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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FB3C it is the complementary color #4A04C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FB3C shade: #BAFB37, #CBFF4A, #DCFF5D, #EDFF70 and #FEFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FB3C shade: #B5FB3C, #A4E929, #93D716, #82C503 and #71B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FB3C shade: #B5FB3C, #E8FB3C, #FBDA3C, #FBA63C and #FB733C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FB3C shade: #B5FB3C, #81FB3C, #4EFB3C, #3CFB5D and #3CFB91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FB3C shade matches the following richer shades: #B5FB3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FB3C shade: #B5FB3C, #B0EA4C, #ACDA5C, #A8CA6C and #A3BA7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FB3C shade: #FBD83C, #EBFB3C, #B8FB3C, #85FB3C and #52FB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FB3C shade: #8FE004, #A5FA13, #B5FB3C, #C4FB64 and #D3FC8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FB3C shade: #B5FB3C, #3CFBA5 and #F13CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FB3C shade: #B5FB3C, #3CB8FB and #FB3CB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FB3C shade: #B5FB3C, #3CFBA5, #7E3CFB and #FB3C92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FB3C shade: #B5FB3C, #3CFBDE, #7E3CFB and #FB3C58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

Complementary color

CMYK 62 / 98 / 0 / 24

HEX #4A04C3

RGB 74 4 195

HSL 261.99, 0.96%, 0.39%

LAB 28.07, 65.79, -80.37

 

CMYK 26 / 0 / 78 / 2

HEX #BAFB37

RGB 186 251 55

HSL 79.9, 0.96%, 0.6%

LAB 91.55, -45.84, 79.73

 

CMYK 20 / 0 / 71 / 0

HEX #CBFF4A

RGB 203 255 74

HSL 77.24, 1%, 0.65%

LAB 93.76, -40.34, 76.35

 

CMYK 14 / 0 / 64 / 0

HEX #DCFF5D

RGB 220 255 93

HSL 72.96, 1%, 0.68%

LAB 94.96, -32.74, 71

 

CMYK 7 / 0 / 56 / 0

HEX #EDFF70

RGB 237 255 112

HSL 67.55, 1%, 0.72%

LAB 96.28, -24.82, 64.98

 

CMYK 0 / 0 / 49 / 0

HEX #FEFF83

RGB 254 255 131

HSL 60.48, 1%, 0.76%

LAB 97.72, -16.67, 58.55

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 30 / 0 / 82 / 9

HEX #A4E929

RGB 164 233 41

HSL 81.56, 0.81%, 0.54%

LAB 85.16, -46.79, 77.12

 

CMYK 32 / 0 / 90 / 16

HEX #93D716

RGB 147 215 22

HSL 81.14, 0.81%, 0.46%

LAB 78.96, -45.96, 75.25

 

CMYK 34 / 0 / 98 / 23

HEX #82C503

RGB 130 197 3

HSL 80.72, 0.97%, 0.39%

LAB 72.68, -44.92, 72.13

 

CMYK 37 / 0 / 100 / 30

HEX #71B300

RGB 113 179 0

HSL 82.12, 1%, 0.35%

LAB 66.33, -43.61, 67.16

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 8 / 0 / 76 / 2

HEX #E8FB3C

RGB 232 251 60

HSL 65.97, 0.96%, 0.61%

LAB 94.52, -27.88, 82.11

 

CMYK 0 / 13 / 76 / 2

HEX #FBDA3C

RGB 251 218 60

HSL 49.63, 0.96%, 0.61%

LAB 87.47, -3.98, 76.24

 

CMYK 0 / 34 / 76 / 2

HEX #FBA63C

RGB 251 166 60

HSL 33.3, 0.96%, 0.61%

LAB 74.89, 22.94, 64.41

 

CMYK 0 / 54 / 76 / 2

HEX #FB733C

RGB 251 115 60

HSL 17.28, 0.96%, 0.61%

LAB 64.24, 48.77, 53.88

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 49 / 0 / 76 / 2

HEX #81FB3C

RGB 129 251 60

HSL 98.32, 0.96%, 0.61%

LAB 88.92, -64.37, 74.87

 

CMYK 69 / 0 / 76 / 2

HEX #4EFB3C

RGB 78 251 60

HSL 114.35, 0.96%, 0.61%

LAB 87.46, -76.13, 72.96

 

CMYK 76 / 0 / 63 / 2

HEX #3CFB5D

RGB 60 251 93

HSL 130.37, 0.96%, 0.61%

LAB 87.36, -76.1, 60.87

 

