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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7C873 it is the complementary color #48378C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7C873. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B7C873: #BCC86E, #CDDA81, #DEEC94, #EFFEA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7C873. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B7C873: #B7C873, #A6B660, #95A44D, #84923A and #738027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

Complementary color

CMYK 49 / 61 / 0 / 45

HEX #48378C

RGB 72 55 140

HSL 252, 0.44%, 0.38%

LAB 29.42, 30.18, -44.98

 

CMYK 6 / 0 / 45 / 22

HEX #BCC86E

RGB 188 200 110

HSL 68, 0.45%, 0.61%

LAB 77.95, -17.56, 43.43

 

CMYK 6 / 0 / 41 / 15

HEX #CDDA81

RGB 205 218 129

HSL 68.76, 0.55%, 0.68%

LAB 84.33, -17.81, 42.27

 

CMYK 6 / 0 / 37 / 7

HEX #DEEC94

RGB 222 236 148

HSL 69.55, 0.7%, 0.75%

LAB 90.62, -18.02, 41.13

 

CMYK 6 / 0 / 34 / 0

HEX #EFFEA7

RGB 239 254 167

HSL 70.34, 0.98%, 0.83%

LAB 96.83, -18.19, 40.02

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 9 / 0 / 47 / 29

HEX #A6B660

RGB 166 182 96

HSL 71.16, 0.37%, 0.55%

LAB 71.15, -18.76, 41.67

 

CMYK 9 / 0 / 53 / 36

HEX #95A44D

RGB 149 164 77

HSL 70.34, 0.36%, 0.47%

LAB 64.54, -18.45, 42.82

 

CMYK 10 / 0 / 60 / 43

HEX #84923A

RGB 132 146 58

HSL 69.55, 0.43%, 0.4%

LAB 57.82, -18.04, 43.88

 

CMYK 10 / 0 / 70 / 50

HEX #738027

RGB 115 128 39

HSL 68.76, 0.53%, 0.33%

LAB 50.95, -17.47, 44.63

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 16 / 0 / 43 / 22

HEX #A9C873

RGB 169 200 115

HSL 81.88, 0.44%, 0.62%

LAB 76.67, -24.39, 39.05

 

CMYK 23 / 0 / 43 / 22

HEX #9BC873

RGB 155 200 115

HSL 91.76, 0.44%, 0.62%

LAB 75.77, -29.61, 37.73

 

CMYK 30 / 0 / 43 / 22

HEX #8DC873

RGB 141 200 115

HSL 101.65, 0.44%, 0.62%

LAB 74.96, -34.58, 36.52

 

CMYK 37 / 0 / 43 / 22

HEX #7EC873

RGB 126 200 115

HSL 112.24, 0.44%, 0.62%

LAB 74.18, -39.59, 35.37

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 8 / 0 / 43 / 2

HEX #E6FB90

RGB 230 251 144

HSL 71.78, 0.93%, 0.77%

LAB 95.09, -22.7, 48.85

 

CMYK 9 / 0 / 43 / 82

HEX #2B2F1B

RGB 43 47 27

HSL 72, 0.27%, 0.15%

LAB 18.48, -5.89, 12.29

 

CMYK 8 / 0 / 43 / 62

HEX #5A6238

RGB 90 98 56

HSL 71.43, 0.27%, 0.3%

LAB 39.91, -10.59, 22.85

 

CMYK 9 / 0 / 42 / 42

HEX #889556

RGB 136 149 86

HSL 72.38, 0.27%, 0.46%

LAB 59.34, -15.09, 31.67

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 43 / 0 / 26 / 22

HEX #73C895

RGB 115 200 149

HSL 144, 0.44%, 0.62%

LAB 74.27, -37.14, 17.62

 

CMYK 9 / 43 / 0 / 22

HEX #B773C8

RGB 183 115 200

HSL 288, 0.44%, 0.62%

LAB 58.51, 40.89, -33.53

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 43 / 9 / 0 / 22

HEX #73B7C8

RGB 115 183 200

HSL 192, 0.44%, 0.62%

LAB 70.65, -17.07, -15.36

 

CMYK 0 / 43 / 9 / 22

HEX #C873B7

RGB 200 115 183

HSL 312, 0.44%, 0.62%

LAB 59.85, 42.99, -21.61

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 43 / 0 / 26 / 22

HEX #73C895

RGB 115 200 149

HSL 144, 0.44%, 0.62%

LAB 74.27, -37.14, 17.62

 

CMYK 34 / 43 / 0 / 22

HEX #8473C8

RGB 132 115 200

HSL 252, 0.44%, 0.62%

LAB 53.32, 26.1, -42.04

 

CMYK 0 / 43 / 17 / 22

HEX #C873A6

RGB 200 115 166

HSL 324, 0.44%, 0.62%

LAB 59.25, 40.2, -12.79

 

CMYK 9 / 0 / 43 / 22

HEX #B7C873

RGB 183 200 115

HSL 72, 0.44%, 0.62%

LAB 77.65, -18.99, 40.49

 

CMYK 43 / 0 / 13 / 22

HEX #73C8AF

RGB 115 200 175

HSL 162.35, 0.44%, 0.62%

LAB 74.86, -31.67, 4.47

 

CMYK 34 / 43 / 0 / 22

HEX #8473C8

RGB 132 115 200

HSL 252, 0.44%, 0.62%

LAB 53.32, 26.1, -42.04

 

CMYK 0 / 43 / 30 / 22

HEX #C8738D

RGB 200 115 141

HSL 341.65, 0.44%, 0.62%

LAB 58.47, 36.54, 0.51

 

Description

Color code: HEX #B7C873 | qconv.com Color code: HEX #B7C873 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 200 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 200 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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