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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7D5C7 it is the complementary color #482A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7D5C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B7D5C7: #BCD5C2, #CDE7D5, #DEF9E8, #EFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7D5C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B7D5C7: #B7D5C7, #A6C3B4, #95B1A1, #849F8E and #738D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

Complementary color

CMYK 0 / 42 / 22 / 72

HEX #482A38

RGB 72 42 56

HSL 332, 0.26%, 0.22%

LAB 21.28, 16.28, -3.09

 

CMYK 12 / 0 / 9 / 16

HEX #BCD5C2

RGB 188 213 194

HSL 134.4, 0.23%, 0.79%

LAB 83.01, -11.94, 6.57

 

CMYK 11 / 0 / 8 / 9

HEX #CDE7D5

RGB 205 231 213

HSL 138.46, 0.35%, 0.85%

LAB 89.36, -11.92, 5.86

 

CMYK 11 / 0 / 7 / 2

HEX #DEF9E8

RGB 222 249 232

HSL 142.22, 0.69%, 0.92%

LAB 95.63, -11.9, 5.18

 

CMYK 6 / 0 / 2 / 0

HEX #EFFFFB

RGB 239 255 251

HSL 165, 1%, 0.97%

LAB 98.76, -5.93, 0.1

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 15 / 0 / 8 / 24

HEX #A6C3B4

RGB 166 195 180

HSL 148.97, 0.19%, 0.71%

LAB 76.33, -12.73, 4.26

 

CMYK 16 / 0 / 9 / 31

HEX #95B1A1

RGB 149 177 161

HSL 145.71, 0.15%, 0.64%

LAB 69.76, -12.81, 4.98

 

CMYK 17 / 0 / 11 / 38

HEX #849F8E

RGB 132 159 142

HSL 142.22, 0.12%, 0.57%

LAB 63.06, -12.91, 5.75

 

CMYK 18 / 0 / 13 / 45

HEX #738D7B

RGB 115 141 123

HSL 138.46, 0.1%, 0.5%

LAB 56.21, -13.02, 6.56

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 14 / 0 / 4 / 16

HEX #B8D5CC

RGB 184 213 204

HSL 161.38, 0.26%, 0.78%

LAB 82.99, -11.38, 1.19

 

CMYK 14 / 0 / 2 / 16

HEX #B8D5D1

RGB 184 213 209

HSL 171.72, 0.26%, 0.78%

LAB 83.12, -10.39, -1.28

 

CMYK 14 / 0 / 0 / 16

HEX #B8D4D5

RGB 184 212 213

HSL 182.07, 0.26%, 0.78%

LAB 82.96, -9.07, -3.64

 

CMYK 14 / 3 / 0 / 16

HEX #B8CFD5

RGB 184 207 213

HSL 192.41, 0.26%, 0.78%

LAB 81.63, -6.48, -5.6

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 11 / 0 / 11 / 96

HEX #080908

RGB 8 9 8

HSL 120, 0.06%, 0.03%

LAB 2.39, -0.4, 0.29

 

CMYK 13 / 0 / 7 / 76

HEX #343C38

RGB 52 60 56

HSL 150, 0.07%, 0.22%

LAB 24.47, -4.3, 1.34

 

CMYK 14 / 0 / 6 / 56

HEX #5F6F68

RGB 95 111 104

HSL 153.75, 0.08%, 0.4%

LAB 45.36, -7.52, 1.88

 

CMYK 14 / 0 / 7 / 36

HEX #8BA297

RGB 139 162 151

HSL 151.3, 0.11%, 0.59%

LAB 64.62, -10.28, 3.01

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 14 / 10 / 0 / 16

HEX #B8C0D5

RGB 184 192 213

HSL 223.45, 0.26%, 0.78%

LAB 77.69, 1.45, -11.44

 

CMYK 0 / 12 / 14 / 16

HEX #D5BCB8

RGB 213 188 184

HSL 8.28, 0.26%, 0.78%

LAB 78.21, 8.22, 5.27

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 7 / 14 / 0 / 16

HEX #C7B8D5

RGB 199 184 213

HSL 271.03, 0.26%, 0.78%

LAB 76.82, 10.7, -12.64

 

CMYK 0 / 7 / 14 / 16

HEX #D5C7B8

RGB 213 199 184

HSL 31.03, 0.26%, 0.78%

LAB 80.99, 2.39, 9.26

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 14 / 10 / 0 / 16

HEX #B8C0D5

RGB 184 192 213

HSL 223.45, 0.26%, 0.78%

LAB 77.69, 1.45, -11.44

 

CMYK 0 / 14 / 8 / 16

HEX #D5B8C5

RGB 213 184 197

HSL 333.1, 0.26%, 0.78%

LAB 77.55, 12.54, -2.73

 

CMYK 0 / 4 / 14 / 16

HEX #D5CDB8

RGB 213 205 184

HSL 43.45, 0.26%, 0.78%

LAB 82.52, -0.76, 11.44

 

CMYK 14 / 0 / 7 / 16

HEX #B7D5C7

RGB 183 213 199

HSL 152, 0.26%, 0.78%

LAB 82.8, -12.67, 3.57

 

CMYK 13 / 14 / 0 / 16

HEX #B9B8D5

RGB 185 184 213

HSL 242.07, 0.26%, 0.78%

LAB 75.7, 6.09, -14.43

 

CMYK 0 / 14 / 8 / 16

HEX #D5B8C5

RGB 213 184 197

HSL 333.1, 0.26%, 0.78%

LAB 77.55, 12.54, -2.73

 

CMYK 0 / 0 / 14 / 16

HEX #D4D5B8

RGB 212 213 184

HSL 62.07, 0.26%, 0.78%

LAB 84.51, -5.27, 14.24

 

Description

Color code: HEX #B7D5C7 | qconv.com Color code: HEX #B7D5C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 213 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 213 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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