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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6209D it is the complementary color #49DF62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6209D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B6209D: #BB2098, #CC32AB, #DD44BE, #EE56D1 and #FF68E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6209D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B6209D: #B6209D, #A50E8A, #940077, #830064 and #720051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

Complementary color

CMYK 67 / 0 / 56 / 13

HEX #49DF62

RGB 73 223 98

HSL 130, 0.7%, 0.58%

LAB 79.08, -64.42, 49.25

 

CMYK 0 / 83 / 19 / 27

HEX #BB2098

RGB 187 32 152

HSL 313.55, 0.71%, 0.43%

LAB 44.04, 68.58, -28.02

 

CMYK 0 / 75 / 16 / 20

HEX #CC32AB

RGB 204 50 171

HSL 312.86, 0.61%, 0.5%

LAB 49.57, 70.19, -30.49

 

CMYK 0 / 69 / 14 / 13

HEX #DD44BE

RGB 221 68 190

HSL 312.16, 0.69%, 0.57%

LAB 55.3, 71.01, -32.41

 

CMYK 0 / 64 / 12 / 7

HEX #EE56D1

RGB 238 86 209

HSL 311.45, 0.82%, 0.64%

LAB 61.16, 71.28, -33.93

 

CMYK 0 / 59 / 11 / 0

HEX #FF68E4

RGB 255 104 228

HSL 310.73, 1%, 0.7%

LAB 67.1, 71.2, -35.16

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 0 / 92 / 16 / 35

HEX #A50E8A

RGB 165 14 138

HSL 310.73, 0.84%, 0.35%

LAB 38.11, 65.46, -29.07

 

CMYK 0 / 100 / 20 / 42

HEX #940077

RGB 148 0 119

HSL 311.76, 1%, 0.29%

LAB 33.2, 61.37, -25.16

 

CMYK 0 / 100 / 24 / 49

HEX #830064

RGB 131 0 100

HSL 314.2, 1%, 0.26%

LAB 28.76, 55.51, -20.16

 

CMYK 0 / 100 / 29 / 55

HEX #720051

RGB 114 0 81

HSL 317.37, 1%, 0.22%

LAB 24.23, 49.53, -14.91

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 0 / 82 / 27 / 29

HEX #B62084

RGB 182 32 132

HSL 320, 0.7%, 0.42%

LAB 42.22, 64.95, -18.74

 

CMYK 0 / 82 / 41 / 29

HEX #B6206B

RGB 182 32 107

HSL 330, 0.7%, 0.42%

LAB 41.28, 62.24, -4.65

 

CMYK 0 / 82 / 55 / 29

HEX #B62052

RGB 182 32 82

HSL 340, 0.7%, 0.42%

LAB 40.55, 60.09, 10.08

 

CMYK 0 / 82 / 69 / 29

HEX #B62039

RGB 182 32 57

HSL 350, 0.7%, 0.42%

LAB 40.04, 58.54, 25.17

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 0 / 82 / 14 / 9

HEX #E929C9

RGB 233 41 201

HSL 310, 0.81%, 0.54%

LAB 55.2, 82.62, -38.76

 

CMYK 0 / 83 / 14 / 89

HEX #1D0519

RGB 29 5 25

HSL 310, 0.71%, 0.07%

LAB 3.97, 13.04, -6.96

 

CMYK 0 / 83 / 14 / 69

HEX #500E45

RGB 80 14 69

HSL 310, 0.7%, 0.18%

LAB 17.69, 36.2, -17.45

 

CMYK 0 / 82 / 14 / 49

HEX #831771

RGB 131 23 113

HSL 310, 0.7%, 0.3%

LAB 30.95, 52.89, -25.11

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 0 / 52 / 82 / 29

HEX #B65720

RGB 182 87 32

HSL 22, 0.7%, 0.42%

LAB 48.09, 35.15, 47.45

 

CMYK 82 / 0 / 19 / 29

HEX #20B693

RGB 32 182 147

HSL 166, 0.7%, 0.42%

LAB 66.42, -45.54, 7.31

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 14 / 0 / 82 / 29

HEX #9DB620

RGB 157 182 32

HSL 70, 0.7%, 0.42%

LAB 69.99, -26.85, 65.9

 

CMYK 82 / 14 / 0 / 29

HEX #209DB6

RGB 32 157 182

HSL 190, 0.7%, 0.42%

LAB 59.71, -23.59, -22.22

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 0 / 52 / 82 / 29

HEX #B65720

RGB 182 87 32

HSL 22, 0.7%, 0.42%

LAB 48.09, 35.15, 47.45

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 82 / 30 / 0 / 29

HEX #207FB6

RGB 32 127 182

HSL 202, 0.7%, 0.42%

LAB 50.53, -7.11, -36.47

 

CMYK 0 / 82 / 14 / 29

HEX #B6209D

RGB 182 32 157

HSL 310, 0.7%, 0.42%

LAB 43.38, 68.19, -32.13

 

CMYK 0 / 27 / 82 / 29

HEX #B68420

RGB 182 132 32

HSL 40, 0.7%, 0.42%

LAB 58.56, 10.54, 56.8

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 82 / 55 / 0 / 29

HEX #2052B6

RGB 32 82 182

HSL 220, 0.7%, 0.42%

LAB 37.33, 21.34, -57.57

 

Description

Color code: HEX #B6209D | qconv.com Color code: HEX #B6209D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 32 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 32 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 14% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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