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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6CFD2 it is the complementary color #49302D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6CFD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B6CFD2: #BBCFCD, #CCE1E0, #DDF3F3, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6CFD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B6CFD2: #B6CFD2, #A5BDBF, #94ABAC, #839999 and #728786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

Complementary color

CMYK 0 / 34 / 38 / 71

HEX #49302D

RGB 73 48 45

HSL 6.43, 0.24%, 0.23%

LAB 22.72, 10.95, 6.52

 

CMYK 10 / 0 / 1 / 19

HEX #BBCFCD

RGB 187 207 205

HSL 174, 0.17%, 0.77%

LAB 81.62, -7.1, -1.31

 

CMYK 9 / 0 / 0 / 12

HEX #CCE1E0

RGB 204 225 224

HSL 177.14, 0.26%, 0.84%

LAB 88, -7.13, -1.9

 

CMYK 9 / 0 / 0 / 5

HEX #DDF3F3

RGB 221 243 243

HSL 180, 0.48%, 0.91%

LAB 94.29, -7.17, -2.47

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 14 / 1 / 0 / 25

HEX #A5BDBF

RGB 165 189 191

HSL 184.62, 0.17%, 0.7%

LAB 74.92, -7.72, -3.77

 

CMYK 14 / 1 / 0 / 33

HEX #94ABAC

RGB 148 171 172

HSL 182.5, 0.13%, 0.63%

LAB 68.31, -7.72, -3.2

 

CMYK 14 / 0 / 0 / 40

HEX #839999

RGB 131 153 153

HSL 180, 0.1%, 0.56%

LAB 61.57, -7.73, -2.62

 

CMYK 16 / 0 / 1 / 47

HEX #728786

RGB 114 135 134

HSL 177.14, 0.08%, 0.49%

LAB 54.69, -7.75, -2

 

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 13 / 4 / 0 / 18

HEX #B6CAD2

RGB 182 202 210

HSL 197.14, 0.24%, 0.77%

LAB 80.09, -5.12, -6.28

 

CMYK 13 / 6 / 0 / 18

HEX #B6C6D2

RGB 182 198 210

HSL 205.71, 0.24%, 0.77%

LAB 79.03, -3.01, -7.85

 

CMYK 13 / 8 / 0 / 18

HEX #B6C1D2

RGB 182 193 210

HSL 216.43, 0.24%, 0.77%

LAB 77.72, -0.35, -9.8

 

CMYK 13 / 10 / 0 / 18

HEX #B6BCD2

RGB 182 188 210

HSL 227.14, 0.24%, 0.77%

LAB 76.41, 2.33, -11.75

 

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 17 / 0 / 0 / 98

HEX #050606

RGB 5 6 6

HSL 180, 0.09%, 0.02%

LAB 1.59, -0.26, -0.09

 

CMYK 14 / 2 / 0 / 78

HEX #313839

RGB 49 56 57

HSL 187.5, 0.08%, 0.21%

LAB 22.92, -2.7, -1.63

 

CMYK 13 / 2 / 0 / 58

HEX #5E6A6C

RGB 94 106 108

HSL 188.57, 0.07%, 0.4%

LAB 43.9, -4.09, -2.67

 

CMYK 13 / 1 / 0 / 38

HEX #8A9D9F

RGB 138 157 159

HSL 185.71, 0.1%, 0.58%

LAB 63.36, -6.25, -3.32

 

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 0 / 4 / 13 / 18

HEX #D2C9B6

RGB 210 201 182

HSL 40.71, 0.24%, 0.77%

LAB 81.21, -0.07, 10.61

 

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 0 / 13 / 1 / 18

HEX #D2B6CF

RGB 210 182 207

HSL 306.43, 0.24%, 0.77%

LAB 77.08, 14.36, -8.89

 

CMYK 1 / 0 / 13 / 18

HEX #CFD2B6

RGB 207 210 182

HSL 66.43, 0.24%, 0.77%

LAB 83.3, -5.84, 13.54

 

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 0 / 12 / 13 / 18

HEX #D2B9B6

RGB 210 185 182

HSL 6.43, 0.24%, 0.77%

LAB 77.15, 8.41, 4.78

 

CMYK 4 / 0 / 13 / 18

HEX #C9D2B6

RGB 201 210 182

HSL 79.29, 0.24%, 0.77%

LAB 82.85, -7.98, 12.84

 

CMYK 13 / 1 / 0 / 18

HEX #B6CFD2

RGB 182 207 210

HSL 186.43, 0.24%, 0.77%

LAB 81.41, -7.73, -4.33

 

CMYK 5 / 13 / 0 / 18

HEX #C7B6D2

RGB 199 182 210

HSL 276.43, 0.24%, 0.77%

LAB 76.22, 11.2, -11.9

 

CMYK 0 / 12 / 13 / 18

HEX #D2B9B6

RGB 210 185 182

HSL 6.43, 0.24%, 0.77%

LAB 77.15, 8.41, 4.78

 

CMYK 8 / 0 / 13 / 18

HEX #C1D2B6

RGB 193 210 182

HSL 96.43, 0.24%, 0.77%

LAB 82.28, -10.81, 11.94

 

Description

Color code: HEX #B6CFD2 | qconv.com Color code: HEX #B6CFD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 207 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 207 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 1 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 1% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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