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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7702F it is the complementary color #488FD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7702F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B7702F: #BC702A, #CD823D, #DE9450, #EFA663 and #FFB876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7702F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B7702F: #B7702F, #A65E1C, #954C09, #843A00 and #732800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

Complementary color

CMYK 65 / 31 / 0 / 18

HEX #488FD0

RGB 72 143 208

HSL 208.68, 0.59%, 0.55%

LAB 57.63, -1.88, -40.01

 

CMYK 0 / 40 / 78 / 26

HEX #BC702A

RGB 188 112 42

HSL 28.77, 0.63%, 0.45%

LAB 54.5, 24.61, 49.44

 

CMYK 0 / 37 / 70 / 20

HEX #CD823D

RGB 205 130 61

HSL 28.75, 0.59%, 0.52%

LAB 61.03, 22.92, 48.09

 

CMYK 0 / 33 / 64 / 13

HEX #DE9450

RGB 222 148 80

HSL 28.73, 0.68%, 0.59%

LAB 67.49, 21.44, 46.58

 

CMYK 0 / 31 / 59 / 6

HEX #EFA663

RGB 239 166 99

HSL 28.71, 0.81%, 0.66%

LAB 73.88, 20.15, 45.06

 

CMYK 0 / 28 / 54 / 0

HEX #FFB876

RGB 255 184 118

HSL 28.91, 1%, 0.73%

LAB 80.09, 18.61, 43.44

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 0 / 43 / 83 / 35

HEX #A65E1C

RGB 166 94 28

HSL 28.7, 0.71%, 0.38%

LAB 47.23, 24.54, 47.47

 

CMYK 0 / 49 / 94 / 42

HEX #954C09

RGB 149 76 9

HSL 28.71, 0.89%, 0.31%

LAB 40.54, 26.67, 47.48

 

CMYK 0 / 56 / 100 / 48

HEX #843A00

RGB 132 58 0

HSL 26.36, 1%, 0.26%

LAB 33.84, 29.05, 44.76

 

CMYK 0 / 65 / 100 / 55

HEX #732800

RGB 115 40 0

HSL 20.87, 1%, 0.23%

LAB 27.19, 31.38, 38.53

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 0 / 27 / 74 / 29

HEX #B6842F

RGB 182 132 47

HSL 37.78, 0.59%, 0.45%

LAB 58.65, 11.14, 51.13

 

CMYK 0 / 15 / 74 / 29

HEX #B69B2F

RGB 182 155 47

HSL 48, 0.59%, 0.45%

LAB 64.64, -1.47, 57

 

CMYK 0 / 3 / 74 / 29

HEX #B6B12F

RGB 182 177 47

HSL 57.78, 0.59%, 0.45%

LAB 70.59, -13.06, 62.67

 

CMYK 10 / 0 / 74 / 29

HEX #A4B62F

RGB 164 182 47

HSL 68, 0.59%, 0.45%

LAB 70.56, -23.29, 62.14

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 0 / 39 / 74 / 8

HEX #EA8F3C

RGB 234 143 60

HSL 28.62, 0.81%, 0.58%

LAB 67.62, 28.01, 56.55

 

CMYK 0 / 40 / 73 / 88

HEX #1E1208

RGB 30 18 8

HSL 27.27, 0.58%, 0.07%

LAB 6.56, 4.32, 6.62

 

CMYK 0 / 38 / 74 / 68

HEX #513215

RGB 81 50 21

HSL 29, 0.59%, 0.2%

LAB 23.95, 10.93, 23.74

 

CMYK 0 / 39 / 74 / 48

HEX #845122

RGB 132 81 34

HSL 28.78, 0.59%, 0.33%

LAB 39.42, 17.05, 35.51

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 49 / 0 / 74 / 29

HEX #5CB62F

RGB 92 182 47

HSL 100, 0.59%, 0.45%

LAB 66.47, -50.1, 56.77

 

CMYK 69 / 74 / 0 / 29

HEX #382FB6

RGB 56 47 182

HSL 244, 0.59%, 0.45%

LAB 30.04, 45.89, -69.47

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 74 / 0 / 40 / 29

HEX #2FB66E

RGB 47 182 110

HSL 148, 0.59%, 0.45%

LAB 65.89, -52.09, 26.66

 

CMYK 40 / 74 / 0 / 29

HEX #6E2FB6

RGB 110 47 182

HSL 268, 0.59%, 0.45%

LAB 35.45, 53.68, -60.38

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 49 / 0 / 74 / 29

HEX #5CB62F

RGB 92 182 47

HSL 100, 0.59%, 0.45%

LAB 66.47, -50.1, 56.77

 

CMYK 74 / 35 / 0 / 29

HEX #2F77B6

RGB 47 119 182

HSL 208, 0.59%, 0.45%

LAB 48.48, -0.64, -39.67

 

CMYK 25 / 74 / 0 / 29

HEX #892FB6

RGB 137 47 182

HSL 280, 0.59%, 0.45%

LAB 39.12, 58.7, -54.25

 

CMYK 0 / 39 / 74 / 28

HEX #B7702F

RGB 183 112 47

HSL 28.68, 0.59%, 0.45%

LAB 53.88, 22.69, 46.34

 

CMYK 72 / 0 / 74 / 29

HEX #33B62F

RGB 51 182 47

HSL 118.22, 0.59%, 0.45%

LAB 65.25, -59.9, 55.14

 

CMYK 74 / 35 / 0 / 29

HEX #2F77B6

RGB 47 119 182

HSL 208, 0.59%, 0.45%

LAB 48.48, -0.64, -39.67

 

CMYK 3 / 74 / 0 / 29

HEX #B12FB6

RGB 177 47 182

HSL 297.78, 0.59%, 0.45%

LAB 45.3, 66.84, -44

 

Description

Color code: HEX #B7702F | qconv.com Color code: HEX #B7702F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 112 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 112 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 74 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 74% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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