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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C622 it is the complementary color #4939DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B6C622: #BBC61D, #CCD830, #DDEA43, #EEFC56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B6C622: #B6C622, #A5B40F, #94A200, #839000 and #727E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

Complementary color

CMYK 67 / 74 / 0 / 13

HEX #4939DD

RGB 73 57 221

HSL 245.85, 0.71%, 0.55%

LAB 37.05, 54.5, -80.61

 

CMYK 6 / 0 / 85 / 22

HEX #BBC61D

RGB 187 198 29

HSL 63.91, 0.74%, 0.45%

LAB 76.7, -22.07, 73.17

 

CMYK 6 / 0 / 78 / 15

HEX #CCD830

RGB 204 216 48

HSL 64.29, 0.68%, 0.52%

LAB 83, -23.12, 74.38

 

CMYK 6 / 0 / 71 / 8

HEX #DDEA43

RGB 221 234 67

HSL 64.67, 0.8%, 0.59%

LAB 89.22, -23.99, 74.7

 

CMYK 6 / 0 / 66 / 1

HEX #EEFC56

RGB 238 252 86

HSL 65.06, 0.97%, 0.66%

LAB 95.36, -24.73, 74.46

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 8 / 0 / 92 / 29

HEX #A5B40F

RGB 165 180 15

HSL 65.45, 0.85%, 0.38%

LAB 69.95, -22.91, 69.54

 

CMYK 9 / 0 / 100 / 36

HEX #94A200

RGB 148 162 0

HSL 65.19, 1%, 0.32%

LAB 63.46, -21.55, 65.96

 

CMYK 9 / 0 / 100 / 44

HEX #839000

RGB 131 144 0

HSL 65.42, 1%, 0.28%

LAB 56.85, -19.97, 60.46

 

CMYK 10 / 0 / 100 / 51

HEX #727E00

RGB 114 126 0

HSL 65.71, 1%, 0.25%

LAB 50.1, -18.35, 54.84

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 21 / 0 / 83 / 23

HEX #9BC421

RGB 155 196 33

HSL 75.09, 0.71%, 0.45%

LAB 73.91, -34.23, 69.01

 

CMYK 35 / 0 / 83 / 23

HEX #80C421

RGB 128 196 33

HSL 85.03, 0.71%, 0.45%

LAB 72.35, -44.53, 67.04

 

CMYK 48 / 0 / 83 / 23

HEX #65C421

RGB 101 196 33

HSL 94.97, 0.71%, 0.45%

LAB 71.12, -53.52, 65.48

 

CMYK 62 / 0 / 83 / 23

HEX #4AC421

RGB 74 196 33

HSL 104.91, 0.71%, 0.45%

LAB 70.21, -60.74, 64.32

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 8 / 0 / 83 / 2

HEX #E5F92B

RGB 229 249 43

HSL 65.83, 0.94%, 0.57%

LAB 93.7, -28.7, 85.62

 

CMYK 9 / 0 / 82 / 82

HEX #292D08

RGB 41 45 8

HSL 66.49, 0.7%, 0.1%

LAB 17.3, -7.92, 21.44

 

CMYK 8 / 0 / 83 / 62

HEX #586010

RGB 88 96 16

HSL 66, 0.71%, 0.22%

LAB 38.69, -13.88, 40.86

 

CMYK 8 / 0 / 83 / 42

HEX #879319

RGB 135 147 25

HSL 65.9, 0.71%, 0.34%

LAB 58.12, -19.14, 56.8

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 83 / 0 / 60 / 23

HEX #21C44F

RGB 33 196 79

HSL 136.93, 0.71%, 0.45%

LAB 69.73, -63.57, 46.77

 

CMYK 27 / 83 / 0 / 23

HEX #9021C4

RGB 144 33 196

HSL 280.86, 0.71%, 0.45%

LAB 39.58, 67.45, -61.68

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 83 / 7 / 0 / 23

HEX #21B6C4

RGB 33 182 196

HSL 185.15, 0.71%, 0.45%

LAB 67.85, -31.44, -17.63

 

CMYK 0 / 83 / 7 / 23

HEX #C421B6

RGB 196 33 182

HSL 305.15, 0.71%, 0.45%

LAB 47.24, 74.36, -40.72

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 83 / 0 / 60 / 23

HEX #21C44F

RGB 33 196 79

HSL 136.93, 0.71%, 0.45%

LAB 69.73, -63.57, 46.77

 

CMYK 77 / 83 / 0 / 23

HEX #2E21C4

RGB 46 33 196

HSL 244.79, 0.71%, 0.45%

LAB 28.52, 56.35, -80.27

 

CMYK 0 / 83 / 23 / 23

HEX #C42196

RGB 196 33 150

HSL 316.93, 0.71%, 0.45%

LAB 45.67, 70.07, -24.16

 

CMYK 8 / 0 / 83 / 22

HEX #B6C622

RGB 182 198 34

HSL 65.85, 0.71%, 0.45%

LAB 76.34, -24.05, 71.6

 

CMYK 83 / 0 / 35 / 23

HEX #21C480

RGB 33 196 128

HSL 154.97, 0.71%, 0.45%

LAB 70.43, -55.36, 23.17

 

CMYK 77 / 83 / 0 / 23

HEX #2E21C4

RGB 46 33 196

HSL 244.79, 0.71%, 0.45%

LAB 28.52, 56.35, -80.27

 

CMYK 0 / 83 / 48 / 23

HEX #C42165

RGB 196 33 101

HSL 334.97, 0.71%, 0.45%

LAB 43.89, 64.99, 3.25

 

Description

Color code: HEX #B6C622 | qconv.com Color code: HEX #B6C622 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 198 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 198 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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