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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B661DC it is the complementary color #499E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B661DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B661DC shade: #BB61D7, #CC73EA, #DD85FD, #EE97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B661DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B661DC shade: #B661DC, #A54FC9, #943DB6, #832BA3 and #721990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B661DC shade: #B660DC, #D760DC, #DC60C0, #DC609E and #DC607D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B661DC shade: #B660DC, #9460DC, #7360DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B661DC shade matches the following richer shades: #B660DC, #BC50EC and #C241FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B661DC shade: #B660DC, #B070CC, #AA7FBD, #A48FAD and #9E9F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B661DC shade: #7360DC, #9460DC, #B560DC, #D660DC and #DC60C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B661DC shade: #912AC0, #A63ED5, #B660DC, #C582E4 and #D5A4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B661DC shade: #B661DC, #DC606F and #60DC83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B661DC shade: #B661DC, #DCB560 and #60DCB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B661DC shade: #B661DC, #DC606F, #87DC60 and #60DCCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B661DC shade: #B661DC, #DC7760, #87DC60 and #60C5DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 56 / 0 / 14

HEX #B661DC

RGB 182 97 220

HSL 281.46, 0.64%, 0.62%

LAB 55.75, 54.12, -49.2

 

Complementary color

CMYK 54 / 0 / 78 / 38

HEX #499E23

RGB 73 158 35

HSL 101.46, 0.64%, 0.38%

LAB 58.03, -47.23, 52.38

 

CMYK 13 / 55 / 0 / 16

HEX #BB61D7

RGB 187 97 215

HSL 285.76, 0.6%, 0.61%

LAB 56.11, 54.38, -45.77

 

CMYK 13 / 51 / 0 / 8

HEX #CC73EA

RGB 204 115 234

HSL 284.87, 0.74%, 0.68%

LAB 62.54, 53.69, -46.11

 

CMYK 13 / 47 / 0 / 1

HEX #DD85FD

RGB 221 133 253

HSL 284, 0.97%, 0.76%

LAB 68.92, 52.95, -46.39

 

CMYK 7 / 41 / 0 / 0

HEX #EE97FF

RGB 238 151 255

HSL 290.19, 1%, 0.8%

LAB 74.53, 48.9, -38.58

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 17 / 56 / 0 / 14

HEX #B661DC

RGB 182 97 220

HSL 281.46, 0.64%, 0.62%

LAB 55.75, 54.12, -49.2

 

CMYK 18 / 61 / 0 / 21

HEX #A54FC9

RGB 165 79 201

HSL 282.3, 0.53%, 0.55%

LAB 49.26, 54.74, -48.83

 

CMYK 19 / 66 / 0 / 29

HEX #943DB6

RGB 148 61 182

HSL 283.14, 0.5%, 0.48%

LAB 42.78, 55.14, -48.28

 

CMYK 20 / 74 / 0 / 36

HEX #832BA3

RGB 131 43 163

HSL 284, 0.58%, 0.4%

LAB 36.36, 55.1, -47.42

 

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

CMYK 17 / 56 / 0 / 14

HEX #B660DC

RGB 182 96 220

HSL 281.61, 0.64%, 0.62%

LAB 55.56, 54.62, -49.5

 

CMYK 2 / 56 / 0 / 14

HEX #D760DC

RGB 215 96 220

HSL 297.58, 0.64%, 0.62%

LAB 59.87, 63.03, -42.4

 

CMYK 0 / 56 / 13 / 14

HEX #DC60C0

RGB 220 96 192

HSL 313.55, 0.64%, 0.62%

LAB 59.33, 59.77, -27.32

 

CMYK 0 / 56 / 28 / 14

HEX #DC609E

RGB 220 96 158

HSL 330, 0.64%, 0.62%

LAB 58.08, 54.96, -9.63

 

CMYK 0 / 56 / 43 / 14

HEX #DC607D

RGB 220 96 125

HSL 345.97, 0.64%, 0.62%

LAB 57.14, 51.15, 8.26

 

CMYK 17 / 56 / 0 / 14

HEX #B660DC

RGB 182 96 220

HSL 281.61, 0.64%, 0.62%

LAB 55.56, 54.62, -49.5

 

CMYK 33 / 56 / 0 / 14

HEX #9460DC

RGB 148 96 220

HSL 265.16, 0.64%, 0.62%

LAB 51.64, 46.25, -55.98

 

CMYK 48 / 56 / 0 / 14

HEX #7360DC

RGB 115 96 220

HSL 249.19, 0.64%, 0.62%

LAB 48.48, 38.83, -61.23

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 17 / 56 / 0 / 14

HEX #B660DC

RGB 182 96 220

HSL 281.61, 0.64%, 0.62%

LAB 55.56, 54.62, -49.5

 

CMYK 20 / 66 / 0 / 7

HEX #BC50EC

RGB 188 80 236

HSL 281.54, 0.8%, 0.62%

LAB 54.54, 66.7, -60.09

 

CMYK 23 / 74 / 0 / 2

HEX #C241FB

RGB 194 65 251

HSL 281.61, 0.96%, 0.62%

LAB 54.25, 76.66, -68.88

 

CMYK 17 / 56 / 0 / 14

HEX #B660DC

RGB 182 96 220

HSL 281.61, 0.64%, 0.62%

LAB 55.56, 54.62, -49.5

 

CMYK 14 / 45 / 0 / 20

HEX #B070CC

RGB 176 112 204

HSL 281.74, 0.47%, 0.62%

LAB 57.25, 41.28, -37.83

 

