

HSL 331.97, 0.91%, 0.74%

LAB 68.59, 52.82, -8.37

 

CMYK 27 / 0 / 49 / 2

HEX #B7FA7F

RGB 183 250 127

HSL 92.68, 0.92%, 0.74%

LAB 91.67, -41.12, 52.01

 

CMYK 49 / 0 / 13 / 2

HEX #7FF9D9

RGB 127 249 217

HSL 164.26, 0.91%, 0.74%

LAB 90.45, -41.78, 4.84

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 0 / 49 / 36 / 2

HEX #F97FA0

RGB 249 127 160

HSL 343.77, 0.91%, 0.74%

LAB 67.91, 49.85, 4.15

 

CMYK 27 / 0 / 49 / 2

HEX #B7FA7F

RGB 183 250 127

HSL 92.68, 0.92%, 0.74%

LAB 91.67, -41.12, 52.01

 

CMYK 49 / 2 / 0 / 2

HEX #7FF5F9

RGB 127 245 249

HSL 181.97, 0.91%, 0.74%

LAB 90.16, -32.28, -12.23

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 0 / 47 / 49 / 2

HEX #F9837F

RGB 249 131 127

HSL 1.97, 0.91%, 0.74%

LAB 67.95, 44.48, 22.76

 

Description

Color code: HEX #B7FA7F | qconv.com Color code: HEX #B7FA7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 250 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 250 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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