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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B68884 it is the complementary color #49777B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B68884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B68884: #BB887F, #CC9A92, #DDACA5, #EEBEB8 and #FFD0CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B68884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B68884: #B68884, #A57671, #94645E, #83524B and #724038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

Complementary color

CMYK 41 / 3 / 0 / 52

HEX #49777B

RGB 73 119 123

HSL 184.8, 0.26%, 0.38%

LAB 47.03, -14.59, -7.17

 

CMYK 0 / 27 / 32 / 27

HEX #BB887F

RGB 187 136 127

HSL 9, 0.31%, 0.62%

LAB 61.4, 18.26, 12.52

 

CMYK 0 / 25 / 28 / 20

HEX #CC9A92

RGB 204 154 146

HSL 8.28, 0.36%, 0.69%

LAB 68.04, 17.53, 11.45

 

CMYK 0 / 22 / 25 / 13

HEX #DDACA5

RGB 221 172 165

HSL 7.5, 0.45%, 0.76%

LAB 74.57, 16.88, 10.47

 

CMYK 0 / 20 / 23 / 7

HEX #EEBEB8

RGB 238 190 184

HSL 6.67, 0.61%, 0.83%

LAB 81, 16.3, 9.57

 

CMYK 0 / 18 / 20 / 0

HEX #FFD0CB

RGB 255 208 203

HSL 5.77, 1%, 0.9%

LAB 87.33, 15.77, 8.71

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 0 / 28 / 32 / 35

HEX #A57671

RGB 165 118 113

HSL 5.77, 0.22%, 0.55%

LAB 54.18, 17.74, 10.07

 

CMYK 0 / 32 / 36 / 42

HEX #94645E

RGB 148 100 94

HSL 6.67, 0.22%, 0.47%

LAB 47.26, 18.6, 11.27

 

CMYK 0 / 37 / 43 / 49

HEX #83524B

RGB 131 82 75

HSL 7.5, 0.27%, 0.4%

LAB 40.19, 19.61, 12.66

 

CMYK 0 / 44 / 51 / 55

HEX #724038

RGB 114 64 56

HSL 8.28, 0.34%, 0.33%

LAB 32.98, 20.8, 14.32

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 0 / 21 / 28 / 28

HEX #B79084

RGB 183 144 132

HSL 14.12, 0.26%, 0.62%

LAB 63.08, 12.92, 11.99

 

CMYK 0 / 16 / 28 / 28

HEX #B79984

RGB 183 153 132

HSL 24.71, 0.26%, 0.62%

LAB 65.37, 7.94, 15.2

 

CMYK 0 / 12 / 28 / 28

HEX #B7A184

RGB 183 161 132

HSL 34.12, 0.26%, 0.62%

LAB 67.44, 3.55, 18.07

 

CMYK 0 / 8 / 28 / 28

HEX #B7A984

RGB 183 169 132

HSL 43.53, 0.26%, 0.62%

LAB 69.55, -0.78, 20.96

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 0 / 25 / 27 / 9

HEX #E9AEA9

RGB 233 174 169

HSL 4.69, 0.59%, 0.79%

LAB 76.35, 20.86, 10.99

 

CMYK 0 / 24 / 28 / 89

HEX #1D1615

RGB 29 22 21

HSL 7.5, 0.16%, 0.1%

LAB 8.03, 3.32, 1.95

 

CMYK 0 / 25 / 28 / 69

HEX #503C3A

RGB 80 60 58

HSL 5.45, 0.16%, 0.27%

LAB 27.42, 8.44, 4.62

 

CMYK 0 / 25 / 27 / 49

HEX #83625F

RGB 131 98 95

HSL 5, 0.16%, 0.44%

LAB 44.78, 12.89, 6.9

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 8 / 0 / 28 / 28

HEX #A9B784

RGB 169 183 132

HSL 76.47, 0.26%, 0.62%

LAB 72.21, -13.61, 24.38

 

CMYK 28 / 19 / 0 / 28

HEX #8495B7

RGB 132 149 183

HSL 220, 0.26%, 0.62%

LAB 61.5, 1.83, -19.69

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 28 / 0 / 26 / 28

HEX #84B788

RGB 132 183 136

HSL 124.71, 0.26%, 0.62%

LAB 69.86, -26.31, 18.63

 

CMYK 26 / 28 / 0 / 28

HEX #8884B7

RGB 136 132 183

HSL 244.71, 0.26%, 0.62%

LAB 57.23, 12.86, -26.21

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 8 / 0 / 28 / 28

HEX #A9B784

RGB 169 183 132

HSL 76.47, 0.26%, 0.62%

LAB 72.21, -13.61, 24.38

 

CMYK 28 / 2 / 0 / 28

HEX #84B3B7

RGB 132 179 183

HSL 184.71, 0.26%, 0.62%

LAB 69.87, -14.56, -7.1

 

CMYK 20 / 28 / 0 / 28

HEX #9284B7

RGB 146 132 183

HSL 256.47, 0.26%, 0.62%

LAB 58.07, 16, -24.84

 

CMYK 0 / 25 / 27 / 29

HEX #B68884

RGB 182 136 132

HSL 4.8, 0.26%, 0.62%

LAB 60.97, 16.99, 9

 

CMYK 16 / 0 / 28 / 28

HEX #9AB784

RGB 154 183 132

HSL 94.12, 0.26%, 0.62%

LAB 71.15, -19.23, 22.77

 

CMYK 28 / 2 / 0 / 28

HEX #84B3B7

RGB 132 179 183

HSL 184.71, 0.26%, 0.62%

LAB 69.87, -14.56, -7.1

 

CMYK 12 / 28 / 0 / 28

HEX #A184B7

RGB 161 132 183

HSL 274.12, 0.26%, 0.62%

LAB 59.43, 20.86, -22.63

 

Description

Color code: HEX #B68884 | qconv.com Color code: HEX #B68884 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 136 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 136 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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