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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7B142 it is the complementary color #484EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7B142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B7B142: #BCB13D, #CDC350, #DED563, #EFE776 and #FFF989

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7B142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B7B142: #B7B142, #A69F2F, #958D1C, #847B09 and #736900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

Complementary color

CMYK 62 / 59 / 0 / 26

HEX #484EBD

RGB 72 78 189

HSL 236.92, 0.47%, 0.51%

LAB 38.73, 31.78, -59.33

 

CMYK 0 / 6 / 68 / 26

HEX #BCB13D

RGB 188 177 61

HSL 54.8, 0.51%, 0.49%

LAB 71.2, -9.76, 58.2

 

CMYK 0 / 5 / 61 / 20

HEX #CDC350

RGB 205 195 80

HSL 55.2, 0.56%, 0.56%

LAB 77.63, -10.62, 57.44

 

CMYK 0 / 4 / 55 / 13

HEX #DED563

RGB 222 213 99

HSL 55.61, 0.65%, 0.63%

LAB 83.98, -11.34, 56.45

 

CMYK 0 / 3 / 51 / 6

HEX #EFE776

RGB 239 231 118

HSL 56.03, 0.79%, 0.7%

LAB 90.23, -11.94, 55.36

 

CMYK 0 / 2 / 46 / 0

HEX #FFF989

RGB 255 249 137

HSL 56.95, 1%, 0.77%

LAB 96.33, -12.84, 54.12

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 0 / 4 / 72 / 35

HEX #A69F2F

RGB 166 159 47

HSL 56.47, 0.56%, 0.42%

LAB 64.25, -10.7, 56.12

 

CMYK 0 / 5 / 81 / 42

HEX #958D1C

RGB 149 141 28

HSL 56.03, 0.68%, 0.35%

LAB 57.58, -9.57, 55.93

 

CMYK 0 / 7 / 93 / 48

HEX #847B09

RGB 132 123 9

HSL 55.61, 0.87%, 0.28%

LAB 50.79, -8.15, 54.32

 

CMYK 0 / 9 / 100 / 55

HEX #736900

RGB 115 105 0

HSL 54.78, 1%, 0.23%

LAB 43.87, -6.38, 50.32

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 7 / 0 / 64 / 28

HEX #ABB742

RGB 171 183 66

HSL 66.15, 0.47%, 0.49%

LAB 71.5, -19.76, 56.03

 

CMYK 17 / 0 / 64 / 28

HEX #98B742

RGB 152 183 66

HSL 75.9, 0.47%, 0.49%

LAB 70.13, -27.58, 54.16

 

CMYK 28 / 0 / 64 / 28

HEX #84B742

RGB 132 183 66

HSL 86.15, 0.47%, 0.49%

LAB 68.87, -35.39, 52.43

 

CMYK 38 / 0 / 64 / 28

HEX #71B742

RGB 113 183 66

HSL 95.9, 0.47%, 0.49%

LAB 67.85, -42.24, 51.03

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 0 / 3 / 64 / 8

HEX #EAE254

RGB 234 226 84

HSL 56.8, 0.78%, 0.62%

LAB 88.22, -13.9, 67.77

 

CMYK 0 / 3 / 63 / 88

HEX #1E1D0B

RGB 30 29 11

HSL 56.84, 0.46%, 0.08%

LAB 10.4, -2.97, 10.93

 

CMYK 0 / 4 / 64 / 68

HEX #514E1D

RGB 81 78 29

HSL 56.54, 0.47%, 0.22%

LAB 32.45, -6.07, 28.78

 

CMYK 0 / 3 / 64 / 48

HEX #848030

RGB 132 128 48

HSL 57.14, 0.47%, 0.35%

LAB 52.46, -9.2, 42.67

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 64 / 0 / 56 / 28

HEX #42B751

RGB 66 183 81

HSL 127.69, 0.47%, 0.49%

LAB 66.23, -53.77, 41.87

 

CMYK 30 / 64 / 0 / 28

HEX #8042B7

RGB 128 66 183

HSL 271.79, 0.47%, 0.49%

LAB 41.06, 48.41, -51.77

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 64 / 0 / 4 / 28

HEX #42B7AF

RGB 66 183 175

HSL 175.9, 0.47%, 0.49%

LAB 68.11, -34.19, -5.59

 

CMYK 4 / 64 / 0 / 28

HEX #AF42B7

RGB 175 66 183

HSL 295.9, 0.47%, 0.49%

LAB 47.53, 59.53, -41.06

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 64 / 0 / 56 / 28

HEX #42B751

RGB 66 183 81

HSL 127.69, 0.47%, 0.49%

LAB 66.23, -53.77, 41.87

 

CMYK 64 / 60 / 0 / 28

HEX #424AB7

RGB 66 74 183

HSL 235.9, 0.47%, 0.49%

LAB 36.88, 31.27, -58.82

 

CMYK 0 / 64 / 8 / 28

HEX #B742A8

RGB 183 66 168

HSL 307.69, 0.47%, 0.49%

LAB 48, 58.99, -31.43

 

CMYK 0 / 3 / 64 / 28

HEX #B7B142

RGB 183 177 66

HSL 56.92, 0.47%, 0.49%

LAB 70.81, -11.62, 55.59

 

CMYK 64 / 0 / 36 / 28

HEX #42B775

RGB 66 183 117

HSL 146.15, 0.47%, 0.49%

LAB 66.76, -47.9, 24.16

 

CMYK 64 / 60 / 0 / 28

HEX #424AB7

RGB 66 74 183

HSL 235.9, 0.47%, 0.49%

LAB 36.88, 31.27, -58.82

 

CMYK 0 / 64 / 28 / 28

HEX #B74284

RGB 183 66 132

HSL 326.15, 0.47%, 0.49%

LAB 46.48, 53.75, -12.23

 

Description

Color code: HEX #B7B142 | qconv.com Color code: HEX #B7B142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 177 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 177 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 64 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 64% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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