CMYK 10 / 33 / 0 / 26

HEX #AA7FBD

RGB 170 127 189

HSL 281.61, 0.32%, 0.62%

LAB 59.34, 27.92, -26.1

 

CMYK 5 / 17 / 0 / 32

HEX #A48FAD

RGB 164 143 173

HSL 282, 0.15%, 0.62%

LAB 62.13, 13.5, -12.83

 

CMYK 1 / 0 / 1 / 38

HEX #9E9F9D

RGB 158 159 157

HSL 90, 0.01%, 0.62%

LAB 65.36, -0.74, 0.91

 

CMYK 48 / 56 / 0 / 14

HEX #7360DC

RGB 115 96 220

HSL 249.19, 0.64%, 0.62%

LAB 48.48, 38.83, -61.23

 

CMYK 33 / 56 / 0 / 14

HEX #9460DC

RGB 148 96 220

HSL 265.16, 0.64%, 0.62%

LAB 51.64, 46.25, -55.98

 

CMYK 18 / 56 / 0 / 14

HEX #B560DC

RGB 181 96 220

HSL 281.13, 0.64%, 0.62%

LAB 55.44, 54.37, -49.7

 

CMYK 3 / 56 / 0 / 14

HEX #D660DC

RGB 214 96 220

HSL 297.1, 0.64%, 0.62%

LAB 59.73, 62.77, -42.63

 

CMYK 0 / 56 / 12 / 14

HEX #DC60C1

RGB 220 96 193

HSL 313.06, 0.64%, 0.62%

LAB 59.37, 59.92, -27.83

 

CMYK 24 / 78 / 0 / 25

HEX #912AC0

RGB 145 42 192

HSL 281.2, 0.64%, 0.46%

LAB 40.38, 64.07, -58.04

 

CMYK 22 / 71 / 0 / 16

HEX #A63ED5

RGB 166 62 213

HSL 281.32, 0.64%, 0.54%

LAB 47.44, 64.93, -58.64

 

CMYK 17 / 56 / 0 / 14

HEX #B660DC

RGB 182 96 220

HSL 281.61, 0.64%, 0.62%

LAB 55.56, 54.62, -49.5

 

CMYK 14 / 43 / 0 / 11

HEX #C582E4

RGB 197 130 228

HSL 281.02, 0.64%, 0.7%

LAB 64.51, 42.69, -39.74

 

CMYK 9 / 30 / 0 / 8

HEX #D5A4EB

RGB 213 164 235

HSL 281.41, 0.64%, 0.78%

LAB 73.99, 30.54, -28.76

 

CMYK 17 / 56 / 0 / 14

HEX #B661DC

RGB 182 97 220

HSL 281.46, 0.64%, 0.62%

LAB 55.75, 54.12, -49.2

 

CMYK 0 / 56 / 50 / 14

HEX #DC606F

RGB 220 96 111

HSL 352.74, 0.64%, 0.62%

LAB 56.81, 49.82, 16

 

CMYK 56 / 0 / 40 / 14

HEX #60DC83

RGB 96 220 131

HSL 136.94, 0.64%, 0.62%

LAB 79.22, -53.72, 33.56

 

CMYK 17 / 56 / 0 / 14

HEX #B661DC

RGB 182 97 220

HSL 281.46, 0.64%, 0.62%

LAB 55.75, 54.12, -49.2

 

CMYK 0 / 18 / 56 / 14

HEX #DCB560

RGB 220 181 96

HSL 41.13, 0.64%, 0.62%

LAB 75.52, 4.11, 48.01

 

CMYK 56 / 0 / 18 / 14

HEX #60DCB5

RGB 96 220 181

HSL 161.13, 0.64%, 0.62%

LAB 80.18, -43.82, 8.83

 

CMYK 17 / 56 / 0 / 14

HEX #B661DC

RGB 182 97 220

HSL 281.46, 0.64%, 0.62%

LAB 55.75, 54.12, -49.2

 

CMYK 0 / 56 / 50 / 14

HEX #DC606F

RGB 220 96 111

HSL 352.74, 0.64%, 0.62%

LAB 56.81, 49.82, 16

 

CMYK 39 / 0 / 56 / 14

HEX #87DC60

RGB 135 220 96

HSL 101.13, 0.64%, 0.62%

LAB 80.28, -47.65, 52.09

 

CMYK 56 / 0 / 6 / 14

HEX #60DCCE

RGB 96 220 206

HSL 173.23, 0.64%, 0.62%

LAB 80.81, -37.79, -3.55

 

CMYK 17 / 56 / 0 / 14

HEX #B661DC

RGB 182 97 220

HSL 281.46, 0.64%, 0.62%

LAB 55.75, 54.12, -49.2

 

CMYK 0 / 46 / 56 / 14

HEX #DC7760

RGB 220 119 96

HSL 11.13, 0.64%, 0.62%

LAB 61, 37.14, 30.17

 

CMYK 39 / 0 / 56 / 14

HEX #87DC60

RGB 135 220 96

HSL 101.13, 0.64%, 0.62%

LAB 80.28, -47.65, 52.09

 

CMYK 56 / 10 / 0 / 14

HEX #60C5DC

RGB 96 197 220

HSL 191.13, 0.64%, 0.62%

LAB 74.56, -22.96, -20.41

 

Description

Color code: HEX #B661DC | qconv.com Color code: HEX #B661DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 97 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 97 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 56 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 56% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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