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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A9A0 it is the complementary color #49565F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A9A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B6A9A0: #BBA99B, #CCBBAE, #DDCDC1, #EEDFD4 and #FFF1E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A9A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B6A9A0: #B6A9A0, #A5978D, #94857A, #837367 and #726154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

Complementary color

CMYK 23 / 9 / 0 / 63

HEX #49565F

RGB 73 86 95

HSL 204.55, 0.13%, 0.33%

LAB 35.79, -2.82, -6.91

 

CMYK 0 / 10 / 17 / 27

HEX #BBA99B

RGB 187 169 155

HSL 26.25, 0.19%, 0.67%

LAB 70.39, 4.18, 9.58

 

CMYK 0 / 8 / 15 / 20

HEX #CCBBAE

RGB 204 187 174

HSL 26, 0.23%, 0.74%

LAB 76.94, 3.86, 8.75

 

CMYK 0 / 7 / 13 / 13

HEX #DDCDC1

RGB 221 205 193

HSL 25.71, 0.29%, 0.81%

LAB 83.38, 3.57, 7.96

 

CMYK 0 / 6 / 11 / 7

HEX #EEDFD4

RGB 238 223 212

HSL 25.38, 0.43%, 0.88%

LAB 89.72, 3.3, 7.22

 

CMYK 0 / 5 / 9 / 0

HEX #FFF1E7

RGB 255 241 231

HSL 25, 1%, 0.95%

LAB 95.97, 3.06, 6.5

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 0 / 8 / 15 / 35

HEX #A5978D

RGB 165 151 141

HSL 25, 0.12%, 0.6%

LAB 63.39, 3.42, 7.12

 

CMYK 0 / 10 / 18 / 42

HEX #94857A

RGB 148 133 122

HSL 25.38, 0.11%, 0.53%

LAB 56.56, 3.76, 7.99

 

CMYK 0 / 12 / 21 / 49

HEX #837367

RGB 131 115 103

HSL 25.71, 0.12%, 0.46%

LAB 49.58, 4.15, 8.92

 

CMYK 0 / 15 / 26 / 55

HEX #726154

RGB 114 97 84

HSL 26, 0.15%, 0.39%

LAB 42.41, 4.62, 9.94

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 0 / 5 / 12 / 29

HEX #B5AC9F

RGB 181 172 159

HSL 35.45, 0.13%, 0.67%

LAB 70.75, 0.96, 7.83

 

CMYK 0 / 3 / 12 / 29

HEX #B5AF9F

RGB 181 175 159

HSL 43.64, 0.13%, 0.67%

LAB 71.55, -0.66, 8.96

 

CMYK 0 / 1 / 12 / 29

HEX #B5B39F

RGB 181 179 159

HSL 54.55, 0.13%, 0.67%

LAB 72.61, -2.8, 10.47

 

CMYK 1 / 0 / 12 / 29

HEX #B4B59F

RGB 180 181 159

HSL 62.73, 0.13%, 0.67%

LAB 73.06, -4.24, 11.1

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 0 / 7 / 12 / 9

HEX #E9D8CD

RGB 233 216 205

HSL 23.57, 0.39%, 0.86%

LAB 87.41, 4.04, 7.52

 

CMYK 0 / 7 / 14 / 89

HEX #1D1B19

RGB 29 27 25

HSL 30, 0.07%, 0.11%

LAB 9.92, 0.49, 1.73

 

CMYK 0 / 7 / 13 / 69

HEX #504A46

RGB 80 74 70

HSL 24, 0.07%, 0.29%

LAB 31.91, 1.7, 3.28

 

CMYK 0 / 7 / 12 / 49

HEX #837A73

RGB 131 122 115

HSL 26.25, 0.07%, 0.48%

LAB 51.82, 2.15, 5.06

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 7 / 0 / 12 / 29

HEX #A8B59F

RGB 168 181 159

HSL 95.45, 0.13%, 0.67%

LAB 72.15, -8.61, 9.67

 

CMYK 12 / 12 / 0 / 29

HEX #9F9FB5

RGB 159 159 181

HSL 240, 0.13%, 0.67%

LAB 66.14, 4.46, -11.36

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 12 / 0 / 7 / 29

HEX #9FB5A8

RGB 159 181 168

HSL 144.55, 0.13%, 0.67%

LAB 71.72, -10.12, 4.06

 

CMYK 7 / 12 / 0 / 29

HEX #A89FB5

RGB 168 159 181

HSL 264.55, 0.13%, 0.67%

LAB 66.87, 7.52, -10.19

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 7 / 0 / 12 / 29

HEX #A8B59F

RGB 168 181 159

HSL 95.45, 0.13%, 0.67%

LAB 72.15, -8.61, 9.67

 

CMYK 12 / 4 / 0 / 29

HEX #9FADB5

RGB 159 173 181

HSL 201.82, 0.13%, 0.67%

LAB 69.89, -3.23, -5.77

 

CMYK 4 / 12 / 0 / 29

HEX #AD9FB5

RGB 173 159 181

HSL 278.18, 0.13%, 0.67%

LAB 67.29, 9.25, -9.52

 

CMYK 0 / 7 / 12 / 29

HEX #B6A9A0

RGB 182 169 160

HSL 24.55, 0.13%, 0.67%

LAB 70.08, 3.12, 6.32

 

CMYK 10 / 0 / 12 / 29

HEX #A2B59F

RGB 162 181 159

HSL 111.82, 0.13%, 0.67%

LAB 71.71, -10.76, 9

 

CMYK 12 / 4 / 0 / 29

HEX #9FADB5

RGB 159 173 181

HSL 201.82, 0.13%, 0.67%

LAB 69.89, -3.23, -5.77

 

CMYK 1 / 12 / 0 / 29

HEX #B39FB5

RGB 179 159 181

HSL 294.55, 0.13%, 0.67%

LAB 67.81, 11.33, -8.68

 

Description

Color code: HEX #B6A9A0 | qconv.com Color code: HEX #B6A9A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 169 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 169 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 12 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 12% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Sascha Bjørn Greier ...
Link: http://www.rechtsanwalt-greier.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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