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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #721990 it is the complementary color #8DE66F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #721990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #721990 shade: #77198B, #882B9E, #993DB1, #AA4FC4 and #BB61D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #721990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #721990 shade: #721990, #61077D, #50006A, #3F0057 and #2E0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #721990 shade: #71198F, #8F198D, #8F196D, #8F194D and #8F192E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #721990 shade: #71198F, #52198F, #32198F and #19198F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #721990 shade matches the following richer shades: #71198F and #780C9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #721990 shade: #71198F, #6B2781, #643474, #5D4266 and #565059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #721990 shade: #31198F, #50198F, #70198F, #8F198F and #8F1970

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #721990 shade: #3A0D49, #56136C, #71198F, #8D1FB2 and #A926D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #721990 shade: #721990, #8F1921 and #198F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #721990 shade: #721990, #8F7019 and #198F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #721990 shade: #721990, #8F1921, #398F19 and #198F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #721990 shade: #721990, #8F3519, #398F19 and #19748F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

Complementary color

CMYK 39 / 0 / 52 / 10

HEX #8DE66F

RGB 141 230 111

HSL 104.87, 0.7%, 0.67%

LAB 83.65, -48.25, 49.26

 

CMYK 14 / 82 / 0 / 45

HEX #77198B

RGB 119 25 139

HSL 289.47, 0.7%, 0.32%

LAB 30.6, 54.21, -42.15

 

CMYK 14 / 73 / 0 / 38

HEX #882B9E

RGB 136 43 158

HSL 288.52, 0.57%, 0.39%

LAB 36.8, 55.16, -43.66

 

CMYK 14 / 66 / 0 / 31

HEX #993DB1

RGB 153 61 177

HSL 287.59, 0.49%, 0.47%

LAB 43.19, 55.28, -44.64

 

CMYK 13 / 60 / 0 / 23

HEX #AA4FC4

RGB 170 79 196

HSL 286.67, 0.5%, 0.54%

LAB 49.65, 54.95, -45.3

 

CMYK 13 / 55 / 0 / 16

HEX #BB61D7

RGB 187 97 215

HSL 285.76, 0.6%, 0.61%

LAB 56.11, 54.38, -45.77

 

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

CMYK 22 / 94 / 0 / 51

HEX #61077D

RGB 97 7 125

HSL 285.76, 0.89%, 0.26%

LAB 24.24, 51.96, -43.83

 

CMYK 25 / 100 / 0 / 58

HEX #50006A

RGB 80 0 106

HSL 285.28, 1%, 0.21%

LAB 19, 47.23, -40.25

 

CMYK 28 / 100 / 0 / 66

HEX #3F0057

RGB 63 0 87

HSL 283.45, 1%, 0.17%

LAB 14.09, 40.84, -35.74

 

CMYK 32 / 100 / 0 / 73

HEX #2E0044

RGB 46 0 68

HSL 280.59, 1%, 0.13%

LAB 8.98, 34.19, -31.08

 

CMYK 21 / 83 / 0 / 44

HEX #71198F

RGB 113 25 143

HSL 284.75, 0.7%, 0.33%

LAB 29.88, 53.86, -45.83

 

CMYK 0 / 83 / 1 / 44

HEX #8F198D

RGB 143 25 141

HSL 301.02, 0.7%, 0.33%

LAB 34.92, 59.35, -36.23

 

CMYK 0 / 83 / 24 / 44

HEX #8F196D

RGB 143 25 109

HSL 317.29, 0.7%, 0.33%

LAB 33.22, 54.62, -18.85

 

CMYK 0 / 83 / 46 / 44

HEX #8F194D

RGB 143 25 77

HSL 333.56, 0.7%, 0.33%

LAB 31.97, 50.96, -0

 

CMYK 0 / 83 / 68 / 44

HEX #8F192E

RGB 143 25 46

HSL 349.32, 0.7%, 0.33%

LAB 31.19, 48.6, 19.37

 

CMYK 21 / 83 / 0 / 44

HEX #71198F

RGB 113 25 143

HSL 284.75, 0.7%, 0.33%

LAB 29.88, 53.86, -45.83

 

CMYK 43 / 83 / 0 / 44

HEX #52198F

RGB 82 25 143

HSL 268.98, 0.7%, 0.33%

LAB 25.18, 48.59, -53.7

 

CMYK 65 / 83 / 0 / 44

HEX #32198F

RGB 50 25 143

HSL 252.71, 0.7%, 0.33%

LAB 21.42, 44.44, -60.02

 

CMYK 83 / 83 / 0 / 44

HEX #19198F

RGB 25 25 143

HSL 240, 0.7%, 0.33%

LAB 19.58, 42.43, -63.12

 

CMYK 21 / 83 / 0 / 44

HEX #71198F

RGB 113 25 143

HSL 284.75, 0.7%, 0.33%

LAB 29.88, 53.86, -45.83

 

CMYK 24 / 92 / 0 / 38

HEX #780C9D

RGB 120 12 157

HSL 284.69, 0.86%, 0.33%

LAB 31.09, 60.85, -52.41

 

