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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64D82 it is the complementary color #49B27D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64D82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B64D82: #BB4D7D, #CC5F90, #DD71A3, #EE83B6 and #FF95C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64D82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B64D82: #B64D82, #A53B6F, #94295C, #831749 and #720536

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

Complementary color

CMYK 59 / 0 / 30 / 30

HEX #49B27D

RGB 73 178 125

HSL 149.71, 0.42%, 0.49%

LAB 65.54, -42.78, 18.24

 

CMYK 0 / 59 / 33 / 27

HEX #BB4D7D

RGB 187 77 125

HSL 333.82, 0.45%, 0.52%

LAB 48.7, 49.18, -4.61

 

CMYK 0 / 53 / 29 / 20

HEX #CC5F90

RGB 204 95 144

HSL 333.03, 0.52%, 0.59%

LAB 55.11, 48.53, -6.13

 

CMYK 0 / 49 / 26 / 13

HEX #DD71A3

RGB 221 113 163

HSL 332.22, 0.61%, 0.65%

LAB 61.5, 47.78, -7.4

 

CMYK 0 / 45 / 24 / 7

HEX #EE83B6

RGB 238 131 182

HSL 331.4, 0.76%, 0.72%

LAB 67.86, 46.99, -8.48

 

CMYK 0 / 42 / 21 / 0

HEX #FF95C9

RGB 255 149 201

HSL 330.57, 1%, 0.79%

LAB 74.17, 46.19, -9.43

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 0 / 64 / 33 / 35

HEX #A53B6F

RGB 165 59 111

HSL 330.57, 0.47%, 0.44%

LAB 41.65, 48.66, -6.92

 

CMYK 0 / 72 / 38 / 42

HEX #94295C

RGB 148 41 92

HSL 331.4, 0.57%, 0.37%

LAB 35.31, 48.66, -4.71

 

CMYK 0 / 82 / 44 / 49

HEX #831749

RGB 131 23 73

HSL 332.22, 0.7%, 0.3%

LAB 29.21, 47.83, -1.69

 

CMYK 0 / 96 / 53 / 55

HEX #720536

RGB 114 5 54

HSL 333.03, 0.92%, 0.23%

LAB 23.51, 45.65, 2.49

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 0 / 58 / 37 / 29

HEX #B64D72

RGB 182 77 114

HSL 338.86, 0.42%, 0.51%

LAB 47.58, 46.22, 0.3

 

CMYK 0 / 58 / 47 / 29

HEX #B64D60

RGB 182 77 96

HSL 349.14, 0.42%, 0.51%

LAB 47.1, 44.29, 10.55

 

CMYK 0 / 58 / 57 / 29

HEX #B64D4F

RGB 182 77 79

HSL 358.86, 0.42%, 0.51%

LAB 46.73, 42.77, 20.34

 

CMYK 0 / 49 / 58 / 29

HEX #B65D4D

RGB 182 93 77

HSL 9.14, 0.42%, 0.51%

LAB 49.87, 34.48, 25.61

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 0 / 58 / 29 / 9

HEX #E963A6

RGB 233 99 166

HSL 330, 0.75%, 0.65%

LAB 60.78, 58.59, -10.02

 

CMYK 0 / 59 / 28 / 89

HEX #1D0C15

RGB 29 12 21

HSL 328.24, 0.41%, 0.08%

LAB 5.22, 9.17, -2.15

 

CMYK 0 / 58 / 29 / 69

HEX #502239

RGB 80 34 57

HSL 330, 0.4%, 0.22%

LAB 20.62, 24.64, -4.63

 

CMYK 0 / 58 / 28 / 49

HEX #83375E

RGB 131 55 94

HSL 329.21, 0.41%, 0.36%

LAB 34.73, 37.25, -7.16

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 0 / 18 / 58 / 29

HEX #B6954D

RGB 182 149 77

HSL 41.14, 0.42%, 0.51%

LAB 63.32, 3.66, 42.12

 

CMYK 58 / 5 / 0 / 29

HEX #4DADB6

RGB 77 173 182

HSL 185.14, 0.42%, 0.51%

LAB 65.63, -25.41, -13.14

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 28 / 0 / 58 / 29

HEX #83B64D

RGB 131 182 77

HSL 89.14, 0.42%, 0.51%

LAB 68.62, -34.33, 47.24

 

CMYK 58 / 28 / 0 / 29

HEX #4D83B6

RGB 77 131 182

HSL 209.14, 0.42%, 0.51%

LAB 53.15, -2.58, -32.25

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 0 / 18 / 58 / 29

HEX #B6954D

RGB 182 149 77

HSL 41.14, 0.42%, 0.51%

LAB 63.32, 3.66, 42.12

 

CMYK 58 / 0 / 30 / 29

HEX #4DB680

RGB 77 182 128

HSL 149.14, 0.42%, 0.51%

LAB 66.97, -42.99, 18.6

 

CMYK 58 / 40 / 0 / 29

HEX #4D6EB6

RGB 77 110 182

HSL 221.14, 0.42%, 0.51%

LAB 47.11, 10.11, -41.76

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 0 / 1 / 58 / 29

HEX #B6B44D

RGB 182 180 77

HSL 58.86, 0.42%, 0.51%

LAB 71.64, -12.83, 51.63

 

CMYK 58 / 0 / 30 / 29

HEX #4DB680

RGB 77 182 128

HSL 149.14, 0.42%, 0.51%

LAB 66.97, -42.99, 18.6

 

CMYK 58 / 57 / 0 / 29

HEX #4D4FB6

RGB 77 79 182

HSL 238.86, 0.42%, 0.51%

LAB 38.81, 29.69, -55.07

 

Description

Color code: HEX #B64D82 | qconv.com Color code: HEX #B64D82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 77 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 77 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 29 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 29% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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