CMYK 76 / 0 / 42 / 2

HEX #3CFB91

RGB 60 251 145

HSL 146.7, 0.96%, 0.61%

LAB 87.97, -68.91, 37.83

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 25 / 0 / 68 / 8

HEX #B0EA4C

RGB 176 234 76

HSL 82.03, 0.79%, 0.61%

LAB 86.3, -41.06, 67.62

 

CMYK 21 / 0 / 58 / 15

HEX #ACDA5C

RGB 172 218 92

HSL 81.9, 0.63%, 0.61%

LAB 81.67, -34.14, 55.99

 

CMYK 17 / 0 / 47 / 21

HEX #A8CA6C

RGB 168 202 108

HSL 81.7, 0.47%, 0.61%

LAB 77.07, -26.55, 43.02

 

CMYK 12 / 0 / 33 / 27

HEX #A3BA7C

RGB 163 186 124

HSL 82.26, 0.31%, 0.61%

LAB 72.47, -18.56, 28.9

 

CMYK 0 / 14 / 76 / 2

HEX #FBD83C

RGB 251 216 60

HSL 49.01, 0.96%, 0.61%

LAB 86.97, -2.97, 75.78

 

CMYK 6 / 0 / 76 / 2

HEX #EBFB3C

RGB 235 251 60

HSL 65.03, 0.96%, 0.61%

LAB 94.73, -26.67, 82.39

 

CMYK 27 / 0 / 76 / 2

HEX #B8FB3C

RGB 184 251 60

HSL 81.05, 0.96%, 0.61%

LAB 91.46, -46.35, 78.19

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 67 / 0 / 76 / 2

HEX #52FB3C

RGB 82 251 60

HSL 113.09, 0.96%, 0.61%

LAB 87.54, -75.41, 73.07

 

CMYK 36 / 0 / 98 / 12

HEX #8FE004

RGB 143 224 4

HSL 82.09, 0.96%, 0.45%

LAB 81.38, -51.38, 79.09

 

CMYK 34 / 0 / 92 / 2

HEX #A5FA13

RGB 165 250 19

HSL 82.08, 0.96%, 0.53%

LAB 90.05, -53.98, 85.03

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 22 / 0 / 60 / 2

HEX #C4FB64

RGB 196 251 100

HSL 81.85, 0.95%, 0.69%

LAB 92.42, -39.46, 64.99

 

CMYK 16 / 0 / 44 / 1

HEX #D3FC8C

RGB 211 252 140

HSL 81.96, 0.95%, 0.77%

LAB 94.04, -30.63, 49.17

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 76 / 0 / 34 / 2

HEX #3CFBA5

RGB 60 251 165

HSL 152.98, 0.96%, 0.61%

LAB 88.29, -65.24, 28.29

 

CMYK 4 / 76 / 0 / 2

HEX #F13CFB

RGB 241 60 251

HSL 296.86, 0.96%, 0.61%

LAB 60.69, 86.86, -58.16

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 76 / 27 / 0 / 2

HEX #3CB8FB

RGB 60 184 251

HSL 201.05, 0.96%, 0.61%

LAB 71.01, -11.9, -42.75

 

CMYK 0 / 76 / 27 / 2

HEX #FB3CB8

RGB 251 60 184

HSL 321.05, 0.96%, 0.61%

LAB 59.16, 79.8, -22.59

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 76 / 0 / 34 / 2

HEX #3CFBA5

RGB 60 251 165

HSL 152.98, 0.96%, 0.61%

LAB 88.29, -65.24, 28.29

 

CMYK 50 / 76 / 0 / 2

HEX #7E3CFB

RGB 126 60 251

HSL 260.73, 0.96%, 0.61%

LAB 45.13, 67.75, -84.12

 

CMYK 0 / 76 / 42 / 2

HEX #FB3C92

RGB 251 60 146

HSL 332.98, 0.96%, 0.61%

LAB 57.86, 75.86, -2.39

 

CMYK 28 / 0 / 76 / 2

HEX #B5FB3C

RGB 181 251 60

HSL 81.99, 0.96%, 0.61%

LAB 91.3, -47.44, 77.97

 

CMYK 76 / 0 / 12 / 2

HEX #3CFBDE

RGB 60 251 222

HSL 170.89, 0.96%, 0.61%

LAB 89.5, -52.34, 0.66

 

CMYK 50 / 76 / 0 / 2

HEX #7E3CFB

RGB 126 60 251

HSL 260.73, 0.96%, 0.61%

LAB 45.13, 67.75, -84.12

 

CMYK 0 / 76 / 65 / 2

HEX #FB3C58

RGB 251 60 88

HSL 351.2, 0.96%, 0.61%

LAB 56.53, 71.68, 30.03

 

Description

Color code: HEX #B5FB3C | qconv.com Color code: HEX #B5FB3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 251 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 251 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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