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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B694F3 it is the complementary color #496B0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B694F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B694F3: #BB94EE, #CCA6FF, #DDB8FF, #EECAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B694F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B694F3: #B694F3, #A582E0, #9470CD, #835EBA and #724CA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

Complementary color

CMYK 32 / 0 / 89 / 58

HEX #496B0C

RGB 73 107 12

HSL 81.47, 0.8%, 0.23%

LAB 41.15, -26.56, 43.81

 

CMYK 21 / 38 / 0 / 7

HEX #BB94EE

RGB 187 148 238

HSL 266, 0.73%, 0.76%

LAB 67.96, 32.13, -39.94

 

CMYK 20 / 35 / 0 / 0

HEX #CCA6FF

RGB 204 166 255

HSL 265.62, 1%, 0.83%

LAB 74.4, 30.97, -39.04

 

CMYK 13 / 28 / 0 / 0

HEX #DDB8FF

RGB 221 184 255

HSL 271.27, 1%, 0.86%

LAB 80.11, 26.28, -30.09

 

CMYK 7 / 21 / 0 / 0

HEX #EECAFF

RGB 238 202 255

HSL 280.75, 1%, 0.9%

LAB 85.83, 21.96, -21.24

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 26 / 42 / 0 / 12

HEX #A582E0

RGB 165 130 224

HSL 262.34, 0.6%, 0.69%

LAB 61.09, 32.66, -43.12

 

CMYK 28 / 45 / 0 / 20

HEX #9470CD

RGB 148 112 205

HSL 263.23, 0.48%, 0.62%

LAB 54.34, 33.54, -43.18

 

CMYK 30 / 49 / 0 / 27

HEX #835EBA

RGB 131 94 186

HSL 264.13, 0.4%, 0.55%

LAB 47.46, 34.49, -43.26

 

CMYK 32 / 54 / 0 / 35

HEX #724CA7

RGB 114 76 167

HSL 265.05, 0.37%, 0.48%

LAB 40.47, 35.51, -43.35

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 19 / 39 / 0 / 5

HEX #C595F3

RGB 197 149 243

HSL 270.64, 0.8%, 0.77%

LAB 69.35, 35.6, -40.43

 

CMYK 12 / 39 / 0 / 5

HEX #D595F3

RGB 213 149 243

HSL 280.85, 0.8%, 0.77%

LAB 70.95, 40.27, -37.83

 

CMYK 6 / 39 / 0 / 5

HEX #E595F3

RGB 229 149 243

HSL 291.06, 0.8%, 0.77%

LAB 72.64, 45.01, -35.06

 

CMYK 0 / 39 / 1 / 5

HEX #F395F1

RGB 243 149 241

HSL 301.28, 0.8%, 0.77%

LAB 74.13, 48.83, -31.55

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 26 / 38 / 0 / 85

HEX #1D1827

RGB 29 24 39

HSL 260, 0.24%, 0.12%

LAB 9.49, 6.54, -9.35

 

CMYK 26 / 39 / 0 / 65

HEX #43375A

RGB 67 55 90

HSL 260.57, 0.24%, 0.28%

LAB 25.75, 13.73, -19.08

 

CMYK 25 / 39 / 0 / 45

HEX #6A568D

RGB 106 86 141

HSL 261.82, 0.24%, 0.45%

LAB 40.64, 20.41, -27.53

 

CMYK 25 / 39 / 0 / 25

HEX #9075C0

RGB 144 117 192

HSL 261.6, 0.37%, 0.61%

LAB 54.51, 26.29, -35.52

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 0 / 39 / 21 / 5

HEX #F395BF

RGB 243 149 191

HSL 333.19, 0.8%, 0.77%

LAB 72.44, 40.74, -6.64

 

CMYK 37 / 0 / 39 / 5

HEX #9AF395

RGB 154 243 149

HSL 116.81, 0.8%, 0.77%

LAB 88.51, -44.72, 37.11

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 0 / 25 / 39 / 5

HEX #F3B695

RGB 243 182 149

HSL 21.06, 0.8%, 0.77%

LAB 78.86, 17.93, 25.41

 

CMYK 39 / 0 / 25 / 5

HEX #95F3B6

RGB 149 243 182

HSL 141.06, 0.8%, 0.77%

LAB 88.86, -40.73, 20.81

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 0 / 39 / 21 / 5

HEX #F395BF

RGB 243 149 191

HSL 333.19, 0.8%, 0.77%

LAB 72.44, 40.74, -6.64

 

CMYK 14 / 0 / 39 / 5

HEX #D2F395

RGB 210 243 149

HSL 81.06, 0.8%, 0.77%

LAB 91.67, -25.74, 41.82

 

CMYK 39 / 0 / 17 / 5

HEX #95F3C9

RGB 149 243 201

HSL 153.19, 0.8%, 0.77%

LAB 89.26, -37.06, 11.55

 

CMYK 25 / 39 / 0 / 5

HEX #B694F3

RGB 182 148 243

HSL 261.47, 0.8%, 0.77%

LAB 67.72, 31.86, -43.09

 

CMYK 0 / 39 / 33 / 5

HEX #F395A3

RGB 243 149 163

HSL 351.06, 0.8%, 0.77%

LAB 71.69, 36.97, 7.8

 

CMYK 14 / 0 / 39 / 5

HEX #D2F395

RGB 210 243 149

HSL 81.06, 0.8%, 0.77%

LAB 91.67, -25.74, 41.82

 

CMYK 39 / 0 / 6 / 5

HEX #95F3E5

RGB 149 243 229

HSL 171.06, 0.8%, 0.77%

LAB 89.93, -31.06, -2.05

 

Description

Color code: HEX #B694F3 | qconv.com Color code: HEX #B694F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 148 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 148 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 39 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 39% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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