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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B770BB it is the complementary color #488F44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B770BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B770BB: #BC70B6, #CD82C9, #DE94DC, #EFA6EF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B770BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B770BB: #B770BB, #A65EA8, #954C95, #843A82 and #73286F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

Complementary color

CMYK 50 / 0 / 52 / 44

HEX #488F44

RGB 72 143 68

HSL 116.8, 0.36%, 0.41%

LAB 53.43, -38.13, 32.93

 

CMYK 0 / 40 / 3 / 26

HEX #BC70B6

RGB 188 112 182

HSL 304.74, 0.36%, 0.59%

LAB 57.71, 40.59, -24.45

 

CMYK 0 / 37 / 2 / 20

HEX #CD82C9

RGB 205 130 201

HSL 303.2, 0.43%, 0.66%

LAB 64.29, 39.83, -24.95

 

CMYK 0 / 33 / 1 / 13

HEX #DE94DC

RGB 222 148 220

HSL 301.62, 0.53%, 0.73%

LAB 70.79, 39.1, -25.39

 

CMYK 0 / 31 / 0 / 6

HEX #EFA6EF

RGB 239 166 239

HSL 300, 0.7%, 0.79%

LAB 77.19, 38.39, -25.8

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 1 / 44 / 0 / 34

HEX #A65EA8

RGB 166 94 168

HSL 298.38, 0.3%, 0.51%

LAB 50.62, 40.72, -27.53

 

CMYK 0 / 49 / 0 / 42

HEX #954C95

RGB 149 76 149

HSL 300, 0.32%, 0.44%

LAB 43.84, 41.45, -26.98

 

CMYK 0 / 56 / 2 / 48

HEX #843A82

RGB 132 58 130

HSL 301.62, 0.39%, 0.37%

LAB 37.01, 42.06, -26.26

 

CMYK 0 / 65 / 3 / 55

HEX #73286F

RGB 115 40 111

HSL 303.2, 0.48%, 0.3%

LAB 30.18, 42.35, -25.24

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 0 / 40 / 4 / 26

HEX #BC70B4

RGB 188 112 180

HSL 306.32, 0.36%, 0.59%

LAB 57.63, 40.22, -23.43

 

CMYK 0 / 40 / 11 / 26

HEX #BC70A8

RGB 188 112 168

HSL 315.79, 0.36%, 0.59%

LAB 57.18, 38.11, -17.21

 

CMYK 0 / 40 / 18 / 26

HEX #BC709B

RGB 188 112 155

HSL 326.05, 0.36%, 0.59%

LAB 56.73, 35.97, -10.37

 

CMYK 0 / 40 / 24 / 26

HEX #BC708E

RGB 188 112 142

HSL 336.32, 0.36%, 0.59%

LAB 56.32, 33.98, -3.41

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 2 / 40 / 0 / 7

HEX #E98FEE

RGB 233 143 238

HSL 296.84, 0.74%, 0.75%

LAB 71.65, 48.38, -33.83

 

CMYK 3 / 41 / 0 / 87

HEX #211422

RGB 33 20 34

HSL 295.71, 0.26%, 0.11%

LAB 8.47, 9.83, -7.13

 

CMYK 2 / 40 / 0 / 67

HEX #533355

RGB 83 51 85

HSL 296.47, 0.25%, 0.27%

LAB 26.34, 20.82, -14.75

 

CMYK 2 / 40 / 0 / 47

HEX #855188

RGB 133 81 136

HSL 296.73, 0.25%, 0.43%

LAB 42.23, 31.05, -21.8

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 0 / 35 / 40 / 26

HEX #BC7A70

RGB 188 122 112

HSL 7.89, 0.36%, 0.59%

LAB 57.83, 24.55, 16.14

 

CMYK 40 / 0 / 19 / 26

HEX #70BC98

RGB 112 188 152

HSL 151.58, 0.36%, 0.59%

LAB 70.65, -31.8, 10.9

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 0 / 3 / 40 / 26

HEX #BCB770

RGB 188 183 112

HSL 56.05, 0.36%, 0.59%

LAB 73.37, -8.66, 36.7

 

CMYK 40 / 0 / 3 / 26

HEX #70BCB7

RGB 112 188 183

HSL 176.05, 0.36%, 0.59%

LAB 71.44, -24.72, -4.88

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 0 / 35 / 40 / 26

HEX #BC7A70

RGB 188 122 112

HSL 7.89, 0.36%, 0.59%

LAB 57.83, 24.55, 16.14

 

CMYK 38 / 0 / 40 / 26

HEX #75BC70

RGB 117 188 112

HSL 116.05, 0.36%, 0.59%

LAB 70.12, -37.54, 31.59

 

CMYK 40 / 5 / 0 / 26

HEX #70B2BC

RGB 112 178 188

HSL 187.89, 0.36%, 0.59%

LAB 68.69, -18.38, -11.72

 

CMYK 2 / 40 / 0 / 27

HEX #B770BB

RGB 183 112 187

HSL 296.8, 0.36%, 0.59%

LAB 57.31, 39.95, -27.98

 

CMYK 0 / 23 / 40 / 26

HEX #BC9170

RGB 188 145 112

HSL 26.05, 0.36%, 0.59%

LAB 63.44, 11.81, 23.75

 

CMYK 38 / 0 / 40 / 26

HEX #75BC70

RGB 117 188 112

HSL 116.05, 0.36%, 0.59%

LAB 70.12, -37.54, 31.59

 

CMYK 40 / 18 / 0 / 26

HEX #709BBC

RGB 112 155 188

HSL 206.05, 0.36%, 0.59%

LAB 62.1, -6.01, -21.7

 

Description

Color code: HEX #B770BB | qconv.com Color code: HEX #B770BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 112 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 112 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 40 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 40% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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