CMYK 21 / 83 / 0 / 44

HEX #71198F

RGB 113 25 143

HSL 284.75, 0.7%, 0.33%

LAB 29.88, 53.86, -45.83

 

CMYK 17 / 70 / 0 / 49

HEX #6B2781

RGB 107 39 129

HSL 285.33, 0.54%, 0.33%

LAB 29.82, 44.32, -37.27

 

CMYK 14 / 55 / 0 / 55

HEX #643474

RGB 100 52 116

HSL 285, 0.38%, 0.33%

LAB 30.46, 32.87, -28.12

 

CMYK 9 / 35 / 0 / 60

HEX #5D4266

RGB 93 66 102

HSL 285, 0.21%, 0.33%

LAB 32.22, 18.87, -16.57

 

CMYK 3 / 10 / 0 / 65

HEX #565059

RGB 86 80 89

HSL 280, 0.05%, 0.33%

LAB 34.88, 4.38, -4.38

 

CMYK 66 / 83 / 0 / 44

HEX #31198F

RGB 49 25 143

HSL 252.2, 0.7%, 0.33%

LAB 21.33, 44.34, -60.18

 

CMYK 44 / 83 / 0 / 44

HEX #50198F

RGB 80 25 143

HSL 267.97, 0.7%, 0.33%

LAB 24.9, 48.29, -54.16

 

CMYK 22 / 83 / 0 / 44

HEX #70198F

RGB 112 25 143

HSL 284.24, 0.7%, 0.33%

LAB 29.72, 53.67, -46.1

 

CMYK 0 / 83 / 0 / 44

HEX #8F198F

RGB 143 25 143

HSL 300, 0.7%, 0.33%

LAB 35.04, 59.68, -37.27

 

CMYK 0 / 83 / 22 / 44

HEX #8F1970

RGB 143 25 112

HSL 315.76, 0.7%, 0.33%

LAB 33.36, 55.02, -20.54

 

CMYK 21 / 82 / 0 / 71

HEX #3A0D49

RGB 58 13 73

HSL 285, 0.7%, 0.17%

LAB 13.64, 31.84, -26.91

 

CMYK 20 / 82 / 0 / 58

HEX #56136C

RGB 86 19 108

HSL 285.17, 0.7%, 0.25%

LAB 22.04, 43.37, -36.57

 

CMYK 21 / 83 / 0 / 44

HEX #71198F

RGB 113 25 143

HSL 284.75, 0.7%, 0.33%

LAB 29.88, 53.86, -45.83

 

CMYK 21 / 83 / 0 / 30

HEX #8D1FB2

RGB 141 31 178

HSL 284.9, 0.7%, 0.41%

LAB 37.58, 63.98, -54.34

 

CMYK 21 / 82 / 0 / 16

HEX #A926D5

RGB 169 38 213

HSL 284.91, 0.7%, 0.49%

LAB 45.12, 73.43, -62.37

 

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

CMYK 0 / 83 / 77 / 44

HEX #8F1921

RGB 143 25 33

HSL 355.93, 0.7%, 0.33%

LAB 30.98, 47.97, 27.44

 

CMYK 83 / 0 / 55 / 44

HEX #198F41

RGB 25 143 65

HSL 140.34, 0.7%, 0.33%

LAB 52.1, -48.57, 32.55

 

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

CMYK 0 / 22 / 83 / 44

HEX #8F7019

RGB 143 112 25

HSL 44.24, 0.7%, 0.33%

LAB 48.88, 3.68, 48.97

 

CMYK 83 / 0 / 22 / 44

HEX #198F70

RGB 25 143 112

HSL 164.24, 0.7%, 0.33%

LAB 52.97, -38.71, 7.76

 

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

CMYK 0 / 83 / 77 / 44

HEX #8F1921

RGB 143 25 33

HSL 355.93, 0.7%, 0.33%

LAB 30.98, 47.97, 27.44

 

CMYK 60 / 0 / 83 / 44

HEX #398F19

RGB 57 143 25

HSL 103.73, 0.7%, 0.33%

LAB 52.49, -46.6, 50.1

 

CMYK 83 / 0 / 6 / 44

HEX #198F87

RGB 25 143 135

HSL 175.93, 0.7%, 0.33%

LAB 53.6, -32.25, -4.59

 

CMYK 21 / 83 / 0 / 44

HEX #721990

RGB 114 25 144

HSL 284.87, 0.7%, 0.33%

LAB 30.12, 54.24, -46.05

 

CMYK 0 / 63 / 83 / 44

HEX #8F3519

RGB 143 53 25

HSL 14.24, 0.7%, 0.33%

LAB 34.92, 36.67, 36.11

 

CMYK 60 / 0 / 83 / 44

HEX #398F19

RGB 57 143 25

HSL 103.73, 0.7%, 0.33%

LAB 52.49, -46.6, 50.1

 

CMYK 83 / 19 / 0 / 44

HEX #19748F

RGB 25 116 143

HSL 193.73, 0.7%, 0.33%

LAB 45.19, -15.72, -21.99

 

Description

Color code: HEX #721990 | qconv.com Color code: HEX #721990 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 25 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 25 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 83 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 83% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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