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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E1BC it is the complementary color #491E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E1BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B6E1BC: #BBE1B7, #CCF3CA, #DDFFDD, #EEFFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E1BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B6E1BC: #B6E1BC, #A5CFA9, #94BD96, #83AB83 and #729970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

Complementary color

CMYK 0 / 59 / 8 / 71

HEX #491E43

RGB 73 30 67

HSL 308.37, 0.42%, 0.2%

LAB 19.01, 26.19, -14.09

 

CMYK 17 / 0 / 19 / 12

HEX #BBE1B7

RGB 187 225 183

HSL 114.29, 0.41%, 0.8%

LAB 85.92, -20.24, 16.5

 

CMYK 16 / 0 / 17 / 5

HEX #CCF3CA

RGB 204 243 202

HSL 117.07, 0.63%, 0.87%

LAB 92.22, -20.13, 15.65

 

CMYK 13 / 0 / 13 / 0

HEX #DDFFDD

RGB 221 255 221

HSL 120, 1%, 0.93%

LAB 96.87, -17.12, 12.6

 

CMYK 7 / 0 / 6 / 0

HEX #EEFFF0

RGB 238 255 240

HSL 127.06, 1%, 0.97%

LAB 98.43, -8.22, 5.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 20 / 0 / 18 / 19

HEX #A5CFA9

RGB 165 207 169

HSL 125.71, 0.3%, 0.73%

LAB 79.32, -21.2, 14.41

 

CMYK 22 / 0 / 21 / 26

HEX #94BD96

RGB 148 189 150

HSL 122.93, 0.24%, 0.66%

LAB 72.82, -21.37, 15.32

 

CMYK 23 / 0 / 23 / 33

HEX #83AB83

RGB 131 171 131

HSL 120, 0.19%, 0.59%

LAB 66.21, -21.56, 16.29

 

CMYK 25 / 0 / 27 / 40

HEX #729970

RGB 114 153 112

HSL 117.07, 0.17%, 0.52%

LAB 59.46, -21.77, 17.33

 

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 19 / 0 / 13 / 12

HEX #B6E1C3

RGB 182 225 195

HSL 138.14, 0.42%, 0.8%

LAB 85.87, -19.78, 10.1

 

CMYK 19 / 0 / 10 / 12

HEX #B6E1CA

RGB 182 225 202

HSL 147.91, 0.42%, 0.8%

LAB 86.04, -18.47, 6.65

 

CMYK 19 / 0 / 7 / 12

HEX #B6E1D1

RGB 182 225 209

HSL 157.67, 0.42%, 0.8%

LAB 86.21, -17.11, 3.21

 

CMYK 19 / 0 / 4 / 12

HEX #B6E1D8

RGB 182 225 216

HSL 167.44, 0.42%, 0.8%

LAB 86.38, -15.72, -0.22

 

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 19 / 0 / 14 / 92

HEX #111512

RGB 17 21 18

HSL 135, 0.11%, 0.07%

LAB 6.32, -2.3, 1.23

 

CMYK 19 / 0 / 17 / 72

HEX #3A483C

RGB 58 72 60

HSL 128.57, 0.11%, 0.25%

LAB 29.06, -8.41, 5.36

 

CMYK 20 / 0 / 16 / 52

HEX #637B67

RGB 99 123 103

HSL 130, 0.11%, 0.44%

LAB 49.25, -13, 8.09

 

CMYK 19 / 0 / 17 / 32

HEX #8DAE91

RGB 141 174 145

HSL 127.27, 0.17%, 0.62%

LAB 68.01, -17.06, 11.21

 

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 19 / 6 / 0 / 12

HEX #B6D3E1

RGB 182 211 225

HSL 199.53, 0.42%, 0.8%

LAB 82.9, -6.68, -10.13

 

CMYK 0 / 19 / 14 / 12

HEX #E1B6C2

RGB 225 182 194

HSL 343.26, 0.42%, 0.8%

LAB 78.09, 17.37, -0.19

 

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 16 / 19 / 0 / 12

HEX #BCB6E1

RGB 188 182 225

HSL 248.37, 0.42%, 0.8%

LAB 75.81, 10.71, -20.74

 

CMYK 0 / 16 / 19 / 12

HEX #E1BCB6

RGB 225 188 182

HSL 8.37, 0.42%, 0.8%

LAB 79.24, 12.29, 7.97

 

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 19 / 6 / 0 / 12

HEX #B6D3E1

RGB 182 211 225

HSL 199.53, 0.42%, 0.8%

LAB 82.9, -6.68, -10.13

 

CMYK 0 / 19 / 3 / 12

HEX #E1B6DB

RGB 225 182 219

HSL 308.37, 0.42%, 0.8%

LAB 78.8, 21.65, -12.68

 

CMYK 0 / 13 / 19 / 12

HEX #E1C4B6

RGB 225 196 182

HSL 19.53, 0.42%, 0.8%

LAB 81.22, 8.05, 10.79

 

CMYK 19 / 0 / 16 / 12

HEX #B6E1BC

RGB 182 225 188

HSL 128.37, 0.42%, 0.8%

LAB 85.72, -21.05, 13.55

 

CMYK 19 / 12 / 0 / 12

HEX #B6C6E1

RGB 182 198 225

HSL 217.67, 0.42%, 0.8%

LAB 79.48, 0.18, -15.24

 

CMYK 0 / 19 / 3 / 12

HEX #E1B6DB

RGB 225 182 219

HSL 308.37, 0.42%, 0.8%

LAB 78.8, 21.65, -12.68

 

CMYK 0 / 7 / 19 / 12

HEX #E1D1B6

RGB 225 209 182

HSL 37.67, 0.42%, 0.8%

LAB 84.48, 1.23, 15.4

 

Description

Color code: HEX #B6E1BC | qconv.com Color code: HEX #B6E1BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 225 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 225 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 16 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 16% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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