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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7725B it is the complementary color #488DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7725B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B7725B: #BC7256, #CD8469, #DE967C, #EFA88F and #FFBAA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7725B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B7725B: #B7725B, #A66048, #954E35, #843C22 and #732A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

Complementary color

CMYK 56 / 14 / 0 / 36

HEX #488DA4

RGB 72 141 164

HSL 195, 0.39%, 0.46%

LAB 55.18, -14.99, -18.8

 

CMYK 0 / 39 / 54 / 26

HEX #BC7256

RGB 188 114 86

HSL 16.47, 0.43%, 0.54%

LAB 55.48, 26.31, 27.83

 

CMYK 0 / 36 / 49 / 20

HEX #CD8469

RGB 205 132 105

HSL 16.2, 0.5%, 0.61%

LAB 62.08, 25.12, 26.19

 

CMYK 0 / 32 / 44 / 13

HEX #DE967C

RGB 222 150 124

HSL 15.92, 0.6%, 0.68%

LAB 68.6, 24.07, 24.72

 

CMYK 0 / 30 / 40 / 6

HEX #EFA88F

RGB 239 168 143

HSL 15.63, 0.75%, 0.75%

LAB 75.04, 23.13, 23.38

 

CMYK 0 / 27 / 36 / 0

HEX #FFBAA2

RGB 255 186 162

HSL 15.48, 1%, 0.82%

LAB 81.28, 21.91, 22

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 0 / 42 / 57 / 35

HEX #A66048

RGB 166 96 72

HSL 15.32, 0.39%, 0.47%

LAB 48.19, 25.99, 25.9

 

CMYK 0 / 48 / 64 / 42

HEX #954E35

RGB 149 78 53

HSL 15.63, 0.48%, 0.4%

LAB 41.37, 27.43, 27.91

 

CMYK 0 / 55 / 74 / 48

HEX #843C22

RGB 132 60 34

HSL 15.92, 0.59%, 0.33%

LAB 34.5, 29.04, 30.2

 

CMYK 0 / 63 / 87 / 55

HEX #732A0F

RGB 115 42 15

HSL 16.2, 0.77%, 0.25%

LAB 27.67, 30.75, 32.57

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 0 / 29 / 50 / 28

HEX #B7825B

RGB 183 130 91

HSL 25.43, 0.39%, 0.54%

LAB 58.78, 15.83, 29.15

 

CMYK 0 / 21 / 50 / 28

HEX #B7915B

RGB 183 145 91

HSL 35.22, 0.39%, 0.54%

LAB 62.57, 7.51, 33.96

 

CMYK 0 / 13 / 50 / 28

HEX #B7A05B

RGB 183 160 91

HSL 45, 0.39%, 0.54%

LAB 66.49, -0.68, 38.82

 

CMYK 0 / 4 / 50 / 28

HEX #B7AF5B

RGB 183 175 91

HSL 54.78, 0.39%, 0.54%

LAB 70.51, -8.65, 43.69

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 0 / 38 / 50 / 8

HEX #EA9274

RGB 234 146 116

HSL 15.25, 0.74%, 0.69%

LAB 68.98, 30.13, 29.84

 

CMYK 0 / 37 / 50 / 88

HEX #1E130F

RGB 30 19 15

HSL 16, 0.33%, 0.09%

LAB 7.01, 4.78, 4.13

 

CMYK 0 / 38 / 51 / 68

HEX #513228

RGB 81 50 40

HSL 14.63, 0.34%, 0.24%

LAB 24.27, 12.73, 12.17

 

CMYK 0 / 38 / 50 / 48

HEX #845242

RGB 132 82 66

HSL 14.55, 0.33%, 0.39%

LAB 40.14, 19.01, 18.11

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 22 / 0 / 50 / 28

HEX #8EB75B

RGB 142 183 91

HSL 86.74, 0.39%, 0.54%

LAB 69.73, -29.2, 42.04

 

CMYK 50 / 43 / 0 / 28

HEX #5B69B7

RGB 91 105 183

HSL 230.87, 0.39%, 0.54%

LAB 46.64, 16.67, -43.04

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 50 / 0 / 38 / 28

HEX #5BB772

RGB 91 183 114

HSL 135, 0.39%, 0.54%

LAB 67.51, -42.66, 26.9

 

CMYK 38 / 50 / 0 / 28

HEX #725BB7

RGB 114 91 183

HSL 255, 0.39%, 0.54%

LAB 44.91, 30.97, -45.68

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 22 / 0 / 50 / 28

HEX #8EB75B

RGB 142 183 91

HSL 86.74, 0.39%, 0.54%

LAB 69.73, -29.2, 42.04

 

CMYK 50 / 13 / 0 / 28

HEX #5BA0B7

RGB 91 160 183

HSL 195, 0.39%, 0.54%

LAB 62.33, -15.41, -18.64

 

CMYK 27 / 50 / 0 / 28

HEX #855BB7

RGB 133 91 183

HSL 267.39, 0.39%, 0.54%

LAB 46.83, 36.01, -42.52

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 38 / 0 / 50 / 28

HEX #72B75B

RGB 114 183 91

HSL 105, 0.39%, 0.54%

LAB 68.17, -39.21, 39.77

 

CMYK 50 / 13 / 0 / 28

HEX #5BA0B7

RGB 91 160 183

HSL 195, 0.39%, 0.54%

LAB 62.33, -15.41, -18.64

 

CMYK 13 / 50 / 0 / 28

HEX #A05BB7

RGB 160 91 183

HSL 285, 0.39%, 0.54%

LAB 49.95, 43.56, -37.38

 

Description

Color code: HEX #B7725B | qconv.com Color code: HEX #B7725B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 114 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 114 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 50 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 50% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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